On A Hymnsong of Philip Bliss - D. R. Holsinger [PDF]

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On a Hymnsong of Philip Bliss David R. Holsinger (ASCAP)

Complete Band Instrumentation 1 - Full Score 8 - Flute 2 - Oboe 3 - 1st Bb Clarinet 4 - 2nd Bb Clarinet 4 - 3rd Bb Clarinet 3 - Bb Bass Clarinet 2 - Bassoons

2 - 1st Eb Alto Saxophone 2 - 2nd Eb Alto Saxophone 2 - Bb Tenor Saxophone 1 - Eb Baritone Saxophone 3 - 1st Bb Trumpet (Cornet) 3 - 2nd Bb Trumpet (Cornet) 3 - 3rd Bb Trumpet (Cornet) 4 - 1st & 2nd F Horns

2 - 1st Trombone 2 - 2nd Trombone 2 - 3rd Trombone 2 - Baritone Treble Clef 2 - Baritone Bass Clef 4 - Tuba 1 - Timpani (Db & Ab) 4 - Percussion Triangle, Suspended Cymbal, Bass Drum, Crash Cymbals, Snare Drum

TRN Music Publisher, Inc. P.O. Box 197 • Alto, NM 88312 • USA www.trnmusic.com

ABOUT THE MUSIC . . . Horatio G. Spafford, a Chicago Presbyterian layman and successful businessman, planned a European trip for his family in 1873. In November of that year, due to unexpected last minute business developments, he had to remain in Chicago; but he sent his wife and four daughters on ahead as scheduled aboard the S.S. Ville du Havre. He expected to follow in a few days. On November 22, the ship was struck by the Lochearn, an English vessel, and sank in twelve minutes. Several days later the survivors were finally landed at Cardiff, Wales, and Mrs. Spafford cabled her husband, “Saved Alone.” Shortly afterward Spafford left by ship to join his bereaved wife. It is speculated that on the sea near the area where it was thought his four daughters had drowned, Spafford penned this text with words so significantly describing his own personal grief, “When sorrows like sea billows roll....” It is noteworthy, however, that Spafford does not dwell on the theme of life’s sorrows and trials, but focuses attention in the third stanza on the redemptive work of Christ. Humanly speaking, it is amazing that one could experience such personal tragedy and sorrow as did Horatio Spafford and still be able to say with such convincing clarity, “It is well with my soul...”. Hymnwriter Philip Paul Bliss was so impressed with the experience and expression of Spafford’s text that he shortly wrote the music for it, first published in 1876. Bliss was a prolific writer of gospel songs throughout his brief lifetime and in most cases, he wrote both the words and the music. This hymn is one of the few exceptions. There is speculation that this was perhaps the last gospel song written by Bliss. Bliss and his wife, Lucy, were killed in a train wreck in Ashtabula, Ohio, on December 29, 1876. Most sources mention that Bliss actually escaped from the flames at first, but was then killed when he went back into the train to try to rescue his wife. Neither body was ever found. As a postscript, Bliss’ trunk was salvaged from the wreckage, and in it, evangelist D. W. Whittle found an unfinished hymn, which began, “I know not what awaits me, God kindly veils my eyes....” ****

ABOUT THE COMPOSER . . . Having served 15 years as Composer in Residence to Shady Grove Church, Grand Prairie, Texas, award winning composer David R. Holsinger now resides in Cleveland, Tennessee, near Chattanooga, where he is Director of the Lee University Wind Ensemble. Holsinger was born in Hardin, Missouri, December 26, 1945. He received his education at Central Methodist College, Fayette, Missouri, Central Missouri State University, Warrensburg, and the University of Kansas, Lawrence. He is an elected member of the American Bandmasters Association. Holsinger has been honored with an honorary doctorate and the Gustavus Fine Arts Medallion, from the Gustavus Adolphus College in Minnesota. Recent honors include the Distinguished Music Alumni Award from Central Missouri State, CIDA’s 1999 Director of the Year Citation, and Phi Mu Alpha Sinfonia’s Orpheus Award from Epsilon Gamma Chapter.

