The Real: Book, Vol. I [PDF]

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THE REAL

vulf BOOK, VOL. I

Transcribed by

Joey Willenbucher

A Note From the Author At the very end of 2019 I had a revolutionary idea: a fake book for Vulfpeck tunes. As soon as I realized how feasible it was for me, I started working essentially non-stop on a few songs so

I

could

get

them

out

and

see

what

people

thought.

After

receiving such great feedback from the folks on the Vulfpeck subreddit, I decided to do a full collection of exactly 13 songs in the style of The Real Book. The first volume contains 11 tunes recorded by Vulfpeck and 2 other Theo Katzman tunes. Each lead sheet includes the basic melody

for

the

song

and

some

instrumental

parts,

as

well

as

chords throughout. The style may not be exactly representative of that of The Real Book, but I believe I’ve written them in a way that is both consistent and effective for being able to play the tunes. In

some

places,

particularly

in

songs

sung

by

Antwaun

Stanley, you may see a glissando (wavy) line in the vocal melody. This indicates that the performer originally sang the line freely and in a way that could not be transcribed very effectively. The general idea is that when you see a glissando line, move from the first note to the second however fancily you see fit. You might call this lazy transcribing on my part, but I like to call it “artistic freedom.” I hope everyone enjoys the work that I put into these lead sheets. All rights go to their respective owners (this seems to be what people say when they just want to cover their bases). This book is not officially associated with Vulf Records, Hal Leonard, or anything else like that. Anyways, have fun! –Joey

THE REAL

vulf BOOK, VOL. I

1612.............................................4 Animal Spirits...................................6 Aunt Leslie......................................8 Baby I Don’t Know Oh Oh..........................9 Back Pocket.....................................10 Break Up Together...............................12 Christmas in L.A................................14 Conscious Club..................................16 Hard Work.......................................18 Love is a Beautiful Thing.......................20 Sky Mall........................................22 Smile Meditation................................23 Wait for the Moment.............................24

1612

4

+, ,(

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(bass/guitar)

*

F

(( (( ( . ( 0 1

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N.C.

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( ( Verse

$ ! %!

G

(( ( / 0

lit tlesong

rics.

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six,

one

two,

( 0/(/(/0 0

* - )4 ) ) ) Frank Si na tra.

six

( (" F

(piano)

but you need

(( ( 1

(( ( / 0

to t'set it.

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I write a

lit tlesong

/ ( ( ( ( ( ( ( 4 .&( ( F

twelve,

that's the code

2 - / 4 ( &( ( ( G

star.

(( (. 1

G

Verse

- / 4 &( ( / 10

A

qua ri on,

to my

heart.

F"

- . ( &( ( Ford

I

&(

Tau rus.

go

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Ford

( 0 / (0 / ( / 0

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C

Six

teen

F

A strike on the box, oo,

F

go

(( (( ( . (. 0 1

F♯

3

* - / ( &( . ( ( (

I

(w/ vocal ad lib.)

(( (( ( . ( 0 1

/ &( ( ( 4 ( ( ( 4 -

for get it.

C

C

F"

a tzim mes,

3333

G

It's

Chorus

* / &( ( ( ( ( ( ( ( 4 . ( ( C

$ " ! ! %! * #!

( ( ( ( (4 -

so you don't

F"

to re mem ber the ly

. . ( ( '( (

/ &( ( ( 4 ( ( ( 4 -

* /4 ( ( ( ( ( ( ( ( ( 1 I write a

.

F"

G

Some times

/ ((.

-Jack Stratton

teen twelve,

Fo

cus.

Ro ber ta Flack, Don ny Hath a

/ ( ( ( ( ( ( (4 . ( ( F

that's the code to my heart.

I go

way,

( &( ( (4 0 . 1/ 0 . 0 C

one

six,

one

two,

) ) ) &)

F

* .

oo,

C

star.

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F

* .

star,

D"

+

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go.

))) ) ) ) ') )

) ) ')

Six

teen twelve,

N.C.

1 ,+)

(bs./gtr.)

)

)

)

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G!

) /

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) ) ) )&) )

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&)

222

) )&) ) ) ) ) ) & ) ) * -3 0

F#

that's the code to my heart.

)

E"

)

,

I go

Bridge

A-"

)3 , /

)

one

six, one

)3 ) )

) )

5

two,

)

)

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oh, friend of mine.

