U2 All That You Can't Leave Behind [PDF]

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U2 ALL THAT YOU CAN'-T

Ei˧.

LEAVE E}EHIND

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Gænoble et réseau

- Document

llililililtilIilililtillI illil 0000016100435

U2 All thê

& guitar in" & chord sy

_'-t

BEAUTIFUL DAY Music by U2 Lyrics by Bono

G5

u'm++i n'ffii+i o''ffii+i n'ffi++i

D

A

Ffm o'm n'm

Gadde D5*

o'Emn'mn'ïimo'l++ffi

Dsus4

HH

J=,,, (e)

Intro

(nm)

(D)

(c)

(e)

(D)

J'' ?ltf

Pno. arr. for Gtr. wltremolo effect

1. The heart

up

through

the

sto - ny

ground.-

But there's

Copyright 2000 Blue Mountain Music Limited (for the UK), A Kensington Park Road, London W11 3BU/ Mother Music Limited (for the Republic of lreland), 30-32 Sir John Rogerson's Quay, Dublin 2/ PolyGram lnternational Music Publishing B.V. (for the rest of the World), 8 St. James's Square, London SWlY 4JU. All Rights Reserved. lnternational Copyright Secured. @

is a

no

bloom.-

(gm)

(p)

Space- to

(sm

)

luck,-

fic is

stuck,-

(o)

the Gtr. I

of

You're out

rent

rea-son that you

had to care.-

The traf

-

relec.)

(em)

(o)

(o)

(G)

and you're

(A)

not mov -

ing

You thought you'd found-

(em)

to take

you

10

out

some-one

a

could lend

It's

in re - turn

hand

a

beau -

Gtr.

D5

A5

Chorus

,D )-=-ry'T-'D

Gtr. I

The sky falls

Gtr.2

f J

Gtrs. l+2: w/dist.. delay ol'f Fig. r...

I 11-11-11-7

gs

Ds

7-7-7-7-7-7 7-7-7-7-7-

Gs

l:

dar

.

-

cont. in si"

As

)

and you

feel- like it's a beau-ti - ful dai.-

7-7-7-7-7-11 7-7-7-7-7-9 7-7-7-

Ds

ti - ful

10-10-10-10-10-1

A5

2. You're on the

1

1

0-1 0-1 0-12-12-12-1 1 1-1 1-1 1-

7-7-7-9-9-9 v

(n)

(sm)

-7-7-7-7-7 7-7-7-7-7-7

10-10_10-10-10_10_

7_7_7_7_7_1 7_7_7_7_7_ 7_7_7_7_7_

7-7-7-7-7-7-

(o)

na

(Bm)

in the maze- of her i - ma -

(sm)

ov -

Chorus Gtr. I

A5

3s

(c)

(»)

Ds

na

tion. (You)

a beau-ti - ful

been all

Gs

,TT D,)--,,17

ps

,D )_---,rTT-,D don't let

7-7-7-7-7-7 7-7-7-7-7-7

it

get-

7-7-77-7-7-7-7-7

12

love this-

(a)

(D)

er,-

gi -

As

a-way.

,TT

day,-

cont. sim.

,-)

It's a beau-ti - ful

10-10-10-10-10-1

7-7-7-7-7-7

day,-

B-'

D-'

D-'

G-'

?'

A,5

r^>

oh.-

Gtrs. 1+l: arrn:

7-7-7-7-7-7 8-8-8-8-8-8 7-7-7-7-7-7

7-7-7

10-1G-lG_10-10-10--

7-7-7-7-7-7-

DA

-r1 It'fm

Gtrs.r+2

7-7-7-7-7-10 7_7_7_7_7 .7-7-7-7-7-'

,rTT ) )--,rT,

,TD

15-15-15-15-15-15 2-12-12-12-12-12-1

>

>

a

w/clean tone+delay

Gtrs. l+3: tacet

(o)

3t*

-

2- 1 4-1 2- 4- 4- 4- 214-14-14-14-14-14-

1

hope-less-

15-15-15-15-15-1

12-12-12-12-12-12-1

15-15-14-15-1 14_14_14_14_14_1

(G)

(»)

Instrumental

(sm)

place.-

>

15-15-14-15-1 14-14-14-14-14-1

not-

14_14_14_12_14_1 14_14_14_14_14_1

er-

oth -

to that cont. sim.