ON A HYMNSONG OF PHILIP BLISS Score

Freely, with expression ( q = 76-80)

Flute

Oboe

1st B b Clarinet

2nd B b Clarinet

3rd B b Clarinet

B b Bass Clarinet

bb 4 &bbb 4 bb 4 &bbb 4 b 4 &bb 4 b 4 &bb 4 b 4 &bb 4

Bassoons

1st E b Alto Saxophone

2nd E b Alto Saxophone

B b Tenor Saxophone

E b Baritone Saxophone

1st B b Trumpet

2nd B b Trumpet

3rd B b Trumpet

1st & 2nd F Horns

1st Trombone

2nd Trombone

3rd Trombone

Baritone

Tuba

Timpani

Percussion Tri, Sus Cym, B.D., C.C.,S.D.

David R. Holsinger (ASCAP)

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Bsn. pw

∑ l.v.

Ó

Œ

—

w p

l.v.

Ó

∑

w

one player

Œ

—

∑ ∑

l.v.

Ó

Œ

—

l.v.

Fl.

Ob.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsns.

A. Sax. 1

A. Sax. 2

T. Sax.

B. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hns.

Tbn. 1

Tbn. 2

Tbn. 3

Bar.

Tba.

Timp.

Perc.

bb &bbb

∑

bb &bbb

∑

∑

∑

b &bb

˙

& b

œ œ œ œ ˙

œ

˙.

œ œ œ œ ˙

œ

œ

bb

b &bb b &bb

œ œ œ œ

w

? b b ˙. bbb w

œ

b &b

˙

&

œ œ œ œ ˙

&

bb bbb

&b

b

b &bb

w

œ œ œ œ

˙. w

˙

˙

n˙

cresc.

#˙

cresc.

#˙

cresc.

œ

n˙ #œ

˙ > cresc.

ww

n ˙œ

w

˙

cresc.

œ

˙.

˙ #˙ œ > > ˙

œ

œ

#˙

#˙

#˙

cresc.

œ

œ

cresc.

#œ

w

cresc.

>˙

∑

∑

∑

∑

∑

∑

∑

∑

∑

b & b bb

∑

∑

? bb bbb

∑

∑

∑

∑

∑

∑

∑

∑

∑

b &bb b &bb

? bb bbb ? bb bbb ? bb bbb ? bb bbb ? bb bbb /

w

∑

∑

∑

∑

w

∑ Ó

Œ

—

∑ Ó

l.v.

Œ

n # ˙˙

cresc.

nœ p

Tuba a2

nœ p

—

l.v.

>œ

∑ ∑

42 œ

#œ >

nœ >

# >œ

∑

42

∑

42 # n ˙˙ 42

œ >

∑

42

∑

42 œ 42 œ 42

S.Cym. · 42 æ

p

˙

44 nœ 44 b œ bœ

44 b ˙

44 ˙ 44 œ

n>œ

˙ > ˙ >

˙ >˙ Œ

all

Œ Œ ˙˙

nœ >

∑

44 Ó

Œ

44 Ó

44 Ó 44 ¥ æ

Œ Œ

œ >

> œ f œ > f œ f>

f >œ f >œ f >œ

˙ >

œ >

Ó

˙ > f ˙ ˙ > f> ˙

Ó

Ó

Ó Faster (q = ca. 100)

Ó Ó

f > ˙ Ó f > ˙ Ó f Faster (q = ca. 100) 42 > somewhat marcato ˙ œ œ (f) somewhat marcato

˙ > (f) ˙ >

œ

œ

somewhat marcato

œ

œ

somewhat marcato

˙˙ œœ œœ >f >˙somewhat marcato œ œ

>œ

>˙

Œ

42

Ó

Ó

f > ˙

˙

44 Ó

44 bœ

˙

œ >

Œ

˙ > f ˙ >f

œ >

a2

44 Ó

44 b œ

f

n˙

44 Ó

44 Ó

f œ^ œ œ œ œ (f) f > ˙

˙

44 ˙˙ ∑

42

Œ

44 b ˙

∑

42

>œ

cresc.

42 b ˙

42

cresc.

˙ >

42 # ˙

44 Ó

44 n˙

42 # ˙

# # ˙˙

>˙

#˙ 42 œ

Œ

44 b˙

42 # ˙ 42 œ

44 Ó

44 ˙

42 # ˙

œ >

#˙

∑

42 b ˙

cresc.

œ

∑

42

∑

w

œ

42

∑

9

>w œ œ œ œ

42 Faster (q = ca. 100)

(

f) >˙somewhat marcato œ œ

f) > somewhatœmarcato œ ˙ (f) > somewhatœmarcato œ ˙ (

f

˙ > f 42 > ˙ œ > (f) f >¥ ¥ ˙ Cr.Cyms. > f B.D.