) ) . - &) ) ) ) ) , ) - , ) ) 0

C

F

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oh, oh,

oh,

hey,

hey,

hey.

C

one

six, one two,

oh,

star.

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I go

six teen,

F N.C. ) ) - ) & ) ) - ) - 3 & ) ) ) ) , ) + $! - 3 ) ) * / / 0 %! ) C

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+

)

one two,

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oo,

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that's the code

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-

) C

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) ) ,

)))) one

six,

six teen

)

)

,

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, , ) ') )

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twelve

I go

is the code to my heart.

(w/ chorus vocal ad lib.)

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that's the code to my heart.

two,

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" $) ! ! #! * %!

) ) )

C (ad lib. on repeat)

Six

teen

twelve,

.

) ) ) - & ) - )/ - ) , & ) ) / / F

" ! #!

(repeat/fade)

hey,

hey,

hey.

I go

Animal Spirits

6

-Jack Stratton/ Theo Katzman/Christine Hucal

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D♭ (repeat/fade)

Boul-

Aunt Leslie

8

- '''' . . - ''''

( ( ( ( ( &( ( / 0

-Woody Goss/Jack Stratton

&( ( ( ( ( ( ( / 0

C

(trombone)

&( ( ( ( ( ( ( / 0

D#

'''' ) 2 ,

D

"

C ' '' ' ( ( &( ( 2 ,

Oh,

Fil ter the truth That's when Le one 3.Instrumental

phone my

A-#

A-&

sold,

!

'''' )9 1 ( 1 ( 1 ( 1 2 , D (D ) '''' / 9 # (( 1 , 5 yeah,

(take 2nd ending)

knows

(( ((

yeah, yeah,

all.

' ((

E

2

((

dear Aunt

Les

what have you

done with

'''' 4 2 / , ((

((

yeah, yeah,

T. make

to see. a light.

3

to

1

lie.

it

(drums)

( &( ( ( D#

/( 7

it's just dan ger of

' )) & ) )

A♯%/C♯

Let's

have a

' ))

your your

B/D♯

word,

B/C♯

1 /* 7 a

# & ( (#& ( ( ( &( ( ) ( &( (9 7 D-#

Le

((

G

Cmaj

one.

$ 9 & (( (( (( 9 (( ! / 51 / 5 %! C ( A- )

((

/9 5 0 5 0 5 1 yeah,

right.

(2nd time ad lib.)

6 0( ( ( (

((

V.

( ( &( (

( ) &) ( ( B

lor

ECmaj )) & )) 88888 # & )) 88 & ((

3

yeah,

co tried

What's not to trust A sha dow cloaked the

Gmaj#

/9 5 /9 5 1 yeah,

B)) & ))

D

D.S. al !

F♯# To ! B

frame.

)) ) &)

1,2,3.Ring the

What have you

A-

to me.

to

" '''' ! * 1 * 1 2 , ( &+ #! ( (

Film

the and

( &( ( ( ( ( )2 3 2

2. B (2nd time freely) 3

talk.

the news, I blew out,

E

A& )) ))

I used you were

E

D

through you came in

( &( ( ( ( ( D

( &( ( ( ( ( '( 9 ( /( ( 7 7 3 D#

Shar pen the view, o ver ex posed,

fam i ly. high stakes game.

talk.

C

1.You were the lens 2.In the dark room

( ( &( (

E ( ( ( ) '''' ( 2 ,

1. B

&( ( $ ( ( , %!! 2

(( (( ((((( ( / 0

A-

A-

(( (( ((((( ( / 0

E

3 2

E

( ( ( ( ( &( ( / 0

E

yeah, yeah,

Yeah,

((

yeah, yeah,

((

yeah, yeah,

0

yeah,

& (( (( ((

" ! #!

(play 5x)

oo.

Baby I Don't Know Oh Oh

-. , .

) )

G

(piano)

) )

) )

) )

)5 )5

) ) ) )

- 0 &# , . '# ) ) ) ) ) 5 ) ) 3 G

Ba by called you

I on

don't the

know phone,

what but

found your bought a

lit tick

tle et

I'm I

gon can't

na do get through

with to

note, home,

should a had a now I'm dread ing

talk see

) () 2 ) ) )) )

2

A-

3

B-/A

you. you.

. )5 ) ) 3 .

) ) ) ) ) )

you. you.

4 0 5 2 ) . C/D

We I

3

A-

with ing

0 .

3

. )5 ) ) 3 .

