Michael Brown - NEARER, MY GOD, TO THEE (Lowell Mason) - Completo [PDF]

Zitiervorschau

NEARER, MY GOD, TO THEE Duration - ca. 3:30

         mf         mf    

      

Chorale style (q = 76)

  Flute    Oboe

Bassoon

       p

Clarinet in Bb 1

   



Alto Saxophone 1, 2

Tenor Saxophone

Baritone Saxophone

        



mf

Tuba (Strings Bass)

Percussion 1

Percussion 2

Mallet Perc.

Timpani

mf



p

   

      

mp







mp



mf

mp

  

mf

mp

mf

mp

mf

mp

         



        









  





mf

mp







  









mf



p

  

mp

mf

mp

p

mf





mf



p

mf

mp

   

 

 



p



       



mf



 



p



 

   

   





mf

       mf        

p

     



mf

mf



mp



p

   





mf

p

  



p

     





p

   



mp

mf

mf

    



     

p







p

    





   

p

mf





mf

p

Euphonium

     

  

p

Trombone

mf

p

p

Horn in F 1, 2

p

mf

Chorale style (q = 76)

Trumpet in Bb 1, 2

p

       

   



mf

mf

  

 p   Clarinet in Eb     p Bass Clarinet   in Bb  p

Clarinet in Bb 2, 3

mf

     mf   

Music by LOWELL MASON Arranged by MICHAEL BROWN

 

 















 















  



   



     







   

(Ab, Eb)















Bells

mf



Copyright © Arquivo Banda de Música PMPR Maio/2013

2 8

 Fl. 1, 2  







Ob. 1, 2

Bsn.

Cl. 2, 3







B. Sax.

Hn. 1, 2



     

    



     

    





p

mp

p

mp

p

mp

     





             



  Tbn. 1, 2  

mp

  

Perc.

Mllt. Perc.

Timp.

mp

 



     



 



  





     

 

   







 

   

     



  







      







 

 



  

  

                     

 

   

     







   



    



  









mp



mp

 

  













mp

    





        

p

 

                  

 



p

Perc. 1



 



p

Tba.



     













                     

        

  

mp

    



p

Euph.



   

mp

p

Tpt. 1, 2





           p mp   B. Cl.     

Ten. Sax.





mp

Eb Cl.

Alto Sax. 1, 2



          p

Cl. 1



      

 



 



 

 























































  



















16          Fl. 1, 2  

        

Ob. 1, 2

Bsn.



            

     Cl. 1         Cl. 2, 3       Eb Cl.      B. Cl.

Alto Sax. 1, 2



Tpt. 1, 2

Hn. 1, 2



 



 

   

Euph.

Tba.

Perc. 1

Perc.

Mllt. Perc.

Timp.

 





   



 







       



           

        

 

p

mf

p



 

mf

 

   

mf

p

mf

     

mf

mf

   



p

mf



mf



mf



p



mf





   



 

mf

p

 

p

mf

p

mf

p

mf

p

mf

   

 

   

p

p

p

  

mf

mf

       



mf

p

mf

p

      

mf

mf



 

mf



p

mf

p









      

p

p

mf







 

 





  



  

       





mf

p





      

 

p

      

mf

p

 

                



p

  







  



 

p

p

                  



  

      



    Tbn. 1, 2 



   

       

   

      

    

  

   



         

Ten. Sax.

B. Sax.

            

       



p

mf

mf

  mf



p

mf











































     



     







    

      mf



mf









3

4

Slightly faster (q = 80) 24

Fl. 1, 2

 















Ob. 1, 2

















  















  































 





























Bsn.

Cl. 1

Cl. 2, 3

Eb Cl.

B. Cl.

Alto Sax. 1, 2

Ten. Sax.

B. Sax.







   



  

 

1. Hn.



 



































 





  









Slightly faster (q = 80)

   

1. One player (opt.)

Tpt. 1, 2

mf

Hn. 1, 2



  Tbn. 1, 2 







1. One player (opt.)

     

     





 









 

         









1. One player (opt.)

Euph.



mf 1. One player (opt.)





     

mf 1. One player (opt.)

Tba.

   

mf

Perc. 1

Perc.

Mllt. Perc.

Timp.

   

       

      







  



  

  



  

     

  



   

   



 



















































  

















5 31

 Fl. 1, 2     

Ob. 1, 2

Bsn.

Cl. 1



mf

mp

mf

   

   

mp



mf



mf



          Ten. Sax. 

Tpt. 1, 2

Hn. 1, 2



 



    

Tba.

Perc. 1

Perc.

Mllt. Perc.

Timp.

