22 0 939KB
On a Hymnsong of Philip Bliss David R. Holsinger (ASCAP)
Complete Band Instrumentation 1 - Full Score 8 - Flute 2 - Oboe 3 - 1st Bb Clarinet 4 - 2nd Bb Clarinet 4 - 3rd Bb Clarinet 3 - Bb Bass Clarinet 2 - Bassoons
2 - 1st Eb Alto Saxophone 2 - 2nd Eb Alto Saxophone 2 - Bb Tenor Saxophone 1 - Eb Baritone Saxophone 3 - 1st Bb Trumpet (Cornet) 3 - 2nd Bb Trumpet (Cornet) 3 - 3rd Bb Trumpet (Cornet) 4 - 1st & 2nd F Horns
2 - 1st Trombone 2 - 2nd Trombone 2 - 3rd Trombone 2 - Baritone Treble Clef 2 - Baritone Bass Clef 4 - Tuba 1 - Timpani (Db & Ab) 4 - Percussion Triangle, Suspended Cymbal, Bass Drum, Crash Cymbals, Snare Drum
TRN Music Publisher, Inc. P.O. Box 197 • Alto, NM 88312 • USA www.trnmusic.com
ABOUT THE MUSIC . . . Horatio G. Spafford, a Chicago Presbyterian layman and successful businessman, planned a European trip for his family in 1873. In November of that year, due to unexpected last minute business developments, he had to remain in Chicago; but he sent his wife and four daughters on ahead as scheduled aboard the S.S. Ville du Havre. He expected to follow in a few days. On November 22, the ship was struck by the Lochearn, an English vessel, and sank in twelve minutes. Several days later the survivors were finally landed at Cardiff, Wales, and Mrs. Spafford cabled her husband, “Saved Alone.” Shortly afterward Spafford left by ship to join his bereaved wife. It is speculated that on the sea near the area where it was thought his four daughters had drowned, Spafford penned this text with words so significantly describing his own personal grief, “When sorrows like sea billows roll....” It is noteworthy, however, that Spafford does not dwell on the theme of life’s sorrows and trials, but focuses attention in the third stanza on the redemptive work of Christ. Humanly speaking, it is amazing that one could experience such personal tragedy and sorrow as did Horatio Spafford and still be able to say with such convincing clarity, “It is well with my soul...”. Hymnwriter Philip Paul Bliss was so impressed with the experience and expression of Spafford’s text that he shortly wrote the music for it, first published in 1876. Bliss was a prolific writer of gospel songs throughout his brief lifetime and in most cases, he wrote both the words and the music. This hymn is one of the few exceptions. There is speculation that this was perhaps the last gospel song written by Bliss. Bliss and his wife, Lucy, were killed in a train wreck in Ashtabula, Ohio, on December 29, 1876. Most sources mention that Bliss actually escaped from the flames at first, but was then killed when he went back into the train to try to rescue his wife. Neither body was ever found. As a postscript, Bliss’ trunk was salvaged from the wreckage, and in it, evangelist D. W. Whittle found an unfinished hymn, which began, “I know not what awaits me, God kindly veils my eyes....” ****
ABOUT THE COMPOSER . . . Having served 15 years as Composer in Residence to Shady Grove Church, Grand Prairie, Texas, award winning composer David R. Holsinger now resides in Cleveland, Tennessee, near Chattanooga, where he is Director of the Lee University Wind Ensemble. Holsinger was born in Hardin, Missouri, December 26, 1945. He received his education at Central Methodist College, Fayette, Missouri, Central Missouri State University, Warrensburg, and the University of Kansas, Lawrence. He is an elected member of the American Bandmasters Association. Holsinger has been honored with an honorary doctorate and the Gustavus Fine Arts Medallion, from the Gustavus Adolphus College in Minnesota. Recent honors include the Distinguished Music Alumni Award from Central Missouri State, CIDA’s 1999 Director of the Year Citation, and Phi Mu Alpha Sinfonia’s Orpheus Award from Epsilon Gamma Chapter.
ON A HYMNSONG OF PHILIP BLISS Score
Freely, with expression ( q = 76-80)
Flute
Oboe
1st B b Clarinet
2nd B b Clarinet
3rd B b Clarinet
B b Bass Clarinet
bb 4 &bbb 4 bb 4 &bbb 4 b 4 &bb 4 b 4 &bb 4 b 4 &bb 4
Bassoons
1st E b Alto Saxophone
2nd E b Alto Saxophone
B b Tenor Saxophone
E b Baritone Saxophone
1st B b Trumpet
2nd B b Trumpet
3rd B b Trumpet
1st & 2nd F Horns
1st Trombone
2nd Trombone
3rd Trombone
Baritone
Tuba
Timpani
Percussion Tri, Sus Cym, B.D., C.C.,S.D.
