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OPERATIC .ANTHOLOGY qr
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CELEBRA.TED ARIAS
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OPERAS
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by
Old and Modem
Composers TEditedby
Max Spicker
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Vol. !.-Soprano Vol. Il.Alto
Vol.Œ.Tenor · Vol. N.Baritone Vol.Y.Bass.
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~~INewYork G.Schirmerl~~ ·~~
Copyright. 190~. by G. Schirmer, Inc. Copyright renewal uaigned, 1930, to G. Schirmer, Inc.
Printed in the U. S. A.
NOTE lt will be noticed, that nrioua notable Arlu are not found ln this Volume. The1 were, however, lntentionall7 omltted, as ~hey had alread1 appeared ln the "Prima Donna Album," and the Publlshen deslred to aTOtd duplication.
l N.D E X No.
1.·
a
AC AN T .HE T C É PH l SE (RA llE A U) Cb&HQns de nos plaisirs 1
.a. ACIS AND GALATHEA (HANDEL, As ·whea the do..e
3. A 1 DA ( 'l'J ER D 1) L 'insana parola
3 ia
4. A L C E S T E ( G L U C lC) Ah 1 malgr• moi (Les Adieux)
20
5.- C A R .M E N ( B 1 Z ET) Je dis. que rien ae m'•pouyaa.te 6. CID,
al
LE (MASSENET) Pleurez, me• yeux 36
7. C 1 D, L E (JI Â SS ENET) Pl.us de tourments 42
J. CL·EMENZA Dl TITO, L.A (MOZART) Non pià di fiori
47
9. DEUX AVARES, LES (GRÉTRY> Plus dè d•pit, plus de tristesse · · 62 10.
D 1 N 1 T R 1 (J 0 N CI ÈRES} -Plies •toiles 66
11.
D0 N
12.
É T 1 E N N E M A R C E L ( S Â l NT - S Â Ë N S) 0 beaus rêves ••anoui• 77
13. F É E
( 'fJ ER D /) 0 doa fatale 70
CA R L 0
A U X. R 0 S E S,
L A. ( H Â L É V Y)
En dormant c•est l moi 14.
Sa
FIANCÉE D•ABYDOS, LA (BARTHE) 0 nuit qui me couvre 8.6
15. FIDELIO (BEETHOVEN) AbscheuHcher l wo eilat du hin 1 16.
91
F L 1 E GE ND E H 0 L LANDER, DER (WAGNER) Traft ihr das SchUF (Ballad) 101
17. FORZA DEL DESTINO, LA Madre, pietosa Vergine 111
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Hui! _ _ _ __ Hui! _ _ _ __
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109
Yo-ho--hey !
Hui! _ __ Hui! _ __
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Molto più lento. ( ~\.Hs.)
mû eh might
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111
La Forza del destino. (1862.)
"M . t osa \,..ergme.,, . ! a dre, pie English versio11 hy Dr. Tlt. Buker.
Aria.
GUIS EPPE VRRDI. (181:-J-1901.)
Allegro agitato, e presto. - >
~
tut ti _dob - bia - m-0, tut-ti dob - bia-mo,dobbia-mo~amar!tut-ti dobb1a-mo~aAll _ _ have_ to fall in love, all haveto fall_ in love,haveto fall_ in
16361
142
pp - - - - - - ------mar! love!
tut-ti dobbiamo amar! AllhP.ve to fall in""' love!
mar! a all! ________________
tut- ti dobbia--mo~amar! All have to fall in love!
a-mar! in love!
\~~~f&~~~~~§
(i-.-..-:-+--~~-~----1 un poco ritard.
~ll~g·ro agitato.(~=.----:----. rno)
w:nu
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Salto a piacere. •
legg:
ah! _ _ _ ····-- - - ·· ah! _________"·--
a full_"
in
mar! love!
144
e tu ne' so - gni miei rie-di,o PeAnd in mydreams re-turn hith-er, 0
r ------~~~--------~----------
All
have to fall
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ah
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16361
145
bia - mo,_dob-bia an_ have to fall - - - -
mo, dob-bia- mo amar! tut-ti dobbia-mo ain love, to fall
in~ love, all have to fall
in~
i46
Hérodiade. (1881J
((Il est doux, il est bon.» JULES MASSENET.