Ó Faster (q = ca. 100)

Ó

somewhat marcato

10 Fl.

bb w &bbb bb &bbb

w

˙

œ J ‰ Œ

∑

∑

∑ ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

b &bb

∑

∑

∑

∑

∑

? bb bbb

∑

∑

∑

∑

∑

A. Sax. 1

&b

b

∑

∑

∑

∑

∑

A. Sax. 2

&b

b

∑

∑

∑

∑

∑

b &bb

∑

∑

∑

∑

&b

∑

∑

∑

∑

Ob.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsns.

T. Sax.

B. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hns.

Tbn. 1

Tbn. 2

Tbn. 3

Bar.

Tba.

Timp.

Perc.

b &bb b &bb b &bb

b

b &bb b &bb b &bb

∑

Œ

œ

œ

œ

œ

œ

˙

j œ ‰ œ

˙

œ

œ

˙

œ

nœ

˙

œ

œ

œ

œ

œ

œ

˙

j ‰ œ œ

˙

œ

œ

˙

œ

œ

˙

œ

œ

œ

œ

œ

œ

˙

j ‰ œ œ

˙

œ

œ

œ

œœ

œ

œ

œœ

œœ

œœ

œ

œœ

˙˙

˙ ˙˙

œœ

˙

? bb ˙ bbb ? bb ˙ bbb

œœ œ

œ

œ

œ

œ

œ

˙˙ ˙

œœ ‰ œ J œ ‰ œ J

œ

œ

œ

œ

œ

œ

˙

œ ‰ œ J

œ

œ

œ

œ

œ

bœ

˙

œ

œ

œ

œ

œ

bœ

˙

j œ ‰ œ

Ó

Œ

j œ ‰ œ

∑

∑

? bb bbb

∑

∑

∑

/

∑

∑

∑

œ f

˙

œ

œ

˙

œ

n œœ œ

˙

œ

œ

˙

œ

œ

˙

œ

œ

˙

œ

nœ

˙

œ

œ

˙

œ

nœ

˙

œ

œ

˙

œ

nœ

∑

∑

w F

˙

œ F

˙

˙ F

˙

˙˙ F ˙

˙˙

˙

˙ F

˙

F ˙ F œ

F Œ Œ

∑ ∑

œ F

a2

œ œ œ œ œ œ œ œ F œ œ œ œ œ œ œ œ F w F

œ

? bb ˙ bbb

? bb bbb

f

œ J ‰ Œ

F Œ

˙

b & b b b ˙˙ ? bb bbb

˙

œ œ œ œ œ œ œ œ F œ œ œ œ œ œ œ œ F œ œ œ œ œ œ œ œ F ˙ ˙

Ó

˙ œ

˙

œ F

˙

œ F

S.Cym. S.D.

˙ ∑

·˙æ æ π

Fl.

Ob.

Cl. 1

Cl. 2

Cl. 3

bb &bbb

∑

f œ œ œ bb œ œ &bbb Ó f œ œ œ œ b œ œ œ œ œ &bb f bb b œ œ œ œ œ œ œ œ œ & f bb b œ œ œ œ & œ œ œ œ œ bbb

A. Sax. 2

&b

B. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hns.

Tbn. 1

Tbn. 2

Tbn. 3

Bar.

Tba.

Timp.

Perc.

b

b &bb &b

b

b &bb b &bb bb

& b

œœœœ ˙

Œ

œ œ nœ œ ˙

œ

œ

œœœœ˙

Œ

œ œ nœ œ ˙

œ ˙. f >

œ

˙. >

œ

˙. >

œ ˙. f > 50 œ œ œ œ œ œ œ œ ˙ f œ œ œ œ œ œ œ œ ˙ f œ œ œ ˙ ˙. f > > œ œ œ ˙. ˙ f 50 ˙ œ œ ˙ f

œ

˙ >.

œ

˙ >.