) ) ) ) ) )

-0 , . ) ) ) ) )5 ) ) 3 G

-Ryan Lerman

) ) ) ) )5 ) ) ) ) ) ) )5 ) )

1

9

B-/A

4 5 2 ) C/D

'Cause

4 - ) ) ))) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) 3 25 ) ) ) 5 )) 2 ) ) ) , ) E-

B-

,

-

you've been on You give me

D"

)

- . A, . * ,

mind. choice

) ) +5

don't want

-

my no

to.

*

Cmaj"

I know with your

+G

*

was ish

2.

0 .*

C/D

I

G

) ) ) ) D"

I self

E-

out of at ti

line tude.

tell ing Dad I'm giv ing You'll be plea sant if it

*

*

Cmaj"

G 0+ .

( )

suits your

1. C♯-" ( #$)

D♯%

C D 4 $ C♯-" #$ ) 3 2 5 ) ## ) ) ) 3 % )

*

B-/A

) ) ) )

G/F♯

G

mood.

*

*

No

.* .

up on you,

* * *

*

*

) ) )) ))))

*

B-/A

)5 ) ) 1 D"

. .

(sax solo)

thanks.

A-

I

C/D

N.C. / 3 25 4 . ) . .

4 -. ) ) ))) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) 3 25 ) ) ) 5 )) 2 ) ) ) , . ) We

get

old

er

in

,

-

D"

)

) ))

don't want to.

mo

tion.

Don't

E-

B-

you've been on

slow

my

mind.

you

I

all

G/F♯

G

I know

throw it

was

out of

a

E-

line,

way.

D♯%

tell ing Dad I'm giv ing

'Cause

( ) C♯-" #$

up on

you,

& 1 .0 ## ) ) ) ) ) 5 3 ) ) .. ) 5 ) ) 3 3 !) " ) ) )) ' )) G (play 6x, vocal ad lib.)

Ba by

I don't know

A-

what I'm gon na do

with

you.

B-/A C/D

(With)

$ G (hit) # *1 %# ) you.

I

Back Pocket

10

$!% %"

N.C.

# #

! !

"

(bass/guitar)

B-

" "

"" "

(Yeah) I'm

C/D

'

"

# """

"

"" "

(Oh,

yeah)

I

"

A-

know,

(yeah) that it's tak en me all

" " " " " " " " " " """ " "

(yeah) so it's tak en me all

B-

A♯-

" " " " " " ! !! """ ***

"" "

A♯-

" " " " " " " " " " "

"" "

C/D

A-

"" "

slow,

-Theo Katzman/Christine Hucal

Verse G

this time to say,

" "

girl.

G

"

"" "

(Yeah) Tip

this time

"

toe,

""" """

A-

"" "

to

! ! """ ! "

say,

girl.

A-

""" """

"" "

(yeah) and I want to ac knowl

C/D

" " " " "

"" "

" D EC BC E! # ( """ """ """ """ """ """ """ """ """ """ """ """ """ """ """ """ """ """ """ """ """ """ """ """ """ """ "" "" "" " " " Chorus

# # #

!

edge my

mis take,

Put it

in my pock et, put it

) E"" "" "" "" ( "" "" "" ** " D

" " "

"

" "*

B-

C

back pock et.

!

Oh,

yeah) Uh

oh,

(yeah) and I hope that you know

in my pock et, in my

C

oh,

"" "" "" "

back

B- C

pock et, put

""" '

! ' #

B-

B- A-

&

C/D

it

in

" "

oh.

in

To !

" " "

my pock et,

" " " " " """"

like me? Cir cle yes or no

A-

" """"""" " "

Are

in

G

you

you gon

na be my fifth grade

in

my pock et, in

(girl).

my pock et, in

D

"

And I'll

Verse

Do

it

it's not too late

my

E-

C

' "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" "" " "

E-

my pock et,

pock et, put

E-

"" "" "" "" "" "" "" "" "" "" "" "" " " " " " " " " " " " " " " " " " "

back

!

girl. (Oh,

queen?

A-

my

" " " " " " " " " " " " " "

put it

in my pock et, put it

in my pock et, in my

D

E-

C

a

"

"" "" "" "" " " " " "" "" "" " " " " " " " " "

back pock et,

and I'll read it

when I'm

lone.

A♯-

" " " " " " " " " " " " " " "

on this piece of

" ""' &

pa per'cause I

C/D

G

"

Hand

" it

real ly real ly need to know.