English version by Arthur H. \ïvian.
(Born HM2J
plÛ 'lltOSSO
~~::=:===::::t--7j-;---t---------=--~-it----f ?·~_-+-------+--+---+---~~ Andante cantabile. (J = 63) Il est doux, He is
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Copyright, 1885,by G. Schirmer. IMHil
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poco
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poco appassionato
A - vait sui - vi ses pas, Had roi - low'd him for days,
Qu"il m~ac-cueil He re - ceivli
poco a poco appassionato .
~~------~~~~+-----1 ?~~~~~~~ 16361
150
pas-se sans bruit; list to his strain;
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d/111.
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Prophè- te bien ai - mé1puis-je 0 Pro-phet lovd o~er all, can I ::::>-
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quand pourrai je When, 0 when shall I ::>
i52
Les Huguenots. (1863.)
aNobles Seigneurs.·
Cavatina. GIACOMO MEYERBEER. (1791-1864.)
gneurs, _ _ _ _ saKnights, I
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16361
153
ge, _ _
sa la -
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fair, __
e ce mes-
She confides this let - ter
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154
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no,
no, no,
non, no,
non,_ non,_ ,ja no,_ no,_ no,
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no, no,
no, no, no,
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sa - lut! _ _ que Dieu_ pro a - dieu.,-- and Heav'n_ de -
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156
ge, _________ you,
que
Dieu
and
heav'n
pro - tè - ge de - fend you
-------~---------------voscom-
------·---------------~inyour
16361
157
Jeanne d'Arc. (1881J
«Adieu, forêts.» Recitative and Aria. Eng.1.isb version by Dr. Th.Baker.
PETER ILJITSCH TSCHAIKOWSKY. ( 1840-1893)
non troppo.
f Oui, So
16361
Copyright, 1899, by• G.Schirmer, Inc.
Dieu will
158
Allegro moderato.
Pour- quoi_
fré
Why fails
my
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â - me! trem - ble?
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16361
159
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160
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fleu - ri - rez
_______ Ah, when I am gone,
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16361
161
ri'ten.
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ou that
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16361
mes ye,
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163
tes de la vie the fields of
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16361
vousvoy _ ez au fond de mon à - me! Thou know- est all my as-pi - ra - tion!
164
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Moncœur se bri - se. Thou see'st my trem- blin'g,
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165
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Più mosso •
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16361
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167
La Juive. (1835)
English ·1Jersion by J. Wrey Mo11ld.
JACQUES F. HALÉVY.
Romance.
(1799-1862)
Il va ve - nir ! He will be here !
je me sens fré-niir! is a-thrill in fear;
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169
ra tem
qui s 1a - van pest~ vio ge
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pas
pulse
171
·je le
oui, flight
dois,
be my choice,
je veux still is
p
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col canto
ve is_
nir 1 here! _ _ _ _ _ _ _~
p
dant _ _ __ pause 1 _ __
va for
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veis
a tempo
va for
1636t
he
ve is
172
Il va ve - nir! for he is here !
c1·esc.
il for
Lohengrin.
173
(1850~
,, Einsam in trüben Tagen:' Elsa's Dream. Elsa's Tr aum .
'
t~~-----t----l--T---r-~+--1":iaol---~----l
Laut
so kla- ge - voll, der zu ge-
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~~~~----H-~~~--Y------i
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c er Rei in - clin
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r'
176
Re
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lj~ h~-~l~~
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des_ My_
guar -
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mit
His
ne tra-_ge tome~
~~
178
will If
Lento. ssen, g1eb' me, l11
ich ihm, give him
er in
Ge- mahl mich bis heart -he'll
poco a poco pzû lento
was ieh ail I ~
•
16361
179
Mignon. (1866~
"Je suis Titania.» English 7Jersion hy Dr. Th. Bakn.
Polonaise.