˙

œ

œ

œ

œ

f

œœœœ˙

œ

œœœœ˙

œœœœ˙

œ

œœœœ˙

œ

œ

œ

œ

˙ ˙

œ

œ

n˙

œ

œ

˙

˙. > > œ ˙. œ

œ œ

œ œ œ œ œ œ

œ

˙

œ œ

œ œ œ œ œ œ

œ

˙

œ œ

œ œ œ œ œ œ œ

œ

˙

œ œ

œ œ œ œ œ œ œ

œ

˙

œ œ

œ

˙

œ œ

˙

œ œ

˙

œ œ

˙

œ œ

œ œ œ œ œ œ œ œ œ

œ

œ

œ

œ

œ

œ œ

˙. > >. ˙

11

Broaden greatly

œ

œ

œ

˙

œ

œ

˙

œ

œ

˙

œ œ

˙ ˙

œ œ œ œ œ œ œ œ œ œ œ œ

œ œ

˙

œ œ

Broaden greatly

œ

˙

˙

œ œ

œ

˙

˙

œ œ

˙

œ œ

œ

œ

œ

Broaden greatly

˙

œ

œ

˙

œ

œ

˙

œ

œ

˙

œ

œ

˙

œ

œ

œ

˙

œ œ

˙

œ

œ

˙ f

œ

œ

˙

œ

œ

n˙

œ

œ

œ

œ

œ œ

œ

œœ

˙˙

œ

˙

œ

œ

˙˙

œ

˙

œœ

˙

œœ

œœ

a2

˙

œ œ

˙

œ œ

˙

œ œ

? bb ˙ bbb ? bb ˙ bbb ? bb ˙ bbb ? bb ˙ bbb ˙¥æ æ

f

œ œ œ œ ˙ f ˙ œ œ

a2

? bb ˙ bbb

/

œ

œ

œ œ nœ œ ˙

b & b b b ˙˙

? bb bbb

œœœœ ˙

Œ

Œ

? bb b ˙ bb b

œœœœ ˙

œœœœ˙

Bsns.

&b

œ

œ œ nœ œ ˙

&

A. Sax. 1

œœœœ ˙

œ œ nœ œ ˙

Œ

B. Cl.

T. Sax.

œ

50

∑

œ

œ

œ

œ

œ

œ

œ

œ

f œ >˙ . f œ >˙ .

f

œ

œ

˙

œ

œ

˙

œ

œ

>. ˙

œ

>. ˙

œ

>. ˙

œ

>. ˙

œ

>. ˙

œ

>. ˙

œ

>. ˙

œ f 50 > œ f >¥ œ œ B.D. f

>˙ . >. ˙ æ

œ >˙ . > Œ ˙. æ

œ

>˙ . >. ˙ æ

f

Œ ˙. >

l.v.

Ó

Ó

Œ

‰ œ œ œ œ >¥œ œ ∑

Œ ˙. >

œ

˙

œ

œ

œ

˙

œ œ

œ

œ

˙

œ

œ

˙

œ

œ

˙

˙

œ œ

œ

œ

˙

˙

œ œ

Ó

Ó

œœ

˙ >

> ˙

Broaden greatly

Ó

‰ œæj œ œæ œ œæ œ œ œ œ >¥œ Œ Ó ˙ ∑ >

12

bb &bbb

Fl.

bb &bbb

Ob.

b &bb

Cl. 1

b &bb

Cl. 2

b &bb

Cl. 3

b &bb

B. Cl.

˙

˙

˙

˙

˙

˙

˙

˙

˙

Œ

œ œ œ œ ˙

b &bb

˙

˙

&

˙

˙

&b

T. Sax.

B. Sax.

bb

b &bb

Tpt. 1

b &bb

Tpt. 2

Hns.

˙

˙

˙

b & b bb ˙

œ.

? bb bbb

Tbn. 1

˙

? bb ˙ bbb

Tbn. 2

? bb ˙ bbb

Tbn. 3

? bb ˙ bbb

Bar.

f

œ.

˙

b &bb

Tpt. 3

˙

? bb bbb ˙ ? bb Ó bbb /

>¥ ˙ >

f~F w f~F w

f~F w

f~F w f~F

w f~F w

œ œ œ œ ˙

b

A. Sax. 2

w

(q = ca. 66)

˙

Œ

&b

Perc.

˙

b

A. Sax. 1

Timp.

˙

? bb b bb ˙

Bsns.

Tba.