" """ " "

back

A-

af ter sec ond hour,

*

!

* * * * * * *

&

' ' ' ' ' ' ' ' ' ' ' ' ' ' , '0 ' ' ' ' ' ' ' A♯-

then

& & & & & & &

I

will know

if you're gon na

B-

be my spe cial flow er.

D

E-

C

''' '' '' '' '' '' '' '' '' '' '' '' ' ' ' ' ' '

back pock et,

B-#

.0 ,

when I'm a

lost my breath I

had

to

lay

,

B-#

Then I had to write the words out,

D

and as

B- A-

Oh gee,

oh gosh.

' ' ' ' ' this time

G

'' '

(Yeah)

B-

'' '

'

Tip

& ( *

B-

say,

'

oh,

(

girl.

'' '

toe,

' '

yeah) Uh

to

& & ''' & '

(yeah)

'' '

B-

' '

'' '

(Yeah)

I'm

I

want

''' '''

A-

(

A-

sess

'' '

slow,

(yeah)

(

to

ac

C/D

I

had

E-

' , +

seen.

, ' ' ''' ''' '

E-

But it's hard for me

$ !' ' ' %! '' (Yeah)

I

know,

so it's tak en me all

'

'

edge

C/D

(

read

A-

''' '''

'' '

(yeah) that it's tak en me all

this time to

'

'

my

mis

(clarinet solo) G

it's not too late.

to

(backing vox 2nd time only)

' ' ' ' ' ' ' ' ' ' '

knowl

(

the play ground,

B#/D♯

mouth.

G

will

' ' ' ' ' ' ' ' '0

"$ ' ' ' ' ' , #!! %!! ( ( ( ( (

I

When you kissed me on

what

of my

' , ' '

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(

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' ' ' ' ' ' ' ' '0

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girl, 'cause I need to

''' '' ''' '

B#/D♯

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12

Chorus

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$

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up

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$

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well what ev er) we break

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tooth paste, flip the

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ter and the es to the

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two young ev er

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ev' ry thing, fair y tales,

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F

well

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break up to geth er,

used to share used to read

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F

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C#

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to geth er,

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$

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ev' ry play pre

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to geth er, now we

F#

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C#

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no more sto ry's

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main,

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break up to geth er,

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&& & & & && % ( C!

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to geth er.Such a

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to geth er.

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up

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&& &&& && (% - up

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(piano)

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(Oh

B♭!

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F!

&

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shame.

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&

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& & & &&&& & & & &&&&

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strange kind of plea sure.

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' * +

love to geth er.

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how we'll

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stay

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share the

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C!

up

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13

&

er) We

F!

, )

& break

Christmas in L.A.

14

&& , +&&&, && +&&&

1

N.C.

( ( ( ( ( ( *5 . ( ( ( &( ( '( & *5

(piano, freely)

** 55 *5

$ ! %! (

D♭ (play 3x)

C♭%#

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out Christ

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the world.

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(w/ b. vox w/ indiscernible lyrics, 2nd time ad lib.)

&&&& $! * & %!

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D♭/F G♭

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* 222222

1.

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D♭/F G♭

Think of something interesting This isn't relaxation If he likes your improvisation He’ll take you to the train station There, so close You're so far from the start Relax your face and say the password "It's Dean Dart!"

/ , &( &( &( ( ( / gon na

) ) 2222 D♭/F * D♭/A♭ A♭

Spoken vocal 1: -Whew! Long flight (long flight). It's my first night in Berlin, and I wanna dance! Where should I go? -Well, uh, there's Berghain, or you can go to the Sisyphos! -Actually, I read about this place: the Conscious Club? -Ooh, the Conscious Club, with Joe Dart! Vulfpeck is the house band! -Yeah yeah, Vulfpeck, that's it! Do you know how to get there? -Actually, I do, but it's very, it's very, very complicated!

Spoken vocal 2: Close your eyes And earth-dive in this mud Watch your thoughts We’re going to the Conscious Club Every night at 9pm There’s a special cab Get inside and say "I feel" He'll ask you for your chant

A♭""

G♭

dance our

D♭/A♭ A♭

past,

( . ,( 1 A

2.D♭/

- "!! #

(3 (( 33

F G♭

(piano)

(( , (

17

D♭/F E♭#

0 ( ( (( ' ( (

way.

A♭""

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Hard Work

18

&&& ' . % ' *

A

F

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$ +

$

G

$. $ $. $ $.