David R. Holsinger (ASCAP)
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Copyright © MCMLXXXIX by TRN Music Publisher All Rights Reserved. International Copyright Secured. Printed in U.S.A.
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4 Fl.
Ob.
Cl. 1
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Ob.
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31 Tempo I
Fl.
Ob.
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Cl. 2
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B. Cl.
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Tbn. 3
Bar.
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∑ l.v.
Ó
Œ
—
w p
l.v.
Ó
∑
w
one player
Œ
—
∑ ∑
l.v.
Ó
Œ
—
l.v.
Fl.
Ob.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsns.
A. Sax. 1
A. Sax. 2
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hns.
Tbn. 1
Tbn. 2
Tbn. 3
Bar.
Tba.
Timp.
Perc.
bb &bbb
∑
bb &bbb
∑
∑
∑
b &bb
˙
& b
œ œ œ œ ˙
œ
˙.
œ œ œ œ ˙
œ
œ
bb
b &bb b &bb
œ œ œ œ
w
? b b ˙. bbb w
œ
b &b
˙
&
œ œ œ œ ˙
&
bb bbb
&b
b
b &bb
w
œ œ œ œ
˙. w
˙
˙
n˙
cresc.
#˙
cresc.
#˙
cresc.
œ
n˙ #œ
˙ > cresc.
ww
n ˙œ
w
˙
cresc.
œ
˙.
˙ #˙ œ > > ˙
œ
œ
#˙
#˙
#˙
cresc.
œ
œ
cresc.
#œ
w
cresc.
>˙
∑
∑
∑
∑
∑
∑
∑
∑
∑
b & b bb
∑
∑
? bb bbb
∑
∑
∑
∑
∑
∑
∑
∑
∑
b &bb b &bb
? bb bbb ? bb bbb ? bb bbb ? bb bbb ? bb bbb /
w
∑
∑
∑
∑
w
∑ Ó
Œ
—
∑ Ó
l.v.
Œ
n # ˙˙
cresc.
nœ p
Tuba a2
nœ p
—
l.v.
>œ
∑ ∑
42 œ
#œ >
nœ >
# >œ
∑
42
∑
42 # n ˙˙ 42
œ >
∑
42
∑
42 œ 42 œ 42
S.Cym. · 42 æ
p
˙
44 nœ 44 b œ bœ
44 b ˙
44 ˙ 44 œ
n>œ
˙ > ˙ >
˙ >˙ Œ
all
Œ Œ ˙˙
nœ >
∑
44 Ó
Œ
44 Ó
44 Ó 44 ¥ æ
Œ Œ
œ >
> œ f œ > f œ f>
f >œ f >œ f >œ
˙ >
œ >
Ó
˙ > f ˙ ˙ > f> ˙
Ó
Ó
Ó Faster (q = ca. 100)
Ó Ó
f > ˙ Ó f > ˙ Ó f Faster (q = ca. 100) 42 > somewhat marcato ˙ œ œ (f) somewhat marcato
˙ > (f) ˙ >
œ
œ
somewhat marcato
œ
œ
somewhat marcato
˙˙ œœ œœ >f >˙somewhat marcato œ œ
>œ
>˙
Œ
42
Ó
Ó
f > ˙
˙
44 Ó
44 bœ
˙
œ >
Œ
˙ > f ˙ >f
œ >
a2
44 Ó
44 b œ
f
n˙
44 Ó
44 Ó
f œ^ œ œ œ œ (f) f > ˙
˙
44 ˙˙ ∑
42
Œ
44 b ˙
∑
42
>œ
cresc.
42 b ˙
42
cresc.
˙ >
42 # ˙
44 Ó
44 n˙
42 # ˙
# # ˙˙
>˙
#˙ 42 œ
Œ
44 b˙
42 # ˙ 42 œ
44 Ó
44 ˙
42 # ˙
œ >
#˙
∑
42 b ˙
cresc.
œ
∑
42
∑
w
œ
42
∑
9
>w œ œ œ œ
42 Faster (q = ca. 100)
(
f) >˙somewhat marcato œ œ
f) > somewhatœmarcato œ ˙ (f) > somewhatœmarcato œ ˙ (
f
˙ > f 42 > ˙ œ > (f) f >¥ ¥ ˙ Cr.Cyms. > f B.D.
Ó Faster (q = ca. 100)
Ó
somewhat marcato
10 Fl.
bb w &bbb bb &bbb
w
˙
œ J ‰ Œ
∑
∑
∑ ∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
b &bb
∑
∑
∑
∑
∑
? bb bbb
∑
∑
∑
∑
∑
A. Sax. 1
&b
b
∑
∑
∑
∑
∑
A. Sax. 2
&b
b
∑
∑
∑
∑
∑
b &bb
∑
∑
∑
∑
&b
∑
∑
∑
∑
Ob.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsns.