(A)

::..::.-.:-

(A)

1

1

1

1

case.-

12-14-14-12-14-1214_14_14_1

Bridge

O, G)

G adde(Ebass)

Ds*

c

l. 2.

Gtr. 4 (acous.)

See See

the world

the

see Chi see the

green and

fires

Be - dou - in

at

na

oil

fields

2" ad lib. sim. Gtr. 2: tacet

D sus4

at

G adde(g,uass)

See the

in first

See

Af - ter

can

see the bird

the the

tu-na flood

the

fleets

all

sea

yons

with

a

bro - ken in

leaf

by her

cloud. mouth.

out.

the

was a beau-ti

ful-

Gtr.2

All Gtrs.:

tacet

10-10-10-10

14

As

D5

85

Ds

Gs

,TT F)--)-,W,-

)--=-,r >

l

-'D

,TT

.-cottî'stttt

let

;ff

Crrt.l+2: w/dist.

.,

0-1 0-1 o-1 z-1 2-1 2-1 ( --{--1 ---*--9-9-9-1

7-7-7-9-9--1 -1 1

1

1

-7

7-7-7-7-7-7 7-7-7-7-7-

7-7-7-

7-7-1 7_7

10-10_10-10-10-1

0-

day.

1

10-10-10-12-12-12-1

11-11-11-7

-.

7-7-7-7-7-7 8-8-8-8-8-8 7-7-7-7-7-7

7-7-7-7-7-1 7-7-7-7-7 7-7-7-7-7-

DA

r,i

t'l'rm

Gtrs.1+2

10_10_10_10_10_1G_

,f-TT

,r-TT )

,me,_

/-

that >

14-14-14-12-14-15-1 14-14-14-14-14-14-1

1s-l5-15-15-15-1 12-12-12-12-12-12-1

,-TT

^rW place.-

:f 14_12_14_12_14_1

14-14-14-12-14-15-1 14-14-14-14-14-14-1

15-15-15-15-15-1 1

2-1 2-1 2-1 2-1 2-1 2-1

4-

know

not-

I'm

?-^.

a

>

12_14_12_1 14_14_14_1

15_15_15_14_15_14_1 14_14_14_14_14_14_1 o

,- )

Ds

,rTT-,-

you don't

2_2_2_

o-r,-

2-2

o-o-

As

,TTT,N

cont. sim.

how.

What

you don't

have

you don't

14-14-14-12-14-15-1 14_14-14-14-14-14-1

15-15-15-15-15-1 12-12-12-12-12-1

12-14-12-14-12-1 14_14-14-14-

15_15_15-14-15-14-14 14_14_14-14-14-14-14

5_1 4_1 4_ 15_15_15_15_15_15_ 5_1 5_1 5_1 4_1 2-1 2-1 2-1 2-1 2-1 2-1 4- 14_14_14_14_14_1 1

1

12-14-12-14-12-14-12 14_14_14_14-

14_2_3-7 14-2_4-7

STUCK IN A MOMENT YOU CAN'T GET OUT OF Music by U2 Lyrics by Bono & The Edge

Ëffiil Iïffii

Gf n..m

C#m F#m7 u'imu.Tmn'm

Esus4 Fit

F#m u'mn'm ïffiil ffi D

J=*o

Intro

E(Gilbass)

B

C#m

Gtr. I (elec.)

T A

J-

ÿ

C,

Fi

I

E(Gilbass)

\-erse

[. I'm not a - fraid-

an-y-thing

in

this world,

Cilm

there's noth-ing you can throw

at me

2 tu 11

6 lil_

11_ 11-11--

E(Gflbass)

have-n't al-rea-dy heard.-

['m just

trying-

to find-

_11

11_11

Copyright 2000 Blue Mountain Music Limited (for the UK), 8 Kensington Park Road, London W1 1 3BU/ Mother Music Limited (for the Republic of lreland), 30-32 5ir John Rogerson's Quay, Dublin 2/ PolyGram lnternational Music Publishing B.V. (for the rest of the World), 8 St. James's Square, London SWlY 4JU. All Rights Reserved. lnternational Copyright Secured. @

18

song that I-

can

X.

