TRIAD PAIRS 1 - Key of BB - Theory - Armando Alonso [PDF]

Zitiervorschau

Bb

TRIAD PAIRS 1 Major / Minor / Diminished

1 LESSONS ( and 4 introduction pages)

FREE VERSION (does not contain)

6 remaining Lessons Repertoire 73 Audios & Backing Tracks Printable Book without watermank

by Armando Alonso Practical and dynamic work methodology for the self-taught student as well as for the teacher in class serie20y20.com.ar

MUSICIAN FRIEND You’ve just downloaded the Free Version of this Ebook:

Triad Pairs 1 in Bb for all musicians by Armando Alonso If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts. As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material. From Buenos Aires, Argentina, we send you the best wishes for your musical career. Néstor Crespo Serie20&20 Director www.serie20y20.com.ar

CONSIDERATIONS – THEORY / TRIAD PAIRS 1 – FREE VERSION You have downloaded the FREE VERSION which contains only: •

Introduction, 4 patterns each one over the different triad pairs.

The FREE VERSION does not contains: * * *

6 Lessons y 18 Patterns 52 Audios y 16 Backing tracks (in order to the lessons, modal training and repertoire) The printable book (no watermark) If you wish you can buy the Complete Ebook at: www.serie20y20.com.ar

OBJECTIVES AND PURPOSES OF VOLUME 1 The present book of Theory / Pairs Triads 1 for all instruments, includes the concept triads pair, which refers to two triads of the same type or species that are at one tone distance from each other. The major and minor melodic scale generates this type of triads pair. Each of the pairs includes major, minor, and diminished triads. It is important to note that the triads pair is considered as a melodic unit formed. In general lines they are mainly used in modal harmonies or on the same seventh chord that is maintained for several bars, This does not prevent us from expanding our search in its use, whether in different progressions as well as in any progression or song.

AUDIOS (52 Audios lessons) In order to appreciate the sound generated by superimposing each triad pairs, listening to the audios included in each of the lessons is essential. Also includes: • • • • •

18 Backing tracks: Modal 3 Backing tracks: Jazz Cantaloupe Island Maiden Voyage So What

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TRAID PAIRS 1 INDEX – FREE VERSION INTRODUCTION .............................................................................................................................. 1 PATTERNS

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LESSON 1

................................................................................................................................ • •

LESSON 2

LESSON 3 •

LESSON 4 •

LESSON 5

LESSON 6

LESSON 7

7

.................................................................................

9

....................................................................................

10

Minor chord.

Major seventh (#5) chord.

.................................................................................

(only in paid version) •

8

Half-diminished chord. Disminished chord.

(only in paid version) •

....................................................................................

..................................................................................

(only in paid version) •

6

Dominant chord. Dominant sus4 chord. (only in paid version)

•

.....................................................................................

Dominant chord. (only in paid version)

•

5

Major seventh chord. Minor seventh chord. (only in paid version)

•

2-3-4

11

Dominant sus4(b9).

Cantaloupe Island (only in paid version) Maiden Voyage (only in paid version) So What (only in paid version) Patterns and special links FINAL SYNTHESIS

............................................................................

12 - 13 - 14 15 - 16 17

......................................................

18 - 19 - 20

.............................................................................. ............................................................................

(only in paid version)

only in paid version)

..............................................................................

21 - 22

[email protected] / www.armandoalonso.com.ar / www.serie20y20.com.ar

ARMANDO ALONSO ( Professor - Guitar Player - Composer )

Armando Alonso is a guitar player from Buenos Aires, Argentina. He develops a solid educational trajectory, both in the private sphere as in important institutions in Argentina, like "School of Popular Music of Avellaneda". He has given numerous clinics on "Improvisation and Functional Harmony in the Jazz" in prestigious centers of studies like for example all over the country. He has done different work books: Functional Harmony (applied to Blues), Improelements I and II, Resources for the preparation of arrangements or transcriptions for guitar, -Triads and chords Hybrids, technical and melodic resources starting from diatonic intervals, concepts of reharmonization and superposition applied to improvisation and accompaniment also he has done 4 E-Books developing the study of triads. He has shared stages both in his groups and as a guest with the most important jazz musicians in the country. In 1984 he lives in Freiburg, Germany, sharing important jazz clubs and clubs with Thomas Fichter (bass) and Tillman Gluenter (piano). Between 1985 and 1992 he joined the group of bandoneonist and composer Dino Saluzzi, playing in turn as guests, important Argentine and European musicians such as: Enrico Rava, Arto Tuncboyaci, Gustavo Bergalli and others. Record the CD Mojotoro for the prestigious ECM label (Germany). Throughout his artistic career he recorded more than 9 CD with its different formations as well as invited guitarist. He currently teaches guitar, harmony and improvisation classes privately and is leader of different jazz groups.