˙

˙

˙ ˙ ˙ ˙

w

f~F w

f~F w f~F

œ J

œ J

w f~F (q = ca. 66) w

f~F w f~F

w f~F

w f~F w

f~F w f~F w f~F w f~F

w f~F > (q = ca. 66) w ˙ > fæ~ F F ¥¥æ ˙ > Cr.Cyms. f

œ J ‰ Œ

57 Slowly, with expression

œ J ‰ Œ œ J ‰ Œ œ ‰ Œ J

Ó

∑

∑

∑

Ó

∑

∑

∑

œ p

œ

w

˙

œ

œ

w

œ

w

˙

œ

œ

w

œ p

œ

w

˙

œ

œ

w

œ p

j œ ‰ Œ w >f

p

w > 57 œ J ‰ Œ œ ‰ Œ J œ ‰ Œ J

˙ p

j ‰ Œ œ

p

œ p

j œ ‰ Œ

œ

Ó

Ó

Ó

w w

˙˙ p

w

Ó

w

œ p œ p

> w œ ‰ Œ ˙ J p f p 57 Slowly, with expression œ J ‰ Œ Ó ∑

˙

œ

œ

Ó

˙

Ó

˙ ˙

w Ó

œ

w

œ

w

Ó

w

Ó

œ œ

∑

∑

Ó

∑

∑

∑

œ ‰ Œ J

Ó

∑

∑

∑

Ó

∑

∑

∑

œ J ‰ Œ

Ó

Ó

œ ‰ Œ J

Ó

∑

œ ‰ Œ J

Ó

∑

> w f

w> 57 > w f >¥

œ ‰ Œ J

p p

j ‰ Œ œ

Slowly, with expression

l.v.

∑ ∑

œ p

œ

w

˙ p

w

˙ p

w

Ó

œ

∑

∑

∑

∑ Ó Ó

∑ ∑

œ

˙

œ ‰ Œ J

œ ‰ Œ J

œ

˙ ˙

∑

∑

œ

Fl.

Ob.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsns.

bb &bbb bb &bbb b &bb b &bb b &bb b &bb

&b

A. Sax. 2

&b

B. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hns.

Tbn. 1

Tbn. 2

Tbn. 3

Bar.

Tba.

Timp.

Perc.

˙

b b

b &bb &b

b

b &bb

∑

∑

∑

∑

∑

∑

˙

œ

œ

˙

œ

œ

˙

˙

œ

œ

œ

˙

? bb b w bb ˙

A. Sax. 1

T. Sax.

13

˙

œ

˙

˙

˙

˙

˙

rall.

˙˙

w

œ

˙.

rall.

w

w

˙

b & b bb

œ

˙

? bb bbb

rall.

˙

∑

∑

∑

∑

∑

∑ ∑

∑ w œ

œ

œ

œ

˙

œ

œ

œ

œ

œ

œ

œ

œ

˙

œ

œ

œ

œ

œ

œ

œ

œ

w p w w p

˙ p

a tempo

œ œ p

œ œ p w p

œ

œ

œ

∑

w w œ

˙

œ

œ

˙

œ

œ

œ

œ

˙

œ

œ

˙

œ

œ

œ

œ

˙

w ∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

rall.

w ˙

∑

∑

∑

? bb w bbb ? bb bbb ˙

˙

˙

w

? bb w bbb ? bb bbb

˙

rall.

∑

˙ p

64

w

∑

˙ p

˙ ˙

w

a tempo

w p

rall.

rall.

œ

œ

w

rall.

ww

œ

rall.

˙.

b &bb

/

œ

œ

rall.

œ

˙

b &bb

? bb bbb

œ

œ

œ

w

˙

œ

64

rall.

˙

w

˙

∑

∑

∑

∑

∑

∑

64

a tempo

w

pw w p

64 a tempo

∑

∑ ∑

14 Fl.

Ob.

Cl. 1

Cl. 2

Cl. 3

B. Cl.

Bsns.

A. Sax. 1

A. Sax. 2

T. Sax.

B. Sax.

Tpt. 1

Tpt. 2

Tpt. 3

Hns.

Tbn. 1

Tbn. 2

Tbn. 3

Bar.

Tba.

Timp.

Perc.

bb &bbb bb &bbb b &bb b &bb b &bb b &bb

∑

∑

∑

∑

w ˙ ˙

œ œ œ œ

œ œ œ œ ˙ p

? b b b a2 bb w &b &

b

bb

b &bb &b

b

b &bb

œ œ œ œ

˙

œ œ œ œ ˙

˙ w œ

˙.

œ

˙.

w

w

b &bb

∑

∑

∑

∑

? bb bbb

∑

∑

∑

∑

∑

∑

∑

∑

? bb bbb ? bb bbb

? bb bbb w

42 42 ˙

˙

1.