11+

,7-711-11

11

I

nev - er

thought

were

you

a

11-

fool,-

----

.^-

,^

10-9-10-9

F #m7

car

-

10-9

19

ry

your

these tears

weight,

no

are

-

where

-^.--

E(Gdbass)

C

your

You've

-

geth - er, you've

self

got

---\ ^.

C-t.

ment-

out-

and now you

{

11-9

^_{

Gü(cuass)

E(Gilbass)

la - ter

will be

1

bet - ter, now you're

1_1

20

fr.

11-11-9-9

11-11

E(Gflbass)

of

1_1

1_1

Cflm

and you

10_9-10_11-11-11_1

E(Gilbass)

2. I

MN

'

will not- for - sake-

the

co

- lours that-

(but) the

you bring,

ni_ehts

P.M, Gtr. 2: tacet

you filled with fire-works, they

left you with noth-ing.

E(G#bass)

Iight you brought to me,

11_11_9

through- your ears-

and

through your

eyes I

can

see.

_9_9_ 9_9_ 1_1 1_1 1_9_9_9_ 11_1 1

C#m

And

you- are such a

to

fool

wor -

ry like you

11_12_11_12

C#m

I

know it's

tough-

and you can nev - er

get e-

10_9_12

Cfm

of

what you

don't

my

real

oh

my._

-\,---

C

horus

X

E

E(Gilbass)

E(G#bass)

You've

get your-self to - geth - er, you've

Cflm

got

ment,

stuck in

JJÿ

11-11

v 11

J-J-l

t-v-! g_1 1+

l-v-l

now you

E(G#bass)

E(Gübass)

can't

get out- of

roh

it.

t por't

love,

say

that

look la -

at

ter

you now,-you've got your-self will be bet - ter, now vou're

10_10_9_9_9_9-9-9-911-11-11-9

G# (cuass)

9-99-9-

To Coda

mo mo

ment ment

10-10-10-11-11-11 -9-9-9-10

11_

7-7-11-11

dis-co-ver-

23

how

A

D.l§. alCoda

E(G#bass)

E(Gflbass)

J-V-J^

^

À

4{

^^^

E(Gilbass)

pass...Vocal Fig. I

ends

and w/VocalFig.

if

r:r;

I

a-

_10

9-9-9 10_10_10_1

1_1

1_1

E(Gflbass)

1

r-t-t-v-y-

_1 1_1

1_1

1_1 1_1

1

Cflm

10-9-9-10-9-

10_9_e_1

Gfl(cuass) Cüm

and

if-

your

10_9_10

E

^

10_10_10--1

10_-10_10_1

25

9_

ELEVATION Music by U2 Lyrics by Bono

EA B5 o'ïffii n''Tffii o'*ïffiii J=r* Intro

(E)

N.C.

(s)

(A)

(a)

Yeah Kbd. Sequence

Gtr. I (elec.)

lltf

yeah.

Plav 6 times

wldist.+octaver

Ooh,

Gtr.2

(elec.)

z. w/dist.

J Cu.l:

wÆig. I (x8)

x-x-14-14-14-1 x-x-14-14-14-14 x_x_14_14_14_1

9_____X_X_14_14_14_1 7_12_12_12_1

12_12_12_1

ll2. Bs

ooh.

tæ

fz,, IT

l-:t-t l-B-'r-l

_x_x_ 14-14-14-1 _x_x_ _x_x_ 14-14-14-1 14-14-14-1 12_12_12_1

x-x-l4-14-14-1 x-x-l4-14-14-1 x-x-14-14-14-1 7_7_12_12_12_12

16_16_X_X_X_X_14_14 16_16_X_X_X_X_14_14 14_14_X_X_X_X_12_12

Copyright 2000 Blue Mountain Music Limited (for the UK), 8 Kensington Park Road, London Wl1 3BU/ Mother Music Limited (for the Republic of lreland), 30-32 Sir John Rogerson's Quay, Dublin 2/ PolyGram lnternational Music Publishing B.V. (for the rest of the World), 8 5t. James's Square, London SWlY 4JU. All Rights Reserved. lnternational Copyright Secured. @

26

(ss)

(as)

(es)

(Es)

from a out like a gui

gun,ta1-

shoot me

you strung

(As)

I

need you to may - be you

Gtr. 2: tacet

Fig.2-

---

l

7_7_7_7_7_7 (as)

(Bs)

(E5)

5_5_5_7_

At Ex

the cor

(E5)

-

- plain

ner

of

your

all

these

con

lips, trols,

(D

(ns)

(85)

(Es)

self-con-trol, in a

['ve

like

been hole,

up

Gtr.3 (acous.)

