Technique Rabbath Machado PDF [PDF]

  • 0 0 0
  • Gefällt Ihnen dieses papier und der download? Sie können Ihre eigene PDF-Datei in wenigen Minuten kostenlos online veröffentlichen! Anmelden
Datei wird geladen, bitte warten...
Zitiervorschau

31 Exercices pour la justcssc ct la technique de la 4c position Ces cxercices sont valables sur les trois corcles: Sol, Re ct La, tou jours a la 4c position ( voir pho tos N °s _ I0, I I, 12)

+

I

Exercises for intonation and technique in the 4th position These exercises are good on 3 strings. G, D and A, always in the 4th position (see photos Nos. I0, I I, 12)

2

Obungen in Prazision und Technik der 4. Lage Diese Ubungen sind fur die G, D und A Saiten angezeigt, stets in der 4. Lage (siehe Fotos Nm. I0, 11, 12)

Ejercicios para la finaci6n y la tecnica de la 4a posici6n Estos ejercicios son validos sobre las tres cuerdas: Sol, Re y La, siempre en la 4a posici6n (ver fotos N °s . IO, 11, 12)

3

4 rn Jir3 fTD J�

1rfP 1r 3 w�

3

3

3

'4 E'.f]ffl J JJ ill I fj:, @ J5fEb I E1}J .J j FEF@D II 3

3

J

3

3

A.L. 25.806

3

3

3

32

M

4 mn #a 11m n [email protected] n #a 118 n +

+

2

+

2

+

A.L. 25. 806

I

2

I

J

ui 3

3

33

Presto

Ex. 5

4 I JgJJ.JJJJJ§dJJ@JJJJJJffl I J1JJJJJJJdBJJ2QJJJJJ@2J I 6

6

6

6

6

6

6

6

4 JdJJnJJJJJ.J@JJ@]JJJJJJJ@ I JHJJ.JJJJJJ@ Ffifffrfifrf I

/\.L. 25.806

Exercise 1. 6 Coordination

:I #rf fFrFFErEFFrFfFrffrrrff1ttrr rrrrr-r-rr f FF Ff E!?ffF FfffI � � 6

2=

6

6

6

6

6

6

6

# ��ttrr fFrFfFrFifrFiFr[ fff fFfLEFfifl Ff iFrftfFffFrr=§tFEfarEtfffFEE fl �

A.



-�



page J2

:r--1{-rr F,,--r D. 2· #r F F,/""i;'r ,,,,--..

II II

-------9: F itr �� F -;,: f F F"b'� B.

C.

II

31:

9

9:

E.

11

r

b�7 b�

r

.---.__

��

il�f F

Chapter l: Endurance, Coordination, Articulation I Tao of Hass hy Marcos

1-1 �

Machado0

Exercise 1. 7 Coordination and Independence Between Hands J=92-144

t>ti re

v�

v�

r re r r e r r e r I re r re r r e r re r

=11

r r e r r e r r e r r Ie r r e r r e r r e r r

-11

2

r,

4

� 3

r,�

3

3

r,



3

V

V

r,

simile

3

3

3

3

sr 11= e

3

:>= ll=nr

F F F F F F F F F F F l#F F F F F F F F F F F F -II

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

9: II= f ttr 3

f f r f f r f f r f I f ttr f f r f f r f f r f =II

:2 11= re

r re r re r re r I re r re r r c r re r

3

=

3

4

�r I

3

4

6�

2= II= C

3

=:f

a 0

C.

9:

r

3

3

FC

�F---F

r

,.........---..

3

r

F E

3

3

Y---.

t F r

n�

t l,F t

3

3

n

3

6

B.

11

!)·

D.

11

2=

3

3

rFerFCrF 3

3

n�

V

F F

3

t F n

3

3

3

r F C r F C r F I e �r I,��

:-1

3

3

,.........---..

3

n

3

3



FC

A.

.j -��

3

� 3

.

r

3

n,.,.---...

F F

II

r

ti

3

V

F F

V

3

0chaptcr I: Endurance, Coordination, Articulation I Tao of Bass by Marcos Machado

F

-11

-II

page 13

Exercise 1.22 Intonation 4

I

2

(One octave scales on one string) 2

I

4

!h v1_6irii1 ffEfI ttffI cir± 11 1n# 1

CCffI ffffI ffffI tfcr II (3)

!h'' a:tfI ffffIliff I Era llffffttffff atfI fftf Iliff I Era II 1 JJ ' fi D I D er I Er I JJ JJ 11• '1h JJ JJ I JJ a I Et .Q I .Q J a II

4> n tt

n

JJ I JJ a I a .a I

n n 11• n n I er er I a er I JJ n 11 1

' 1,

,,ff J)1,Bl I er'er I rt Er I JjiJ JJ 11• JJ JJ I a er I Et G' I .a 'ttff#ffff# JJ JJ I a a I a a I .a

.Q II

n II# .D er I r:J Cf I Er ct I CJ JJ II

tt # Et a &•'V JJ a I U1 a I Et ..Q ll ff JJ a I a cI1 a Et I Et .0 II

?f

1 '

tt £r 1 1 1 1 rr ercfl e1r:t tr Er btt crcr1 e1r:t1£rcr1 arr 11

4§ er a I crtf1 Ercr I u a 11•1v. f rt& JJr: 1 Er Er II I I rJ U # , ,

er cJ I r:tffI fftr1 r r er: 1 Use always the same fingerings.

0chapter I: Endurance, Coordination, Articulation I Tao of Bass by Marcos Machado

page 29

Exercise 1.24 Intonation and Coordination

n

21

1 � ' jjJ I i.)J I ID I J. I J. jJ 11 v� J.)j I ..rn I E1.r 1.0J I .J. j) II

tttt n#tt l 5J i I l ES I E fJJ I tLf I err I Ett I J. l2 11 ,� JJJ I t.£.f CJ I

41

tt

'ttnttntt tif I r+F I fJ':f1 Cir I crt ll@q\ L.J1 I rtfI rtCq [fr I Cir 11

fv� c!f I ttt1 fffI tlt I Qr 11 u CH I L#1 fff I tlt I [ff II 1

tt

0chapter I: Endurance, Coordination, Articulation I Tao of Bass by Marcos Machado

page 31

Exercise 1.26 Trill Exercise J=6Q

I 4

�-��mfiEffifl i!Fffffilfiffl Il

d d =11 @�d@ i @d @ itr oor � mt mr 4 I

Ill

Play the same

pattern two/three octaves

A.

:}·

J ; 5 ti n

V

n

V

j J 5 J J n

V

c1 f f f

V

V

f r C F f II n

n

V

II

-i@? a Q@ J J a,µ .1 • r Qr c r Pfc r r r c r r r 11 C

. Ch apter '9" ,r-;;.5

V n

. I: Endurance, Coordinat101

y

n V

• T·to ' of Bass by Marcos Machado a11on I 1, Articul

page 33