AMBROISE THOlIAS. (1Sl1 -1896.)
je suis rei ne_ des fé I am queen __ of_ the rev -
e8 !
Voi-
els.
Be-
~·
Cop_i•right, 1.
16361
181
16361
182
Ti - ta - ni - a, fil Ti - ta - nia,daughter
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I_
16361
183
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ah! ah! ah! ah!
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185
ah! _ _ __
ah! _ _ _ _ _ _ _ _ __ ah!--~-------
16a6J
186
Mireille. (1864)
English version hy Dr. Th. Baker.
«Mon cœur ne peut changer.)> Aria.
CHARLES GOUNOD.
AllegTo.
(1818 - 1893J
vraiment, e Shall I my
cent!_
Quand pas - se When
le
bon -
Hap- pi - ness goes
--
CopJ·right,
lllfJ3, ~y
G. Schirmu, /ne.
ver - y
rea
son
s'il n'est· seize her
-le!_ ish!_
187
16361
188
189
f6361
190
Allegro moderato.
191
192
16il61
193
â - me! daim thee,
16361
suis My own
toi mon My soul doth
194
ta 1
195
Le N ozze di Figaro. (1786.)
"Deh vieni,non tardar.,, W. A. MOZART.
Recitative and Aria.
Allegro vivace assai.
( 17ilfH79t .)
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in- co - rotowreathethy
16Zl6t
f99
Le N ozze di Figaro . (1786)
"y· 01, che sapet e.,, Aria. Andante con moto.
W. A. MOZART. ( 1756-1791)
co-sa è
a-
shad - ows_
o .. ver
16361
200
Don Twi
ve -
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de te,_ scend - ing--'-
S'io Steals
1
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pro vo, moun - tain..;
cresc.
Cool
1.6361
per me sil - v'ry
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ch'o - n!...,è mar Watch the bright b~
Val- ma av-vam deep_
thoughts
)~~~~---------..--------------------! ~~~~~~~~
E,_)n Spells,
Ri Friends
1
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202
SO
CO -
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~~~~~~t::::==:=:t========l (~-+---t--+--+--+~~~~~
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lent - ly
16361
h
tre-mo Sen-za safearful, Own the soft
blend
te ing,
203
Don Twi
Don - ne, ve Twi - light d~
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te,_
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16361
~04
Oberon. (1826.)
,, Ozean! Du Ungeheuer!" Scene and Aria.
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a
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212
on,zum U on,haste down_ to the
schnell die-sen
Hü-on~
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t6H61
213
Hü
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16361
Hü- on!
on!
Ret-tung naht! we are sav'd,
214
Mein Hü - on, mein ~ly
hus - band,my_
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16361
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215
Orfeo. (1792.)
"D e1 m10 . core.,, Recitative and Aria.
English version hy Dr. Th. Baker.
JOSEPH HAYDN. (173:?.:. JHOH.)
Do-ve, Oh where,
l'a - ma - to
be - ne?
thou, well - be - lov- ed?
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muo - ve.
*
accel.
Recit.
Ahmaipiù,sventu-ra-ta, non po-tro ri-minar Nevermore,hapless woman,shall I see nim again
Recit. ro! ish!
M' ab-ban - do - nf!:_Jl re All my strength is de -
) ~~~-------~~-+::------:----------! *
a~npo
16361
io I
217
Adagio.
mi a spir-it
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218
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Osteria. (1840.)
"Domani, o me felice .., English version by
GIUSEPPE LILLO.
NATHAN HASKELL DOLE.
(t!-i14 -l~H3.)
con grazia.
16361
Copyrig-ht, t"'f.'12, by G. Schirmer.
220
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Philémon et Baucis.
English version by Dr. Th. Baker.
(1860.)
«Ah! si je redevenais.»
Moderat~ Roman__ce_._ __
re my charms
ve a - gain were
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Were gods new fa-vors now be -
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Nous ou-vrait un autre a - vethat re- new - ing life rnight be
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Copyright, 1.903_, hy G.Schirmer, /ne.
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Phi - lé mon! Phi - le - mon!
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