Gtr.

bit but

7_7_7_7_

7_7_7_7_7_7

soul 2, (T§) mole

as the or can't sing

l: wlFig.2 (xl)

5-3-3-

5-3-5-3-5-

27

of I've

(E)

(e)

(e)

Now,

mole. soul

-ca -ca

down,

go go

down.

3-5-5-3-5

and and

in in

I I

(B)

(e)

(s)

SO SO

7-

make make

the the

5-5-5-7

me feel like me feel like

I I

can can

To

high, high,

7-7-7-7

7-7-7-7-7-7

28

Coda§

lz.

E

--___-_-==-_

f cr.l:

w/Fig. I (;r8)

_x_14_14_14_1

4-14-1 4 -4-14-1 4 4-14-1 4 12-12-12-12- -

9_---X-9--X-X-1 9-----X-9--X-X-1 9------X-9--X-X7_7

x_x-14-14-14-1 _x-14-14-14-1 _12_12_12_1

4-1 4-1 1 4-1

ll2. B5

9-X-X-14-14-14-14 9-X-X-14-14-14-14 9-X-X-14-14-14-14 12-12-12-12

x-x-14-14-14-1 -x-x-14-14-14-1 x-x-14-14-14-14 12-12-12-1

As

16_16-X-X-X-X_14_14 -\ 6_.t 6-X-X-X-X_1 4-1 4 14-14-X-X-X-X_12-12.\ 1

mp Vocal ad lib.

Gtrs. I ,2+3: tacet

D.ÿ§.

29

al Coda

,mw )

9-9

x-x-14-14-14-1 x-x-l4-14-14-1 xx-x-l4-14-14-1 X 14-14-14-14

E cotll. .tim.

x-x-14-14-14-1 x-x-l4-14-14-1 12-12-12-12 -x-x-l4-14-14-14

x-x-14-14-14-14 x-x-l4-14-14-14 -x-14-14-14-1 12-12-12-1

Repeat to fade

16_16#14_1 16-16#14_1 14#12-1

30

WALK ON Music by U2 Lyrics by Bono Dedicated to Aung San Suu Kyi

A

G*

fil0

G

E7

Em

Esus4

Tri#i Ëffiiï ffi ffiffiffiffi Bm/A GIF# Asus2 NC# ffi u'T+ffi ffi Titrii 'ffi- Ëfiïiï o

ooo

Bm

Em7

fr2

]=roo

Intro

(c)

(omz)

(Spoken)

And

1.

2.

Love

is

love

is not the ea-sy thing,

not

the

sy thing,

ea

the on-ly bag-gage you

can

bring

1S

Percussion

*f trY:,;*,:,iio?" 4_ l12.

(G)

Gtr.2 (acous.)

the on all that you

ly bag can

,t

-

gage

that you can bring.

leave

G*

t D,=

be-hind.

Gtr. I (elec.

/r+--

(acous.) )

Gtr.

A

D

,l+l

)

:

)

)^)))))

_

))

cont. sim.

I (elec.)

z.

J

w/dist.+delav tet ring...

12-12-1

12-12-1

12_12_1

12-12-.|2-

O Copyright 2000 Blue Mountain Music Limited (for the UK), 8 Kensington Park Road, London W11 3BU/ Mother Music Limited (for the Republic of lreland), 30-32 Sir John Rogerson's Quay, Dublin 2/ PolyGram lnternational Music Publishing B.V. (for the rest of the World), 8 St. James's Square, London 5W1Y 4JU. All Rights Reserved. International Copyright Secured.

I

12_12_1

DA

Verse

Gtr.3

)

)

)

:

)-)

And if

) )))

the

You're pack - ing

Gtr.4 (elec.)