[email protected]/ www.armandoalonso.com.ar / www.armandoalonso.com.ar

 LEGAL Alonso, Armando José Triad Pairs 1 in Bb - / Armando José Alonso. 1st bilingual edition - Chivilcoy: Armando José Alonso, 2020. EBook, DXReader Spanish-English Edition Digital Archive: download online 1. Music. I. Title. CDD 780

ISBN 978-987-42-4797-1

Date of registration: 07/24/2020 TRIAD PAIRS 1 in Bb VOLUME I 1st edition © Armando José Alonso, 2020 [email protected] www.armandoalonso.com.ar www.serie20y20.com.ar Date of publication: June 2017 Replication Date: June 2017 The deposit established by Law 11.723 EDITED IN ARGENTINA Graphic Design: Edgardo Vallarino The backing tracks belongs to the author of the work. The content and originality of this document is the sole responsibility of its author.

The content and originality of this document is the sole responsibility of its author. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. editor. Your violation is punishable by laws 11,723 and 25,446.

[email protected] / www.armandoalonso.com.ar / www.serie20y20.com.ar

Audio belongs to the author of the work done by and in the studies of Prof. Federico Palmero [email protected]

Cover Design: Edi Vallarino www.edivallarino.com.ar

Made in Buenos Aires, Argentina June 2020

[email protected]/ www.armandoalonso.com.ar / www.serie20y20.com.ar

TRIAD PAIRS 1 (Armando Alonso)

The Triad Pairs are two triads of the same species or type at a one-tone distance. The major scale and the melodic minor scale generate different pairs of triads which include major, minor and diminished triads.. It is important to note that the pair of triads is always applied as a unit.

˙˙˙

˙˙˙

œœ œ

˙˙˙

F

˙˙˙

G

œœœ

œœœ

B°

Am

so

&

Em

Dm

.c

C

om

Major Scale

.a

r

Any type of theoretical foundation can consult the E-Book Theory Superposition of Triads 1

Dm

œœœ

F

Em

œœœ

G

œœœ

rm

an

do

al

œœœ

&

on

Triad Pairs

w .a

Minor Melodic scale

Dm

Cm

b œœœ

˙˙˙

b ˙˙˙

F

˙˙ ˙

˙˙˙

G

˙˙ ˙

b A° ˙˙˙

B°

w

w

&

Eb+

Triad Pairs Cm

& b œœœ

Dm

œœœ

F

œœœ

œœ œ

G

b œœA° œ

œœ œ

B°

[email protected] / www.armandoalonso.com.ar / www.serie20y20.com.ar

TRIAD PAIRS 1 (Armando Alonso)

It is important to practice all theTriad Pairs according to the following exercises or patterns, namely: a - b - c - d. They can be used later in the progressions and in the repertoire.

Patterns

a

&

##

œ œ #œ œ # œ œ œ œ œ œ #œ œ œ œ œ œ œ œ œ # œ œ œ œ œ D

E

3

3

ascend - - -

om

.a

r

## œ #œ œ œ œ œ #œ œ œ œ œ œ œ œ # œ œ œ œ œ # œ œ œ œ œ .. &

so

&

œ #œ œ œ # œ œ œ œ œ œ #œ œ œ œ œ œ #œ œ œ œ œ œ œ œ 3

3

on

b

##

.c

descend - - -

ascend - - -

do

al

## œ#œ œ œ œ œ œ œ œ œ œ œ # œ œ œ œ œ œ œ œ œ œ œ œ .. & 3

rm

&

#œ œ œ œ œ #œ œ œ œ œ œ œ œ œ œ œ #œ œ œ œ #œ œ œœ 3

w .a

c

##

an

descend - - -

ascend - - -

w

w

## œ #œ œ œ œ œ œ œ œ œ œ œ œ œ & # œ œ œ œ œ œ œ œ œ œ ..

d

&

descend - - -

##

#œ œ œ œ œ œ #œ œ œ œ œ œ œ œ œ œ #œ œ œ œ œ #œ œ œ 3

3

ascend - - -

## œ #œ œ œ œ œ œ œ œ œ œ œ œ œ & # œ œ œ œ œ œ œ œ œ œ .. descend - - -

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TRIAD PAIRS 1 (Armando Alonso)