A

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&&& ( $ %

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Chorus

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Verse

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God,

A

Love Is a Beautiful Thing

20

++ , * , / -' D

1 '

Verse

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( ')

D

+ '' ' * + 0 - '2 2 2

ti ful thing, ti ful thing,

B-!

Then I can't But if those

stand leaves

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If it's not If it's not

Bridge

E!

me, me,

you you

see, see,

hug ging, kiss birds are sing

find

com fort

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less it's breeze is

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you blow

++ (( '' '' '' '' '' '' ' ' - 2 2 2 2' ' * 2 G/A

how love

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ing, down

ing rust

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ing, some

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ing the

hands. trees.

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(sax/piano)

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hug ging, un der

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laugh songs

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how could then how could

D

lov ing,

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you ling

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A

G-! D/F♯ ) ( 3 ++ & ) ( 3 '' ' ' ' '' ' ' ' 1 ' ' 0 ' - ' ' ' ' ' - '' ' ' * 2 2 2 I

ing, ing

Gmaj!

1' ' ' ' ' ' ' ' ' ' ' ' ' 2 2 2 2 2

++ '' ' ' ' ' - ' ' ' 0 ' * 22 2 2 2 B-!

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un the

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1' ''' ' ' 22 2

ti ful thing, ti ful thing,

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$ !/ %! D

G

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1 1 1 1 ' ' ' ' ' '

B-!

1.Love is a beau 2.Love is a beau

++ * ' 0 ''''

G- (maj!)

1 ' '

'''

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1 1 1 ' ' ' ' '3

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/ -

' ''(

(sax/piano)

++ *

Gmaj!

D%

-Theo Katzman

beau beau

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ing

hands. feet,

" . ! #!

'' ' ' ' ' '' -' ' ' ' 2 2 2

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to see

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$ $$$

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G

A♯&!

B-! $ $ $ $ $$ $ $ $ $ $ $$ $$ * ( $ ,, , , , , , A

Verse

A♯&!

A

E!

" $$ & " ) $$ $$ $ $

Love is a beau

G

ti ful thing,

"" $$ $$ $$ $$ & , , had put

"" &

G/A

"" &

Gmaj!

and

A

win ter's

A

$$ $ $ $ $ .. $ $ of

)

"" & ) D

ring

D

%%

$$ , ,,

beau ty?

(sax ad lib.)

(

$

A

on your hand I

see

,

up

($

$

$ $

D$

$

$

,,

on

rage has

soft

ened in

to

spring.

there's a

ring.

Love is a beau

$$ $ $ $ $$ # $$ $ E!

, ,

And I would un

$ $ $ $ $$$$$$ $ * $ $ ,

$ $$$

) ($

$ ($ $

could

E!

But it was not

me,

Gmaj!

G- (maj!)

) (

"$ $

D

How

$ "$ $$ $$ $ $

B-!

B-!

your hand.

- $ $ $.

$ $

that

D$

(sax/piano)

G- (maj!)

$ $

(

$ $ . $ $ $ , , ,

D

A♯&!

G

A♯&! ! $ $$ $ $$ $$ $$ $$

$$ $$ $$

that

G/A

$ $ $$ $$ , , ,,

"" $$ $$ $$ $ $ - - $ $ $ $ $ $ $ $ $ $ $ $ * ( $ $ ($ $ ,, & , , , ,, B-!

G

$ $$ $$ ( , , ,

! 3 - $ $$$ $ $ $$ $$ $$ $ $ $$ * $ $ $ $ $ $ $ $ $ * $$ $$ $$ $$ ,, , , B-!

D

ti ful thing,

E!

G

$ $ $$ $$ , , ,,

21

$

$ $

you see,

- $ $ $ $ $ $ Gmaj!

D$

)

$ $ $ %

$$ $$$ $ , ,, , Gmaj!

that

be

a

) (

thing

(

$ $

$ $ ! $ $ +$ . , , , beau

I

ty?

a

thing

D$

$ $$$

G- (maj!)

A! ( "#)

of

stand if

that be

$ $

$ $

,

$ $ $ $ $$ $$ , ,, , G

so how could

D

der

$$ ,,

"$ $

- $ $ $. D

+ '

Sky Mall

22

A

,,, , - &# / ( / ( , + , - '# G♭

((

,, + , , ,, /

G♭

B

/

((

F#

,, + , , ,, ) ) ) ) G♭#

(bass solo)

,,, , ) ) ) ) , + , G♭#

!