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hns.
Tbn. 1
Tbn. 2
Tbn. 3
Bar.
Tba.
Timp.
Perc.
b &bb b &bb b &bb
b
b &bb b &bb b &bb
∑
Œ
œ
œ
œ
œ
œ
˙
j œ ‰ œ
˙
œ
œ
˙
œ
nœ
˙
œ
œ
œ
œ
œ
œ
˙
j ‰ œ œ
˙
œ
œ
˙
œ
œ
˙
œ
œ
œ
œ
œ
œ
˙
j ‰ œ œ
˙
œ
œ
œ
œœ
œ
œ
œœ
œœ
œœ
œ
œœ
˙˙
˙ ˙˙
œœ
˙
? bb ˙ bbb ? bb ˙ bbb
œœ œ
œ
œ
œ
œ
œ
˙˙ ˙
œœ ‰ œ J œ ‰ œ J
œ
œ
œ
œ
œ
œ
˙
œ ‰ œ J
œ
œ
œ
œ
œ
bœ
˙
œ
œ
œ
œ
œ
bœ
˙
j œ ‰ œ
Ó
Œ
j œ ‰ œ
∑
∑
? bb bbb
∑
∑
∑
/
∑
∑
∑
œ f
˙
œ
œ
˙
œ
n œœ œ
˙
œ
œ
˙
œ
œ
˙
œ
œ
˙
œ
nœ
˙
œ
œ
˙
œ
nœ
˙
œ
œ
˙
œ
nœ
∑
∑
w F
˙
œ F
˙
˙ F
˙
˙˙ F ˙
˙˙
˙
˙ F
˙
F ˙ F œ
F Œ Œ
∑ ∑
œ F
a2
œ œ œ œ œ œ œ œ F œ œ œ œ œ œ œ œ F w F
œ
? bb ˙ bbb
? bb bbb
f
œ J ‰ Œ
F Œ
˙
b & b b b ˙˙ ? bb bbb
˙
œ œ œ œ œ œ œ œ F œ œ œ œ œ œ œ œ F œ œ œ œ œ œ œ œ F ˙ ˙
Ó
˙ œ
˙
œ F
˙
œ F
S.Cym. S.D.
˙ ∑
·˙æ æ π
Fl.
Ob.
Cl. 1
Cl. 2
Cl. 3
bb &bbb
∑
f œ œ œ bb œ œ &bbb Ó f œ œ œ œ b œ œ œ œ œ &bb f bb b œ œ œ œ œ œ œ œ œ & f bb b œ œ œ œ & œ œ œ œ œ bbb
A. Sax. 2
&b
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hns.
Tbn. 1
Tbn. 2
Tbn. 3
Bar.
Tba.
Timp.
Perc.
b
b &bb &b
b
b &bb b &bb bb
& b
œœœœ ˙
Œ
œ œ nœ œ ˙
œ
œ
œœœœ˙
Œ
œ œ nœ œ ˙
œ ˙. f >
œ
˙. >
œ
˙. >
œ ˙. f > 50 œ œ œ œ œ œ œ œ ˙ f œ œ œ œ œ œ œ œ ˙ f œ œ œ ˙ ˙. f > > œ œ œ ˙. ˙ f 50 ˙ œ œ ˙ f
œ
˙ >.
œ
˙ >.
˙
œ
œ
œ
œ
f
œœœœ˙
œ
œœœœ˙
œœœœ˙
œ
œœœœ˙
œ
œ
œ
œ
˙ ˙
œ
œ
n˙
œ
œ
˙
˙. > > œ ˙. œ
œ œ
œ œ œ œ œ œ
œ
˙
œ œ
œ œ œ œ œ œ
œ
˙
œ œ
œ œ œ œ œ œ œ
œ
˙
œ œ
œ œ œ œ œ œ œ
œ
˙
œ œ
œ
˙
œ œ
˙
œ œ
˙
œ œ
˙
œ œ
œ œ œ œ œ œ œ œ œ
œ
œ
œ
œ
œ
œ œ
˙. > >. ˙
11
Broaden greatly
œ
œ
œ
˙
œ
œ
˙
œ
œ
˙
œ œ
˙ ˙
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ
˙
œ œ
Broaden greatly
œ
˙
˙
œ œ
œ
˙
˙
œ œ
˙
œ œ
œ
œ
œ
Broaden greatly
˙
œ
œ
˙
œ
œ
˙
œ
œ
˙
œ
œ
˙
œ
œ
œ
˙
œ œ
˙
œ
œ
˙ f
œ
œ
˙
œ
œ
n˙
œ
œ
œ
œ
œ œ
œ
œœ
˙˙
œ
˙
œ
œ
˙˙
œ
˙
œœ
˙
œœ
œœ
a2
˙
œ œ
˙
œ œ
˙
œ œ
? bb ˙ bbb ? bb ˙ bbb ? bb ˙ bbb ? bb ˙ bbb ˙¥æ æ
f
œ œ œ œ ˙ f ˙ œ œ
a2
? bb ˙ bbb
/
œ
œ
œ œ nœ œ ˙
b & b b b ˙˙
? bb bbb
œœœœ ˙
Œ
Œ
? bb b ˙ bb b
œœœœ ˙
œœœœ˙
Bsns.