Patterns

a

nœ œ œ œ nœ œ œ œ œ œ œ œ œ œ œœ œ œ œ œ nœ œ œ nœ

##

&

Dm

Em

3

3

ascend - - -

## œ œ œ œ nœ œ œ œ nœ œ œ œ œ œ œ œ œ n œ œ œ œ œ n œ œ .. &

om

&

œœœ œ œ n œ n œ œ œ œ œ nœ œ œ œ œ œ œ œ œ œ n œ œ œ

##

3

3

.c

b

.a

r

descend - - -

so

ascend - - -

on

## œ œ œ œ nœ œ œ œ œ nœ œ œ œ œ œ œ œ n œ œ œ œ œ n œ œ .. &

do

3

an

&

œ œ œ œ n œ n œ œ œ œ œœœ œ œ nœ œ œ œ œ œ œ nœ œ œ 3

rm

c

##

al

descend - - -

ascend - - -

w .a

## œ œ œ œ nœ œ œ œ nœ œ œ œ œ œ n œ œ œ œ œ œ n œ œ .. œ & œ

w

w

descend - - -

d

&

##

œœœ œ œ n œ n œ œ œ œœ œ œ œ nœ œ œ œ œ œ nœ œ œ œ 3

3

ascend - - -

## œ œ œ œ nœ œ œ œ œ nœ œ œ œ œ & œ œ n œ œ œ œ œ œ n œ œ .. descend - - -

[email protected] / www.armandoalonso.com.ar / www.serie20y20.com.ar

TRIAD PAIRS 1 (Armando Alonso)

Patterns

a

&

##

bœ œ œ bœ œ n œ n œ œ œ œ bœ œ œ bœ nœ bœ œ œ bœ bœ œ bœ n œ œ D°

E°

3

3

ascend - - -

## bœ œ œ bœ nœ œ œ œ nœ œ œ bœ b œ b œ œ œ b œ n œ b œ œ œ b œ n œ .. & œ

.a

r

descend - - -

om

&

œ œ œ nœ bœ bœ œ œ n œ œ œ œ bœ b œ b œ œ œ n œb œ b œ œ b œ n œ œ 3

3

.c

b

##

so

ascend - - -

al

on

# # œ œbœ bœ n œ œ bœ œ œ n œ œ b œ œ b œ œ œ b œ n œ œ œ b œ b œ n œ œ .. & &

œ bœ nœ œ œ œ bœ n œ œ œ œ œ bœ nœ œ œ œ bœ bœ nœ œ bœ bœ bœ 3

3

rm

ascend - - -

an

c

##

do

descend - - -

w .a

## bœ œ œ œ nœ bœ œ œ bœ œ nœ œ bœ bœ & œ n œ b œ œ b œ œ œ œ n œ b œ ..

w

w

descend - - -

d

&

##

3

3

bœ nœ bœ œ œ œ

œ bœ

nœ

œ bœ

œ

nœ œ

œ œ bœ nœ œ bœ œ œ bœ bœ

ascend - - -

## œ œ bœ œ nœ bœ bœ œ œ œ nœ bœ œ œ . bœ & œ nœ bœ œ œ bœ œ nœ bœ . descend - - -

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LESSON 1 (Armando Alonso)

Major Seventh Chord

Backing track: 1 / 2 (in folder)

&

Cmaj7

www w

Cmaj7

www w

3

Am

Bm

œœ œ

6 T 3

# œœœ

7 9 #11

œœ œ

œœ œ

# œœœ

w .a

rm

& b b wwww

w

& b b www w

& b b www w

Cm7

& b b wwww

C 6/9/#11

Eb

bœ b œœ

b3 5 b7

F

œœ œ

Backing track: 3 / 4

b b œœœ

œœ œ

œ b œœ

œœ œ

Generating sound:

Cm7/11/13

11 13 T

œ œ œ œ b œ b œ œ œ œ bœ œ bœ œ œ œ bœ œ bœ 3

3

Cm

Dm

Triad Pairs Cm / Dm

Cm7

œœ #œ

œ #œ œ œ œ œ œ # œ # œ œ œ œœœœ œ œ œ 3

3

an

Cm7

Cm7

w

œ œ œ #œ œ œ œ œ œ œ œ œ œ œ œ #œ œ #œ 3

.a

Cmaj7

Minor Seventh Chord

Triad Pairs Eb / F

C6/9/#11

r

www w

9 #11 6

om

&

T 3 5

# œœœ

# œœ œ

œœ œ

œ # œœ

.c

Triad Pairs Am / Bm

œœ œ

œœ œ

so

&

D

on

(clic for listen)

www w

C

Generating sound:

al

&

Cmaj7

do

Triad Pairs C/D

b œœœ

T b3 5

œœ œ

9 11 13

œ b œœ

œœ œ

b œœ œ

œœ œ

bœ œ œ œ œ œ œ œ œ œ œ bœ œ œ œ bœ œ œ 3

3

[email protected] / www.armandoalonso.com.ar / www.serie20y20.com.ar

Cm/9/11/13

MUSICIAN FRIEND You’ve just downloaded the Free Version of this Ebook:

Triad Pairs 1 in Bb for all musicians by Armando Alonso If you wish, you can purchase for a very low cost the complete version, which includes a greater number of exercises, assignments, backing, tracks, etc. with the objective of securing the addressed concepts. As an independent publishing house, we will be so thankful with your purchase, because in this way you are helping us to create even more teaching material. From Buenos Aires, Argentina, we send you the best wishes for your musical career. Néstor Crespo Serie20&20 Director www.serie20y20.com.ar