Rudiment Ritual: Percussion FF/MP [PDF]

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Rudiment Ritual              SINGLE PARADIDDLE

Percussion

R L

L R

ff/mp

6

Perc.

R L

R L



L R



 

       

R L

L R

R L

L R

R L

R L

L R

R L

L R

R L

L R



L R

L R

R L

L R

R L

L R

R L

R L

L R

R L

L R

R L

L R

R L

L R



L R

                 R L

L R

R L

R L

L R

L R

R L

L R

R L

R L

L R

R L R L R L R L R L R L R L R L R L

      

SINGLE STROKE FOUR

3

ff

R L

L R

R L



R L R L R L R L R L R L R L R L R L

3

   

L R

R L

L R

R L

                

27

SINGLE STROKE SEVEN

6

ff

R L

L R

R L

L R

    

R L

L R

6

R L

R L

L R

R L

L R

R L

L R



R L

Perc.

mp

R L



L R

6

f

R R L L

R L L R

L L R R

R R L L

6

R L L R

L L R R

R L

L R



R L

R L

R L

L R

R L

R L

        R L

R L R L R L R L R

L R

R L

R L

L R L R L R L R L

      3

R

L

R



3

   

L

L

R

L

R

                 6

R



                 TRIPLE STROKE ROLL

35

Perc.

 

R L

L R

R L

                 

L

R

6

L

R

L

 

R

L

R

L

R

L

R

R L

       

MULTIPLE BOUNCE ROLL

30

R L

       





L R

L R

R L





SINGLE STROKE ROLL

ff

24





L R

                

21



SINGLE PARADIDDLE-DIDDLE

ff/mp

Perc.

L R

                    

16

Perc.

R L

TRIPLE PARADIDDLE

ff/mp

Perc.

L R

                

11

Perc.

R L

     

DOUBLE PARADIDDLE

ff/mp

Perc.

R L

Thom Hannum

Version 2.2

R L



L R

R L

R L

        R L

L R

R L

R L

2

  

40

Perc.

 

DOUBLE STROKE OPEN ROLL

ff

 

R L

    

   

 

 



R L



L R





R L

R L

FIVE STROKE ROLL

42

Perc.

R

R

L



L

ff/mp

              







           



 

SIX STROKE ROLL

46

Perc.

R L

L R

ff/mp

      

R L



L R

     

R L

SEVEN STROKE ROLL

50

Perc.

R L

ff/mp

 

L R

R L

   

 

NINE STROKE ROLL

 

54

Perc.

R

R



L R

L



L

ff/mp

               

Perc.

R L

ff/mp

  

R L

L R

R L

     

R L

     

Perc.

R L

ff/mp

   

66

Perc.

R

  

 

R L

ff/mp

Perc.

R L

R L

 

 

R

 

 

R

ff/mp

 

L R

 

R L

  R

 

L

 

 

SEVENTEEN STROKE ROLL



L R

 

FIFTEEN STROKE ROLL

68

70

L R

THIRTEEN STROKE ROLL

ff/mp

Perc.

R L

  L

  L R

R L

  L

R L

R L

L R

R L

R L



R L



             

R L

R L

R L

L R

L R

R L

L R

R L

L R

R L

R L

L R

L R

R L

R L

R L

R L



L

 

R L



 

 

L R

             

ELEVEN STROKE ROLL

62

L R





L R

R L

       

R L

TEN STROKE ROLL

58

L R

            L R

R L

L R

R L

L R

R L



L R

R L

R L

3

    

72

Perc.

FLAM

 

R L

ff

 



R L

 



R L

  



R L

 

R

 3  3           

 

 L

 



R

 

 L

              

R

L

R

L

Perc.

 

R L

ff/mp

L R

R L



L R



R L

R L

L R

L R

R L

R L

L R



L R



                         

85

L

R

L

R

L

R

L

R



L

ff/mp

Perc.

                   ff/mp

Perc.

R L



R L

L R

R L

L R



L R





R L

L R

R L

L R

L R

R L



L R

R L

L R

R L

R L

L R

L R

L R

R L

L R

L R

R L



R L



                          



ff/mp

L R

R L

L R

R L

L R

R L



L R





 6  6                          

Perc.

f/mp

R R L L L R

R R L L L R

R R L L L R

R L

                       

114

Perc.

R R L L L R



L R

f/mp

L R

L R

R L

R L

L R

L R

Perc.

R R L L L R

R R L L L R



 3  3  3  3                          FLAM DRAG

119

 

R L

ff/mp

L R

R L

L R

R L

L R

R L

L R

R L

L R

R L

L R

 

R L

L R

R L

R L

L R

R L

R L

     

 

     

R L

L R

R L

R L

L R

R L

R L

R L

L R

R L

R L

      R L

L R

R L

R L

 6  6                         





R L

R L

 

 

R R L L L R

INVERTED FLAM TAP

R L

R L

     

R L



SWISS ARMY TRIPLET

110

L

        

PATAFLAFLA

R L

L R

R L





R

        

FLAM PARADIDDLE-DIDDLE

ff/mp

Perc.

R L

                       

105



SINGLE FLAMMED MILL

ff/mp

Perc.

L R

                  

100

 

FLAM PARADIDDLE

R L

95

R L

FLAMACUE

R

90



FLAM TAP

ff/mp

Perc.

R L

                        

80

Perc.

L R

L

        

FLAM ACCENT

75

R

 



R R L L L R

R L

R L

      R L

L R

R L

R L

   3  3  3   3                                        R L

L R

R L

L R

R L

L R

R L

L R

R L

L R

L R

L R

R

L

4

     

122

Perc.

play the following 4 rudiments with closed drag interpretation... DRAG

mp





R L



R L





R L

    

    



R L



R





L





R



 L

SINGLE DRAG TAP

   

124

Perc.

ff/mp

R

L

L



R



           



DOUBLE DRAG TAP

128

Perc.

ff/mp

R

L

L

L



R

               

132

Perc.

R



        

LESSON 25

ff/mp

R L

L R

R L

R L

L R



R L





R L

play the following 3 rudiments with 32nd-note drag interpretation... SINGLE DRAGADIDDLE

              

137

Perc.

R L

L R

R L

ff/mp

R L

L R



L R



R L

ff/mp

L R

R L

R L

L R

L R

R L

L R



L R

                        

147



R L

ff/mp

R L

L R

R L

R L

L R

L R

L R

R L

L R



L R



R L

 

       

R L

L R

R L

R L

L R

R L

R L

R L

       

DRAG PARADIDDLE #2

R L

R L

     

DRAG PARADIDDLE #1

R L

Perc.

L R

                   

142

Perc.

R L

L R



R L

L R

R L

R L

play the following 3 rudiments with 16th-note triplet drag interpretation... SINGLE RATAMACUE

  

152

Perc.

R

f/mp

     3

R

L

R

3



L

 3        

   L

R



L

DOUBLE RATAMACUE

156

Perc.

R

f/mp

R

R

    

L

Perc.

R

f/mp

R

R

L







L

 L

R

    

TRIPLE RATAMACUE

160

R

3

R L R L

L

L



L

3

3





 L R L



 





   R

R

L

R

L

     R

ff