42 42 42

? bb bbb

∑

∑

/

∑

∑

42

Trgl. 42 Œ

great rall.

œ œ œ pgreat rall.

œ œ

œ

œ

œ

w

44 great rall. w

U

great rall.

w

p

44 œ œ œ œ œ œ œ œ p great rall. 44 w p

44 44

∑ p

44 œ œ œ œ œ œ œ œ great rall.

44

p

44

∑ ∑

π

U

∑

U U w U

w

U

∑

U

∑

U

w p

w

44 great rall. 44

∑

w

44 w

w

p

l.v.

∑

∑ great rall.

—

U

∑

U

44 great rall. ∑

U

∑

great rall.

∑

U

w

44 ww ∑

w

∑

44

∑

w w

p

∑

w

U

w u U

rall. 44 great w

∑

U

U

w p

42 ˙

w

w

rall. 44 great w

42 ˙ 42

U

p

42 ˙

∑

w

p

44 w

42 ˙

b & b bb

? bb bbb

44

˙

42

U

44 great rall. w

42 ˙

∑

∑

p

42 ˙

∑

U

∑ great rall.

42 ˙ 42

∑

44 w

42 ˙

œ

w

42 ˙

U

∑

44

∑

42 ˙

˙.

w

œ œ œ œ ˙

b &bb

˙

44

∑

42 ˙

˙ œ œ œ œ

42

∑ ∑

U

w æ π

U

∑

ON A HYMNSONG OF PHILIP BLISS Flute David R. Holsinger (ASCAP)

Ell

rall

(171 a tempo

--gne-*

8

1 r

I

I

I

I I:

I

II

I

(241 Subito: slightly slower

la21 F a s t e r

164.1

TRN 8916

;J=ca.loo>

a tempo

Copyright @ MCMLXXXIX by T R N Music Publisher International Copyrigh r Secured

All Rights Reserved. Printed in U.S.A.

b,'

ON A HYMNSONG OF PHILIP BLISS Oboe David R . Holsinger (ASCAP)

I24.I Subito: s l i g h t l y slower

I

---.

-

raU.

P

I

131 Tempo

IQ

I

2

14.21 F a s t e r (J

=

ca. loo)

A-

(i = ca. 66)

,oaden greatly

@& a tempo

Copyright @ MCMLXXYIX b I I R Z Intrrnarlonal Cop L rrglrr .Secured

*f~lualt

t'trb[~sher A l l Rlghts Reserved. Pnntedin U S A

1571 Slowly

I& II 4

ON A HYMNSONG OF PHILIP BLISS Bassoons David R . Holsinger (ASCAP)

F p d y , with expression

(1= 76- 8 0 )

r

I

1171 a tempo

12PI Subito: slightly

slower

a2

L

1311 Tempo

I

20

=====-

-

/

,

"

h

L,

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[P21 Faster

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Copyright @ MCMLXXXIX by TRNMusic Publisher International Copyright Secured

All Rights Reserved. Printed in U.S.A.

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ON A HYMNSONG OF PHILIP BLISS 1st Bb Clarinet Freely, with expression

David R . Holsinger (ASCAP)

(J = 76- 80)

d iv.

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unis.

Subito: slightly slower

1311 Tempo

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14.21 Faster ( J = ca.100)

-

1511 Slowly

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2nd Bb Clarinet

ON A HYMNSONG OF PHILIP BLISS ).

David R. Holsitlger (ASCAP)

-TRN 8916

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All Righfs Reserved. Pritzted in U.S..4.

3rd Bb Clarinet

ON A HYMNSONG OF PHILIP BLISS David R . Holsinger (ASCAP)

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A

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(i= 76- 8 0 )

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ON A HYMNSONG OF PHILIP BLISS Bb Bass Clarinet David R . Holsinger (ASCAP)

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(J = ca. 66)

El s l o w l y

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TRN 8916

Copyright Q MCMLXXXIX b y TRN Music Publisher International Copyright Secured

164: a tempo

All Rights Reserved. Printed in U.S.A.

-

22

1

ON A HYMNSONG OF PHILIP BLISS 1st Eb A l t o S a x o p h o n e David R . Holsinger (ASCAP)

Freely, with expression

(J

= 76- 8 0 )

cresc. rall.