&b
œ
œ œ nœ œ ˙
&
A. Sax. 1
œœœœ ˙
œ œ nœ œ ˙
Œ
B. Cl.
T. Sax.
œ
50
∑
œ
œ
œ
œ
œ
œ
œ
œ
f œ >˙ . f œ >˙ .
f
œ
œ
˙
œ
œ
˙
œ
œ
>. ˙
œ
>. ˙
œ
>. ˙
œ
>. ˙
œ
>. ˙
œ
>. ˙
œ
>. ˙
œ f 50 > œ f >¥ œ œ B.D. f
>˙ . >. ˙ æ
œ >˙ . > Œ ˙. æ
œ
>˙ . >. ˙ æ
f
Œ ˙. >
l.v.
Ó
Ó
Œ
‰ œ œ œ œ >¥œ œ ∑
Œ ˙. >
œ
˙
œ
œ
œ
˙
œ œ
œ
œ
˙
œ
œ
˙
œ
œ
˙
˙
œ œ
œ
œ
˙
˙
œ œ
Ó
Ó
œœ
˙ >
> ˙
Broaden greatly
Ó
‰ œæj œ œæ œ œæ œ œ œ œ >¥œ Œ Ó ˙ ∑ >
12
bb &bbb
Fl.
bb &bbb
Ob.
b &bb
Cl. 1
b &bb
Cl. 2
b &bb
Cl. 3
b &bb
B. Cl.
˙
˙
˙
˙
˙
˙
˙
˙
˙
Œ
œ œ œ œ ˙
b &bb
˙
˙
&
˙
˙
&b
T. Sax.
B. Sax.
bb
b &bb
Tpt. 1
b &bb
Tpt. 2
Hns.
˙
˙
˙
b & b bb ˙
œ.
? bb bbb
Tbn. 1
˙
? bb ˙ bbb
Tbn. 2
? bb ˙ bbb
Tbn. 3
? bb ˙ bbb
Bar.
f
œ.
˙
b &bb
Tpt. 3
˙
? bb bbb ˙ ? bb Ó bbb /
>¥ ˙ >
f~F w f~F w
f~F w
f~F w f~F
w f~F w
œ œ œ œ ˙
b
A. Sax. 2
w
(q = ca. 66)
˙
Œ
&b
Perc.
˙
b
A. Sax. 1
Timp.
˙
? bb b bb ˙
Bsns.
Tba.
˙
˙
˙ ˙ ˙ ˙
w
f~F w
f~F w f~F
œ J
œ J
w f~F (q = ca. 66) w
f~F w f~F
w f~F
w f~F w
f~F w f~F w f~F w f~F
w f~F > (q = ca. 66) w ˙ > fæ~ F F ¥¥æ ˙ > Cr.Cyms. f
œ J ‰ Œ
57 Slowly, with expression
œ J ‰ Œ œ J ‰ Œ œ ‰ Œ J
Ó
∑
∑
∑
Ó
∑
∑
∑
œ p
œ
w
˙
œ
œ
w
œ
w
˙
œ
œ
w
œ p
œ
w
˙
œ
œ
w
œ p
j œ ‰ Œ w >f
p
w > 57 œ J ‰ Œ œ ‰ Œ J œ ‰ Œ J
˙ p
j ‰ Œ œ
p
œ p
j œ ‰ Œ
œ
Ó
Ó
Ó
w w
˙˙ p
w
Ó
w
œ p œ p
> w œ ‰ Œ ˙ J p f p 57 Slowly, with expression œ J ‰ Œ Ó ∑
˙
œ
œ
Ó
˙
Ó
˙ ˙
w Ó
œ
w
œ
w
Ó
w
Ó
œ œ
∑
∑
Ó
∑
∑
∑
œ ‰ Œ J
Ó
∑
∑
∑
Ó
∑
∑
∑
œ J ‰ Œ
Ó
Ó
œ ‰ Œ J
Ó
∑
œ ‰ Œ J
Ó
∑
> w f
w> 57 > w f >¥
œ ‰ Œ J
p p
j ‰ Œ œ
Slowly, with expression
l.v.