(bass continues, play 3x)

,, + , , ,, ) ) ) )

((

(

/ ( /

/

((

/

G#

) ) ) ) ) ) ) ) ) ) ) )

) ) ) )

B♭-$

( 0 ( . 2

((

E♭$

B♭-$

G#

,,, , &# ) ) ) ) , + , '# N.C.

F#

E♭$

( 0 ( . 2

A♭-#

A♭-#

G♭#

) ) ) ) G♭#

) ) ) ) ) ) ) )

) ) ) )

!(( "

-Jack Stratton

D♭$

0 1. (

( 0

1 . !(( " D♭$

$ # %#

) ) ) ) D.C., play 3x then to !

) ) ) )

) ) ) )

$ ) ) ) ) ## * %

(

(bass)

/ .

Smile Meditation

23

-Woody Goss

&,& -

' '' '' '' '' '' '' & '' ' &' ' ' ' &' ' ' '

(piano)

& $! & , %! ,&

&

A♭ A♭-$

A♭ ( %&)

E♭maj'

F$

'' '' '' '' ' ' ' '

'

F$

F

' ' ' ' '' '' '' ''

'' '' '' '' ' ' ' '

F$

'' '' '' '' ' ' ' '

F$

' ' ' ' '' '' '' ''

' ' '' & '' '' '' & ' '

F$

F

F$

& ,& /

(solos 4x each)

To !

' ' .4 3 ' ' G('

!

G'

G(' G'

C-)

F$

" C-

B♭/D

' '' & '' '' & ' '

' ''

E♭maj'

F

)

F

F

E♭maj'

G♭ ( %&)

0 . ''' ' ' ' ' ' ' ' ' ' F$

D-'

E♭maj'

B♭/D

E♭maj'

E♭maj

F

)

A♭-$

A♭

F

G♭ ( %&)

A♭ ( %&)

*

A♭

/

)

last time

2 ' '' '

B♭/D2

C-)

' ' ' ' ' ' '' / 0 '' '

repeat for solos

A♭ ( %&)

F

A♭ A♭-$ E♭maj'

' ' ' '' 0 ' ' ' B♭/D

& ' ' ,& ' '' 0 ' ' ' * C-)

F$

E♭maj'

F

' $ ' $ $ & , & %!! ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( ( E♭maj

A♭ A♭-$

0 . ''' ' ' ' ' ' ' . 2 '' ' ' ' '' '

E♭maj'

2 2 2 & & & ' , ' ' ' ' ' '4 0 ' ' ' G'

A♭

G'

F$

'' '' '' '' ' ' ' '

A♭ A♭-$ E♭maj'

& ''' ' ,& 0 . ' ' ' ' '''' ' ' . 2 0 / ' ' ' ' E♭maj'

E♭maj'

F

$ 2 0 . ' ' ' ' ' ' ' ' ' ' ' &' ' ' ' 2 ' ' 0 ' ' ' ' '4 '

A♭ A♭-$ E♭maj'

0 /

E♭maj'

E♭maj'

A♭-$

D.S. al !

' ' ' " ! ( ( ( ( ( ( ( ''' #!

A♭ A♭-$

A♭

$ &' ' / + !! . 1 %

( piano chords: A♭ ( %&)

A♭

'

(bass/guitar)

G( G

G

.'

1

A♭$ ( %&)

'

.

" ! #!

" . ' !! 1 #

A♭ ) (repeat/fade)

' ' 1

Wait for the Moment

24

, $! + , %! 2.

+

2nd time w/ vocal ad lib.

-

(piano)

D-!

(( ((

-

E!

C

(( ( (

( ' (((

-

C/G

& (( ( (

wait

for

C

(

( (

(( (

G-!

(( ( (

-

G

(( (

A-!

3

Mom said

C

(( ( (

F

C/E

(( (

-

E!

/ 3 (4 ( ( ( ( the mo ment,

( ((

1.

-

-Jack Stratton

D-!

(( ((

-

A-!

C/G

(( (

G-!

( ( ( ( (

gone

home went

to

" ! #!

G

(( (

C

/ ( (

bed.

While the

2 4 ( ( 4 / 2 / / / (4 ( + (( (( ( ( (( ( ( ( ( ( ( ( ( ( ( ( F

D-!