1311 Tempo

,Broaden greatly

.fa

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-

(J = ca. 66)

1511 S l o w l y -

TRN 8916

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A 11 Rights Reserved. Printed irr U.S.A.

a tempo

ON A HYMNSONG OF PHILIP BLISS 2nd Eb Alto Saxophone David R . Holsinger (ASCAP)

ct esc.

T ,

rall

1311 Tempo

I

cresc.

P

@5Ji a tempo

TRN 891 6

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Printed in U.S.A.

O N A HYMNSONG OF PHILIP BLISS Bb Tenor Saxophone David R. Holsinger (ASCAP)

Freely, with expression

(J = 76- so)

B Tempo I

-

-

-.

Broaden greatly

TRN 8916

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All Rights Reserved. Printed in U.S.A.

ON A HYMNSONG OF PHILIP BLISS EGBaritone Saxopho~le David R . Holsinger (ASCAP)

Freely, with expression

(J = 7 6 - so)

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TRN 8916

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ON A HYMNSONG OF PHILIP

BLISS

1st & 2nd F Horns David R . Holsinger (ASCAP)

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(J = 76- sol

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Copyright @ M C M L X M I X by TRN Music Publisher International Copyright Secured

.f

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1571 S l o w l y

(A= ca. 66)

great rall. /

All Rights Reserved. Printed in U.S.A.

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ON A HYMNSONG OF PHILIP BLISS 1st Bb Trumpet

(Cornet)

David R. Holsinger (ASCAP)

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TRN 891 6

(J = ca. 66) I

a tempo

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All Rights Reserved. Printed in U.S.A.

-

1571 s l o w l y

ON A HYMNSONG OF PHILIP BLISS 2nd Bb Trumpet

(Cornet)

David R . Holsinger (ASCAP)

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TRN 8916

Copyright @ MCMLXXXIX by TRN Music Publisher International Copyright Secured

E l Slowly

(A= ca. 66)

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A11 Rights Reserved. Printed in U.S.A.

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ON A HYMNSONG OF PHILIP BLISS 3rd Bb Trumpet

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David R . Holsinger (ASCAP)

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(J=ca. 66)

a tempo

TRN 8916

Copyright @ MCMLXXXIX by TRN Music Publisher International Copyright Secured

All Rights Reserved. Printed in U.S.A.

,

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ON A HYMNSONG OF PHILIP BLISS Trombone 3avid R . Holsineer (ASCAP) LTJ

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Copyright @ MCMLXXXIX b y TRN M::sic Publisher International Copyright Secured

All Rights Reserved. Printed in U.S.A.

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ON A HYMNSONG OF PHILIP BLISS 2nd Trombone David R . Holsinger (ASCAP)

Freely, with expression

(J = 7 6 - s o )

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Copyright @ MCMiXXXIX b y TRN Mvsic Publisher International Copyright Secured

All Rights Reserved. Printed in U.S.A.

E!zs l o w l y

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ON A HYMNSONG OF PHILIP BLISS 3rd Trombone. David R . Holsinger (ASCAP)

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(J=ca.loo)

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(A= ca. 6 6 )

a tempo

TRN 8916

Copyright @ M C M L X X X I X by TRN Music Publisher International Copyright Secured

All Rights Reserved. Printed in U.S.A.

1511 Slowly

I

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ON A HYMNSONG OF PHILIP BLISS David R . Holsinger (ASCAP)

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Copyright @ MCMLXXXIX by TRNMusic Publisher International Copyright Secured

-

All Rights Reserved. Printed in U.S.A.

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ON A HYMNSONG OF PHILIP BLISS Baritone 3: David R . Holsinger (ASCAP)

Dl

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(A= ca.100)

somewhat marcato

Broaden greatlv

TRN 8916

Copyright @ MCMLXXXIX by TRN Music Publisher hternationol Copyright Secured

All Rights Reserved. Printed in U.S.A.

ON A HYMNSONG OF PHILIP BLISS Tuba David R . Holsinger (ASCAP)

(J = 76- so)

Freely, with expression one player

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I;r I I

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W

O N A HYMNSONG O F PHILIP BLISS Timpani ( ~ - b'b) David R . Holsinger (ASCAP)

Freely, with expression

(J = 76- 80)

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ON A HYMNSONG OF PHILIP BLISS

Percussion

(Triangle, Suspended Cymbal, Bass Drum, Crash Cymbals, Snare Drum)

David R . Hoisinger (ASCAP)

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