∑ ∑
œ p
œ
w
˙ p
w
˙ p
w
Ó
œ
∑
∑
∑
∑ Ó Ó
∑ ∑
œ
˙
œ ‰ Œ J
œ ‰ Œ J
œ
˙ ˙
∑
∑
œ
Fl.
Ob.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsns.
bb &bbb bb &bbb b &bb b &bb b &bb b &bb
&b
A. Sax. 2
&b
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hns.
Tbn. 1
Tbn. 2
Tbn. 3
Bar.
Tba.
Timp.
Perc.
˙
b b
b &bb &b
b
b &bb
∑
∑
∑
∑
∑
∑
˙
œ
œ
˙
œ
œ
˙
˙
œ
œ
œ
˙
? bb b w bb ˙
A. Sax. 1
T. Sax.
13
˙
œ
˙
˙
˙
˙
˙
rall.
˙˙
w
œ
˙.
rall.
w
w
˙
b & b bb
œ
˙
? bb bbb
rall.
˙
∑
∑
∑
∑
∑
∑ ∑
∑ w œ
œ
œ
œ
˙
œ
œ
œ
œ
œ
œ
œ
œ
˙
œ
œ
œ
œ
œ
œ
œ
œ
w p w w p
˙ p
a tempo
œ œ p
œ œ p w p
œ
œ
œ
∑
w w œ
˙
œ
œ
˙
œ
œ
œ
œ
˙
œ
œ
˙
œ
œ
œ
œ
˙
w ∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
∑
rall.
w ˙
∑
∑
∑
? bb w bbb ? bb bbb ˙
˙
˙
w
? bb w bbb ? bb bbb
˙
rall.
∑
˙ p
64
w
∑
˙ p
˙ ˙
w
a tempo
w p
rall.
rall.
œ
œ
w
rall.
ww
œ
rall.
˙.
b &bb
/
œ
œ
rall.
œ
˙
b &bb
? bb bbb
œ
œ
œ
w
˙
œ
64
rall.
˙
w
˙
∑
∑
∑
∑
∑
∑
64
a tempo
w
pw w p
64 a tempo
∑
∑ ∑
14 Fl.
Ob.
Cl. 1
Cl. 2
Cl. 3
B. Cl.
Bsns.
A. Sax. 1
A. Sax. 2
T. Sax.
B. Sax.
Tpt. 1
Tpt. 2
Tpt. 3
Hns.
Tbn. 1
Tbn. 2
Tbn. 3
Bar.
Tba.
Timp.
Perc.
bb &bbb bb &bbb b &bb b &bb b &bb b &bb
∑
∑
∑
∑
w ˙ ˙
œ œ œ œ
œ œ œ œ ˙ p
? b b b a2 bb w &b &
b
bb
b &bb &b
b
b &bb
œ œ œ œ
˙
œ œ œ œ ˙
˙ w œ
˙.
œ
˙.
w
w
b &bb
∑
∑
∑
∑
? bb bbb
∑
∑
∑
∑
∑
∑
∑
∑
? bb bbb ? bb bbb
? bb bbb w
42 42 ˙
˙
1.
42 42 42
? bb bbb
∑
∑
/
∑
∑
42
Trgl. 42 Œ
great rall.
œ œ œ pgreat rall.
œ œ
œ
œ
œ
w
44 great rall. w
U
great rall.
w
p
44 œ œ œ œ œ œ œ œ p great rall. 44 w p
44 44
∑ p
44 œ œ œ œ œ œ œ œ great rall.
44
p
44
∑ ∑
π
U
∑
U U w U
w
U
∑
U
∑
U
w p
w
44 great rall. 44
∑
w
44 w
w
p
l.v.
∑
∑ great rall.
—
U
∑
U
44 great rall. ∑
U
∑
great rall.
∑
U
w
44 ww ∑
w
∑
44
∑
w w
p
∑
w
U
w u U
rall. 44 great w
∑
U
U
w p
42 ˙
w
w
rall. 44 great w
42 ˙ 42
U
p
42 ˙
∑
w
p
44 w
42 ˙
b & b bb
? bb bbb
44
˙
42
U
44 great rall. w
42 ˙
∑
∑
p
42 ˙
∑
U
∑ great rall.