-

)

12_12_1

12_12_1

cont..sim.

dark a suit -

usaof

ness case

none

us

has

-

-f Z!,ï':ir1',il1i"'

day

has-

light

to

be

feels- like lieved be -

it's-

Gtr.2: w/ Rhv. Fill

I

Rhv. Fill

1

Em Gtr. )

t#

It# IFÈ \-

lsJ I -'a '[J-

t-

(3

ti tû

a,

ç'1

tÉ rr !:

l

'.'.-i, r'"v i. ,fïIL

() J

-..

And if have

long way to

You could

be

Gtr.2: w/ Rhv. Fill

should

glass a

a

I

and for

crack, sing - ing

bird

you-

- cond op-en

ase in an

E

be

on-ly fly

on-ly fly,

Esus4E

3,fTT^rTD

Esus4

turn

cage,-

Gtr.2: w/ Rhv. Fill

Gtr.

)'ourflogn-

E

who

I

Esusa E

-,,fTT,f»

strong.for free - dom.-

walk on.walk on.Gtr.

,m,rr

D

,TT

walk on. walk on.

a'f

Ctr.2: w/ Rhy. Gtr. 4: tacet

1

A conT. sim.

What

you

got they can't

steal

What you've got they can't de-ny

no CAN.I

Fill I (x2) 1

12-12

12-

- en

feel

can't buy

Walk Walk

_1 1_ 12_12 11.

E]

stay

know-

safe safe

stay

12-12 E

,ry,D^)

)

-lr

it

aches,-

heart

and your

it breaks,

Solo

Bm

Gtrs.2+3

,)

) ffinr much.-

(and) you can

lffi t_ IT l-n-,l_B-\-

12_1

13

1

12-1

12-1 11

Bm/A

)^)

G

,-

G

tFl

13-1

1

12-12-1

12_12-1 Em

)^) ,D )

t,ll

7,48-8*10-1O+1

1

5_1 4_1

34

2_12_1

4-1

2-1 4-1

10-8-10-8+Z-5-5--7-

Bm/A

G IFfr

Walk

Ça

>,.'l

t..tl

7_7=_zg_g+1O_1O+1

Asus2 A

A I

r-r

,),)

14-14-14

D

Gtrs.2+3 )

)))

)^))))

14

|-:

,)

14)'=10-7-7

)'^) ) ) ),) ) -

)^,D

12-14_14

12-10

14

conr.sim.

'11

AICfr

had-

35

,TT,T,

7_5-3-52-7==5_3_

AICil

) )

10-1 0--14-

Asus2DAAsus2A

Asus2 A

t-:

)^) ,) )

Middle

12_12_(12)__-_15_1

,IL

)

n-,,rTT-,f'm,rTT

DA

E

,TD-',»),ry ,T D-',D-rn ,TD^D-,D,rm it aches-

Outro

how

your

heart

it

breaks,- (and) you

can on - ly take-

Em7

5+Z-3--3-3-

36

so much.-

Em7

you've got to leave

it

be -

All that you

hind.-

Em7

that you

that you

all all

make,make,-

that that

you build,you build,-

all that you all that you

break. break.

-

7-3-e-3-3

Em7

All All

that that

you mea you sense.

all that all that

sure,-

7-3-

you you

all this you all you

steal, speak,

--

can

-

dress

5-5-7-3-3-3-

Repeat to.'ttttlt

UP,

leave

be

all

that

hind. you

scheme.

All All

that that

3-3-5-5-5.

3-3 -5

37

you you

KITE Music by U2 Lyrics by Bono & The Edge

Asus2 A

C#m

TïHïl IIffii "-im

n'm

Esus4

E5

B5

n'ï+iffi n'ËH+i n'ffii+i

Aadde

u'T+m A5

n'ffi++î

J=,,,

Gtr.

N.C.

I (elec.) ---_-.---.

mf

E

Gtr.z(acous.)

1_v I

v

,lTT

Gtr.

l: w/slide,

Yerse

rua.arr. for Gtr.

)

Asus2

) .n

E

VN-Vll

D.^,,a

)

-

Asus2

is

thing-

\(

Asus2

delay+slight dist.

Asus2

1. Some

cont. sim.