C/E

C/G G

(chords sim. throughout)

3

+ ( - - (( ( ( * - / ( ( ( ( (4 ( ( /4 2 ( ( ( ( ( (4 ( ( ( ( ( oth er kids,

wait

they're still out

for a bright er

+ ( / (( ( (

side.

day.

I don't

3

I'll play

feel time when I sleep,

foot ball

to mor row,

but I don't love,

with

snug gle up with my sheet.

on

ly

my

best

3

And

friends. Peo ple

I

3 ( ( ( ( / - / ( ( / ( ( ( ( /4 ( 4 ( ( ( ( ( 0 ( ( ( 1 3 3

( 2 ( + ( ( ( - / 4( ( ( ( ( ( ( 4 - . ( . 1 1 like,

so I

are not

al

lowed.

I won der if

( 4 ( ( ( (( / 4 ( . ( 4 ( ( ( ( ( ( 1 0 ( 0 Sha ron

will see

me,

but I'll play cool.

3

'Cause

2 2 + ((((((( ( - ) ) ) - - / ( ( ( ( ( ( ( ( ( ( 4 / 4 ( ( ( ( ( ( ( ( 4 / . ( ( cool

is

what you have to do.

It's

3

hard

to make a

point

when

you're liv ing so loud.

Oo,

3 ( ( ((( ( ( ( 4 ( ( 4 ( 4 ( ( (( / (. . . + . ( 4 - - ( ( ( ( ( ( ( (( - / 1 . 0 1 1 0 turn it down.

say,

that's an op por

Try ing to

tu ni ty.

get my friend ex ci

Butt

( ( (4 - /4 ( ( ((( ( ( (( ( + 1 was so nice

to

get a call.

Oh,

(

( (

ted

dialed, I smile,

Sha

ron,

a

bout not be ing in vi

lis ten dialed

( /4 1 ( ( ( I'm good at stuff,

I

smile.

ted.

It

I

3

3

/4 ( . (4 ( ( ( 1 0 and you're in

tostuff.

,

(((( 3

( ( . (( ( (. ( - / ( ( . ( ( / ( ( ( (5 (

25

((( (5 - ( (

3

(5 ( ( ( ( ( '( ( ( ( ( ( ( ( ( ( 5 ( / / . / 1 ( ( ( ( ( (5 , (5 ( ( 3 Oo,

let's make

I

said

pro ducts.

Oh,

that mon ey, mon ey, mon ey,

oh.

I'm a pro duct guy,

mon ey, mon ey will be

spent.

and you're a

I'm

at

pro duce girl.

tuned

! " ( 5 ( ( ( ( ( ( - /+ + - . (((( , ( - - /1 ( ( ( ( ( ( #!! * * * * 1 3

to the grooves

A-!

that

Bass man,

turn you off.

(bass solo)

3

oo,

C

E

break it down.

( ( ( ( ((( $ * * * * * * * * !! * * * . 1 / %

G-! C

F

, * * * *

1.

C/E

D-!

2.

C/G G

D-!

C/G G

(( ( ( ( ( ( ( ( ( ( ( ( ((( ( ( (((5 ( ( ( 1/ .((( ( ( 5 5 / . / / ( ( , ( 3 3 list en dialed

I

Oo,

smile.

It was so

nice

to

get a

call.

Oh, Sha

stuff,

you're in

to stuff.

Oo

oo

o

( ( . ( ( ( ( ( ( ( ( , ,

(

I'm

.

a

pro duct

of

guy,

( ( ( ( ( ( ( ( ( ( I

at tuned

to the

o

oh

( ( (

( / ( ( ( (

oh, let's make

grooves

that

turn you off.

pro ducts.

and you're a

pro duce

( ( ( ( ( ( ( ( ( (

( - - ( ( (. 2 3 ( ( ((( (

said mon ey, mon ey, mon ey, mon ey,

( .5 ( (( ( /( ( , 3 I'm

kind

o

oo,

smile,

oh,

I'm

Oh,

yeah.

( ( ( (

kind

( .

of

girl.

( 1

)C 5444 0 4( . ( .&( ( ( ( ( 1

mon ey, mon ey, mon ey, mon ey will be

Oh,

ron,

I

( ( ( ( . ( 5 ( 1

( ( ( . ( ( ( ( / (5 ( ( ( ( ( ( ( ( , ( ( ( ( 1 1 good at

butt dialed,

oh,

oh.

spent.

Oo.

Oh,