42 ˙ 42
∑
44 w
42 ˙
œ
w
42 ˙
U
∑
44
∑
42 ˙
˙.
w
œ œ œ œ ˙
b &bb
˙
44
∑
42 ˙
˙ œ œ œ œ
42
∑ ∑
U
w æ π
U
∑
ON A HYMNSONG OF PHILIP BLISS Flute David R. Holsinger (ASCAP)
Ell
rall
(171 a tempo
--gne-*
8
1 r
I
I
I
I I:
I
II
I
(241 Subito: slightly slower
la21 F a s t e r
164.1
TRN 8916
;J=ca.loo>
a tempo
Copyright @ MCMLXXXIX by T R N Music Publisher International Copyrigh r Secured
All Rights Reserved. Printed in U.S.A.
b,'
ON A HYMNSONG OF PHILIP BLISS Oboe David R . Holsinger (ASCAP)
I24.I Subito: s l i g h t l y slower
I
---.
-
raU.
P
I
131 Tempo
IQ
I
2
14.21 F a s t e r (J
=
ca. loo)
A-
(i = ca. 66)
,oaden greatly
@& a tempo
Copyright @ MCMLXXYIX b I I R Z Intrrnarlonal Cop L rrglrr .Secured
*f~lualt
t'trb[~sher A l l Rlghts Reserved. Pnntedin U S A
1571 Slowly
I& II 4
ON A HYMNSONG OF PHILIP BLISS Bassoons David R . Holsinger (ASCAP)
F p d y , with expression
(1= 76- 8 0 )
r
I
1171 a tempo
12PI Subito: slightly
slower
a2
L
1311 Tempo
I
20
=====-
-
/
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L,
W l V I
I
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I
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(i = ca. 66)
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I
a tempo
TRN 8916
I
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Broaden greatly
'2
(J=c~.Ioo)
[P21 Faster
I
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great raN.
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All Rights Reserved. Printed in U.S.A.
e
I
ON A HYMNSONG OF PHILIP BLISS 1st Bb Clarinet Freely, with expression
David R . Holsinger (ASCAP)
(J = 76- 80)
d iv.
-
unis.
Subito: slightly slower
1311 Tempo
I
======-
I===
14.21 Faster ( J = ca.100)
-
1511 Slowly
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All Rights Reserved. Printed in U.S.A.
2nd Bb Clarinet
ON A HYMNSONG OF PHILIP BLISS ).
David R. Holsitlger (ASCAP)
-TRN 8916
Copyright @ MCMLXXXIX by TRN Music Publisher Inrernational Copyright Secured
All Righfs Reserved. Pritzted in U.S..4.
3rd Bb Clarinet
ON A HYMNSONG OF PHILIP BLISS David R . Holsinger (ASCAP)
,
A
I
Freely. with e x m e s s i o n
Broaden greatly I
-.f-mf
(i= 76- 8 0 )
( J = ca. 66)
1571 SIOWIY
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TRN 8916
Copyright @ MCMLXXXIX b,v T R N music Publisher Ztzternatiunal Copyright Secured
I
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All Rights Reserved. i rinted i n U.S.A.
I
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ON A HYMNSONG OF PHILIP BLISS Bb Bass Clarinet David R . Holsinger (ASCAP)
Freely, with expression
-
I
A
IC
I I
Bsn.
-
-
v
8
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rall.
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(J =76-8 0 ) I
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8
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8
8
div. P -0-
-
-
U
8
cresc.
a a tempo
I24.I Subito: slightly slower
A
rall.
I-
EJi Tempo I
IP21 F a s t e r (J = ca.100) cresc.
,
Broaden greatly
(J = ca. 66)
El s l o w l y
rall
TRN 8916
Copyright Q MCMLXXXIX b y TRN Music Publisher International Copyright Secured
164: a tempo
All Rights Reserved. Printed in U.S.A.
-
22
1
ON A HYMNSONG OF PHILIP BLISS 1st Eb A l t o S a x o p h o n e David R . Holsinger (ASCAP)
Freely, with expression
(J
= 76- 8 0 )
cresc. rall.
1311 Tempo
,Broaden greatly
.fa
I
-
(J = ca. 66)
1511 S l o w l y -
TRN 8916
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A 11 Rights Reserved. Printed irr U.S.A.
a tempo
ON A HYMNSONG OF PHILIP BLISS 2nd Eb Alto Saxophone David R . Holsinger (ASCAP)
ct esc.
T ,
rall
1311 Tempo
I
cresc.
P
@5Ji a tempo
TRN 891 6
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Printed in U.S.A.
O N A HYMNSONG OF PHILIP BLISS Bb Tenor Saxophone David R. Holsinger (ASCAP)
Freely, with expression
(J = 76- so)
B Tempo I
-
-
-.
Broaden greatly
TRN 8916
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All Rights Reserved. Printed in U.S.A.
