34 0 3MB
31 Exercices pour la justcssc ct la technique de la 4c position Ces cxercices sont valables sur les trois corcles: Sol, Re ct La, tou jours a la 4c position ( voir pho tos N °s _ I0, I I, 12)
+
I
Exercises for intonation and technique in the 4th position These exercises are good on 3 strings. G, D and A, always in the 4th position (see photos Nos. I0, I I, 12)
2
Obungen in Prazision und Technik der 4. Lage Diese Ubungen sind fur die G, D und A Saiten angezeigt, stets in der 4. Lage (siehe Fotos Nm. I0, 11, 12)
Ejercicios para la finaci6n y la tecnica de la 4a posici6n Estos ejercicios son validos sobre las tres cuerdas: Sol, Re y La, siempre en la 4a posici6n (ver fotos N °s . IO, 11, 12)
3
4 rn Jir3 fTD J�
1rfP 1r 3 w�
3
3
3
'4 E'.f]ffl J JJ ill I fj:, @ J5fEb I E1}J .J j FEF@D II 3
3
J
3
3
A.L. 25.806
3
3
3
32
M
4 mn #a 11m n [email protected] n #a 118 n +
+
2
+
2
+
A.L. 25. 806
I
2
I
J
ui 3
3
33
Presto
Ex. 5
4 I JgJJ.JJJJJ§dJJ@JJJJJJffl I J1JJJJJJJdBJJ2QJJJJJ@2J I 6
6
6
6
6
6
6
6
4 JdJJnJJJJJ.J@JJ@]JJJJJJJ@ I JHJJ.JJJJJJ@ Ffifffrfifrf I
/\.L. 25.806
Exercise 1. 6 Coordination
:I #rf fFrFFErEFFrFfFrffrrrff1ttrr rrrrr-r-rr f FF Ff E!?ffF FfffI � � 6
2=
6
6
6
6
6
6
6
# ��ttrr fFrFfFrFifrFiFr[ fff fFfLEFfifl Ff iFrftfFffFrr=§tFEfarEtfffFEE fl �
A.
�
-�
�
page J2
:r--1{-rr F,,--r D. 2· #r F F,/""i;'r ,,,,--..
II II
-------9: F itr �� F -;,: f F F"b'� B.
C.
II
31:
9
9:
E.
11
r
b�7 b�
r
.---.__
��
il�f F
Chapter l: Endurance, Coordination, Articulation I Tao of Hass hy Marcos
1-1 �
Machado0
Exercise 1. 7 Coordination and Independence Between Hands J=92-144
t>ti re
v�
v�
r re r r e r r e r I re r re r r e r re r
=11
r r e r r e r r e r r Ie r r e r r e r r e r r
-11
2
r,
4
� 3
r,�
3
3
r,
�
3
V
V
r,
simile
3
3
3
3
sr 11= e
3
:>= ll=nr
F F F F F F F F F F F l#F F F F F F F F F F F F -II
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
9: II= f ttr 3
f f r f f r f f r f I f ttr f f r f f r f f r f =II
:2 11= re
r re r re r re r I re r re r r c r re r
3
=
3
4
�r I
3
4
6�
2= II= C
3
=:f
a 0
C.
9:
r
3
3
FC
�F---F
r
,.........---..
3
r
F E
3
3
Y---.
t F r
n�
t l,F t
3
3
n
3
6
B.
11
!)·
D.
11
2=
3
3
rFerFCrF 3
3
n�
V
F F
3
t F n
3
3
3
r F C r F C r F I e �r I,��
:-1
3
3
,.........---..
3
n
3
3
�
FC
A.
.j -��
3
� 3
.
r
3
n,.,.---...
F F
II
r
ti
3
V
F F
V
3
0chaptcr I: Endurance, Coordination, Articulation I Tao of Bass by Marcos Machado
F
-11
-II
page 13
Exercise 1.22 Intonation 4
I
2
(One octave scales on one string) 2
I
4
!h v1_6irii1 ffEfI ttffI cir± 11 1n# 1
CCffI ffffI ffffI tfcr II (3)
!h'' a:tfI ffffIliff I Era llffffttffff atfI fftf Iliff I Era II 1 JJ ' fi D I D er I Er I JJ JJ 11• '1h JJ JJ I JJ a I Et .Q I .Q J a II
4> n tt
n
JJ I JJ a I a .a I
n n 11• n n I er er I a er I JJ n 11 1
' 1,
,,ff J)1,Bl I er'er I rt Er I JjiJ JJ 11• JJ JJ I a er I Et G' I .a 'ttff#ffff# JJ JJ I a a I a a I .a
.Q II
n II# .D er I r:J Cf I Er ct I CJ JJ II
tt # Et a &•'V JJ a I U1 a I Et ..Q ll ff JJ a I a cI1 a Et I Et .0 II
?f
1 '
tt £r 1 1 1 1 rr ercfl e1r:t tr Er btt crcr1 e1r:t1£rcr1 arr 11
4§ er a I crtf1 Ercr I u a 11•1v. f rt& JJr: 1 Er Er II I I rJ U # , ,
er cJ I r:tffI fftr1 r r er: 1 Use always the same fingerings.
0chapter I: Endurance, Coordination, Articulation I Tao of Bass by Marcos Machado
page 29
Exercise 1.24 Intonation and Coordination
n
21
1 � ' jjJ I i.)J I ID I J. I J. jJ 11 v� J.)j I ..rn I E1.r 1.0J I .J. j) II
tttt n#tt l 5J i I l ES I E fJJ I tLf I err I Ett I J. l2 11 ,� JJJ I t.£.f CJ I
41
tt
'ttnttntt tif I r+F I fJ':f1 Cir I crt ll@q\ L.J1 I rtfI rtCq [fr I Cir 11
fv� c!f I ttt1 fffI tlt I Qr 11 u CH I L#1 fff I tlt I [ff II 1
tt
0chapter I: Endurance, Coordination, Articulation I Tao of Bass by Marcos Machado
page 31
Exercise 1.26 Trill Exercise J=6Q
I 4
�-��mfiEffifl i!Fffffilfiffl Il
d d =11 @�d@ i @d @ itr oor � mt mr 4 I
Ill
Play the same
pattern two/three octaves
A.
:}·
J ; 5 ti n
V
n
V
j J 5 J J n
V
c1 f f f
V
V
f r C F f II n
n
V
II
-i@? a Q@ J J a,µ .1 • r Qr c r Pfc r r r c r r r 11 C
. Ch apter '9" ,r-;;.5
V n
. I: Endurance, Coordinat101
y
n V
• T·to ' of Bass by Marcos Machado a11on I 1, Articul
page 33