Essential 3 [PDF]

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Zitiervorschau

ESSENTIAL

Online Resources Included

TECHNIQUE® FOR BAND

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12. RHYTHM RAP

Clap the rhythm while counting and tapping.

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3/8 time is usually played with a slight emphasis on the 1st beat of each measure. In fa Ster music, th is primary beat will make the mu sic feel like it's counted "in 1."

13. RHYTHM RAP Compare this exercise with No. 12. 0

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9/8 time is usually played with a slight emphasis on the 1st, 4th, and 7th beats of each measure. This divides the measure into 3 groups of 3 beats each. In faster music, these three primary beats will make the music feel like it's counted "in 3."

16. RHYTHM RAP Clap the rhythm while counting and tapping. Clap

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17. SUNDAY AT NINE Andante

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Minor Keys Minor keys and their scales sound different from major keys because of their different pattern of whole and half steps. Each minor key is relative or "related" to the major key with the same key signature. The simplest form of a minor key is called natural minor. Two other types are harmonic minor and melodic minor, each of which have certain altered tones.

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18. NATURAL MINOR Practice both upper and lower octaves. ~ - - - Scale - -- - - - ,

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19. HARMONIC MINOR

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22. ESSENTIAL ELEMENTS QUIZ - AUSTRALIAN FOLK SONG

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27. CHROMATIC SCALE

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AuSt rian composer Johann Strauss Jr. (1825- 1899) is also known as "The Waltz King." He wrote some of the world's most famo us waltzes (dances in 3/4 meter). This waltz is from Die Fledermaus ("The Bat"), Strauss' most famous operetta. Operettas were the forerunners of today's musicals, such as Oklahoma, The Sound Of Music, and The Phantom Of The Opera.

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INDIVIDUAL_ ST~DY - Trombone l S4. 3/8 ETUDE IN G,...._MAJOR

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Maior Scales

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Play major scales as part of your dally practice routine. Play all octaves, keys, and arpeggios, at various dynamic levels and tempos. Keep a steady pulse. Try different articulation patterns, such as:

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