I

a-bout

can

-----

feel it ------------

Copyright 2000 Blue Mountain Music Limited (for the UK), 8 Kensington park Road, London Wl1 38U/ Mothèr Music Limited (for the Republic of lreland), 30-32 Sir John Rogerson's Quay, Dublin 2/ PolyGram lnternational Music Publishing B.V. (for the rest of the World), 8 St. James's Square, London SWly 4JU. All Rights Reserved. lnternational Copyright Secured. @

38

com -

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I think I

know what

it

means,

I'm not

a-

fraid to die.-

\(

I'm not

a-

fraid

to

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flat

my

back

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I

hope to feel

like I

did.

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know

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sum -

mer I

can

taste the salt-

the sea,-

42

there's

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I could-n't taste

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should

be

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45

I

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fra

grant,

roof

-

top

to the

base

-

ment.

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when hip hop drove

the

big

in

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the

time

when new

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i

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11-11_9

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de -

IN A LITTLE WHILE Music by U2 Lyrics by Bono

A r# o'm*Tmn'm Bm

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n'Tm n'm J

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l. In (Gtr.

a

lit-tle while,(2.) lit-fle while,-

I

won't

mine,sure - ly you'll bebe blown by e - ve-ry- breeze,-

1)

2" sim. ad lib.

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7_8_7_

7-7_ 7-9-7_

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wislight overdrive let ring... I"

A'/

7

tacet

Copyright 2000 Blue Mountain Music Limited (for the UK), 8 Kensington Park Road, London W11 3BU/ Mother Music Limited (for the Republic of lreland), 30-32 5ir John Rogerson's Quay, Dublin 2/ PolyGram International Music Publishing B.V. (for the rest of the World), 8 5t. James's Square, London SWlY 4JU All Rights Reserved. lnternational Copyright Secured. @

47

in a lit-tle while ['ll night run - ning

Fri-day

be to

lirtle

there.

Sun-day on my knees.

...Fig. I ends

Grr.

That girl,-

l: wlFig. |

that

girl,-

(x2)

7

7_7_7 9_7_9_7_7

will hurt-

2o

this hurt -

while,-

7-7-7-7-7 5-5-5-5

no she's

more,-

mine.-

I'll be home well I have known her since,

since she was

7_5_

7_8_8_

When

love.

ir7

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-*-

A'/a

48

the nighta lit-

a.

7

takes

a deep

with

tle

and

breath Span

ish

the

day

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has no

when I saw her

eyes.

67-7 7_7-

-à

1/

If I pram they pushed her by.

I

crawl,

Oh

ffiÿ,

come

my

crawl -

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how you've grown,

7_7_ 7_9_7_

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49

G susa G

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ll

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heart.-

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man

dreams

7_7_8_7_7_10

day

to

7_7_10

(you) turn

me on.-

52

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('()ilL \ :1

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â

7-7-10-7-7-1

53

WILD HONEY Music by U2 Lyrics by Bono

G

J= 125

Intro

co

Em

D

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when we were did I

cont.sim.

swing

know-

ing you

from-

the

ev-en

I

trees,-

was

Be - fore

then?

-

(Verse 3 (18) see block lyric)

let ring.

Fie.

L

N.C.

Gtr. I (acous.)

7-7:=5-7-7-=§ !--.-5--2-2-2-

Copyright 2000 Blue Mountain Music Limited (forthe UK),8 Kensington Park Road, London Wl1 3BU/ Mother Music Limited (for the Republic of lreland). 30-32 Sir John Rogerson's Quay, Dublin 2/ PotyGram lnternational Music Publishing B.V. (for the rest of the World), 8 5t. James's Square, London 5W1Y 4JU. All Rights Reserved. lnternational Copyright Secured. @

54

a

mon

the

clocks

-

-

I could From the

a swarrn of be-fore the world- was

steal-ing ho-ney from

key

taste.-

1-0-1-0-1

I could taste-

I

you

would

you were mr

shei-

3_1_0_ -3 To Coda

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wind.-

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you were

my shade.-

my

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If

could goyou go-

there there

please,-

with

10-10-12 *w/lower harmony 2' onlt

55

me,

ho - ney. ho - ney.

10_10_12_

A

And if

you You can

godo-

there,

go

just

what

with

me,-

you please

wild wild

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conT. sim.

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the

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