ON A HYMNSONG OF PHILIP BLISS EGBaritone Saxopho~le David R . Holsinger (ASCAP)
Freely, with expression
(J = 7 6 - so)
'V
D a tempo
Subito: s l i g h t l y s l o w e r
A
-
I
8
1311 Tempo
ruU.
1
4'
--'2
142) F a s t e r (J
=
ca.100)
1571 S l o w l y
Broaden greatly
a a tempo
TRN 8916
I
great rall.
Copj.right @ MCMLXXXIX by TRN Mzisic A i b l i s h ~ r All Rights Resrrved. Int~,rrrational Copyright Sec~rrcd Prb~tedin U.S.A.
a
ON A HYMNSONG OF PHILIP
BLISS
1st & 2nd F Horns David R . Holsinger (ASCAP)
Freely, w i t h expression E 4
I
4
(J = 76- sol
m IzI
Soli (1st Hn.)
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1
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9
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rall.
1171 a tempo
1241 S u b i t o : s l i g h t l y
I
I
cresc.
slower
Tempo I
_ _ _ _ _ _ - - - - - - - _ - - - - - - - - - - - - - - -- -- - - - - - - - I
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9
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1421 F a s t e r ( J = c a . 1 0 0 ) somewhat marcato
-'
cresc.
Broaden greatly
-
TRN 8916
rall.
a tempo c.
Copyright @ M C M L X M I X by TRN Music Publisher International Copyright Secured
.f
I
1571 S l o w l y
(A= ca. 66)
great rall. /
All Rights Reserved. Printed in U.S.A.
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1
ON A HYMNSONG OF PHILIP BLISS 1st Bb Trumpet
(Cornet)
David R. Holsinger (ASCAP)
Freely, with expression
.
I
(J = 76- 80)
N
I
A
Hn.
1171 a tempo
1241 Subito: slightly
.,
,
slower
IP21 Faster
-
I.
1311 Tempo
I
(Jl ca.loo>
somewhat marcato
Broaden greatly
164.1
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TRN 891 6
(J = ca. 66) I
a tempo
Copyright @ MCMLXXXIX b y TRN Music Publisher International Copyright Secured
All Rights Reserved. Printed in U.S.A.
-
1571 s l o w l y
ON A HYMNSONG OF PHILIP BLISS 2nd Bb Trumpet
(Cornet)
David R . Holsinger (ASCAP)
Freely, with expression (J = 7s- s o ) Q
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rall.
r
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1171 I
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II: I
a tempo
I Lt
1241 Subito: slightly
Dl Tempo I
slower
IP21 F a s t e r (J= ca.100) somewhat marcato
Broaden greatly A
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I
-
I
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F I
,
I
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I
F
I
I
I
I
-
a tempo
TRN 8916
Copyright @ MCMLXXXIX by TRN Music Publisher International Copyright Secured
E l Slowly
(A= ca. 66)
-
A11 Rights Reserved. Printed in U.S.A.
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ON A HYMNSONG OF PHILIP BLISS 3rd Bb Trumpet
(Cornet)
David R . Holsinger (ASCAP)
Dl Freely, with expression A
I
Q
(J = 76- so)
rn a tempo
rall.
C/
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L24.I Subito: sliwhtlv slower
1311 Tempo
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somewhat marcato 10
I A
I I
I I:
, 8
A
I
I
e >
Broaden greatly
(J=ca. 66)
a tempo
TRN 8916
Copyright @ MCMLXXXIX by TRN Music Publisher International Copyright Secured
All Rights Reserved. Printed in U.S.A.
,
II
-
I
I
I1
I
V
>
1511 Slowly -
.
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4
ON A HYMNSONG OF PHILIP BLISS Trombone 3avid R . Holsineer (ASCAP) LTJ
1171 a tempo
EBlSubito: slightly slower
FEZ F a s t e r (J= ca.lao> somewhat marcato
4T /
2 e A
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TRN 891 6
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(A= ca. 66)
Broaden greatly
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9
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I
I
I
great rall.
-
Copyright @ MCMLXXXIX b y TRN M::sic Publisher International Copyright Secured
All Rights Reserved. Printed in U.S.A.
I
rall.
1
ON A HYMNSONG OF PHILIP BLISS 2nd Trombone David R . Holsinger (ASCAP)
Freely, with expression
(J = 7 6 - s o )
0
#-i
-
BSubito: slightly
1311 Tempo
(4.21 F a s t e r ( J = c a . l o o )
I
,somewhat marcato
A
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TRN 8916
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I
164.1
-
( J = ca. 66)
Broaden greatly hi:,
slower
=
a tempo
Copyright @ MCMiXXXIX b y TRN Mvsic Publisher International Copyright Secured
All Rights Reserved. Printed in U.S.A.
E!zs l o w l y
I
R
ON A HYMNSONG OF PHILIP BLISS 3rd Trombone. David R . Holsinger (ASCAP)
Dl
Freely, with expression Q
(J = 76- 80) I
rall.
7
[1?( a tempo I I:
1
V
II
I
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I4
1241 Subito: slightly
r311 Tempo I
slower
1421 Faster
(J=ca.loo)
somewhat marcato
Broaden greatly
(A= ca. 6 6 )
a tempo
TRN 8916
Copyright @ M C M L X X X I X by TRN Music Publisher International Copyright Secured
All Rights Reserved. Printed in U.S.A.
1511 Slowly
I
Baritone
$
ON A HYMNSONG OF PHILIP BLISS David R . Holsinger (ASCAP)
Dl
P
1171
a tempo
.
~ S u b i t o : s l i n h t l yslower
-
1311 Tempo
I
jp cresc.
[P2j Faster ,mewh hat
(J
=
ca.100)
marcato
Broaden greatly
-1-
(J=ca. 6 6 )
1521 Slowly
a tempo I
d
-
great rall.
P TRN 891 6
Copyright @ MCMLXXXIX by TRNMusic Publisher International Copyright Secured
-
All Rights Reserved. Printed in U.S.A.
h
ON A HYMNSONG OF PHILIP BLISS Baritone 3: David R . Holsinger (ASCAP)
Dl
1171 a tempo
12PI Subito: slightly
slower
.
ElT Tempo I _p cresc.
IP21 F a s t e r
(A= ca.100)
somewhat marcato
Broaden greatlv
TRN 8916
Copyright @ MCMLXXXIX by TRN Music Publisher hternationol Copyright Secured
All Rights Reserved. Printed in U.S.A.
ON A HYMNSONG OF PHILIP BLISS Tuba David R . Holsinger (ASCAP)
(J = 76- so)
Freely, with expression one player
1171 a tempo
rail.
-
-
a2
Subito:
'
slightly slower
e, :1k-;, 1 A
.
/
VI
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P
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one player
-
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7T
8
Tuba a-2 I
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la21 F a s t e r
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8
-
(J=ca.~oo>
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-'2
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Bsn.
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0
n u
0
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Bsn.
.f -P BJl Tempo I
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4
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-
great rall.
I .B
I
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II:
I
II
n
w
-
Copyright @ MCMLXXXIX b y TRN Music Publisher International Copyright Secured
I;r I I
v U U ' P
All Rights Reserved. Printed in U.S.A.
W
O N A HYMNSONG O F PHILIP BLISS Timpani ( ~ - b'b) David R . Holsinger (ASCAP)
Freely, with expression
(J = 76- 80)
Dl
rall. &>:I /
/
LC, , hFIVl
I P
I
-
> I
11:
I
II: IY
I
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-
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P
1 -
I
.
1
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I
1
I241 Sgbito: slightly slower
Tempo I
IP21 Faster (J = ca.100)
m.a tempo e.:[\,,L / ,
,
W lV y I ,l
v
TRN 8916
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I
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-
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(A= r a . 66)
Broaden greatly
9 I
V
8
.)
I K I 4
Copyright @ MCMLXXXIX b y T R N M u s i c Publisher Internatianal Copyright Secured
great rall. I X
I
I
*4
All Rights Reserved. Printed in U.S.A.
-
,-.
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I
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C
1
ON A HYMNSONG OF PHILIP BLISS
Percussion
(Triangle, Suspended Cymbal, Bass Drum, Crash Cymbals, Snare Drum)
David R . Hoisinger (ASCAP)
Freely, with expression 11
Q
K
4
(J = 7 6 - 80)
v.
IrLI.,l
I
A
I
4
I
\
I
I
\
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I
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I
I
PI
I
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-
I. v.
V. \
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I
I
I
V.
n
A
I I
\
I
CI
I
r
I
23
-
Dl
I. v.
\
4
A I
I
I
1171 a tempo
S.Cym. rall.
I v.
> --
,
P
12P Subito: slightly
1.3
II
I*
14.21 F a s t e r I
r
p
~
-
I
(J=ca.ioo)
. y w -
I):
10
1311 Tempo
slower
,
S.Cym.
?f
I
B
C
I
C,
11
.
V
I
cJ
Cr.Cyms. > Df
.
157 S l o w l y
Broaden greatly
a tempo 11
,I
TAN 89f6
I I
z
% I
'
Copyright @ MCMLXXXIX b y TRN Music Publisher International copyright Secured
I I
I
);
I
I I:
All Rights Reserved. Printed in U.S.A.
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