    



 

  



    



 

    





mf 1. Play

      

mp

     

   

       



 



      

















 

 

 

   

  



    

   



    All



  



 





All



   

 





           







mp



  

           



mp

  

   

       

 

 

     

                     



      



   

     

   

           



   

   

mp

  Tbn. 1, 2  Euph.

mf

 

Alto Sax. 1, 2

B. Sax.



mf





   

     





Eb Cl.

mp



   

Cl. 2, 3

B. Cl.



   





           





mp All

         

 



mp All

 

mp

 





























































  



















Tempo I

 (no trill)             mp f  (no trill)         

6

  Fl. 1, 2   39



Ob. 1, 2

Bsn.





   









  







mp

   Alto Sax.  1, 2  

Ten. Sax.





 

Hn. 1, 2

Tbn. 1, 2

Euph.

Tba.

Perc. 1

Perc.

Mllt. Perc.

Timp.

    



mp



mp

   

mf



mp







mf 1. All a2



mf

mp





mf

   



   

   

mf

mp





mf











  



      

        



f

      

   

       

 

 



 







 

  

f

f

f

     f











mp



 

 

            f          Tempo I



     

(qq = 76)

f



  f

     



 



f



   





       mp

Bells



 







 

 

f

f

         mp mp               



 

     

 



 







mf

   



            



 



     mp

mf

  

  Tpt. 1, 2 

mp



       

f

mp



f

     

 (no trill)        





   



mp



Eb Cl.

B. Sax.

mf

   

Cl. 2, 3

B. Cl.

   

  

mp

Cl. 1

mp

(qq = 76)

  mp

f

Bass Drum

 Cym. Sus.   p  

     

  



   



f Cr. Cym.

 

f

  



f

f

 

mf

 

  

   Fl. 1, 2    46

  

mf

  f

         Ob. 1, 2     mf f            Bsn.       

  

    

mf

Cl. 2, 3

Eb Cl.

   

 B. Cl.   

mf

B. Sax.

Tpt. 1, 2

mf

 

       f





Perc.

Mllt. Perc.

Timp.

  

f



 

     

  

f

  

  

f

mf

    





 

   



f

  

f







 



   



mf

   

mf





  

 

 

mp

 

 

mp



   



  











mf

 

 

mp

 

    

mf

mf

mp

 







 

  







 







mf

mf



mf





mf

         mf            mf











 

mf

  









mf

 





mf

  









  















       

f

Sus. Cym.

p



f



        

   



      

mf

     

  

    

 

           

mf



 

 



    



f

   

mf





   

  



f

mf

mf Perc. 1



           

mf

Tba.

f



mf

Euph.

  

   



 Hn. 1, 2       Tbn. 1, 2

f



mf

Ten. Sax.

  

       



 

       

f

mf Alto Sax. 1, 2

    

f

mf

Cl. 1

 

f



mp



  

f

7











8



 









    

 









  Fl. 1, 2    53

Ob. 1, 2

Bsn.

Cl. 1

Cl. 2, 3

Eb Cl.

B. Cl.

Alto Sax. 1, 2

Ten. Sax.

   



   

   

   

   

   

 

 



 

 

  Tpt. 1, 2  



 Hn. 1, 2    







  



  

Euph.

Tba.

   



  



   



Perc. 1

Perc.

Mllt. Perc.



     







 

p

f





f

    

  



f



     



    f             f



                         

    f

             mp f                   



f



mp

f

mp

f

   

  

f

    

mp







 



 

mp

mp mp



mp

      a2

mp

    mp

     mp





mp

a2

      mp

      mp

    

   

   



mp

mp































       

                             



f

Timp.

   

a2

 

    

      

f

mp



f

   

     





 



p

p

f

      

f

 



   

p Tbn. 1, 2

 

p

 

B. Sax.



 

   







mp







9

  Fl. 1, 2   





   





59

Ob. 1, 2

        Bsn.  

mp

  

p

   Cl. 1   Cl. 2, 3

Eb Cl.

B. Cl.

Alto Sax. 1, 2

Ten. Sax.

B. Sax.

       



p



p



p

  

Tba.

Perc. 1

Perc.

Mllt. Perc.

Timp.

p











 

    

 

     mp



  



  









p

 

mp

mp



p

   

p

mp

   

 

   

mp

mf

p

p

    mp

p



mp





   

mp

  

p

mp

p

mp









p

mp

p

mp

p

 



  



  









       

    



 



 







       











 

 



 

         









 









 

   

p

p

   

p





p



mp



p

p

mp

p

  



mp

 



p

mp



p

p







   





       

 



mp



mp

  

stagger breathing

p

    

p

p

mp



p

     

p

mp

  

p

   

stagger breathing

p

p

mp

  







mp

  

    Tbn. 1, 2  Euph.



p

  Tpt. 1, 2    Hn. 1, 2

  



mp

p

    

A tempo         mp        

rit.

mp

stagger breathing



        mp        



 p





 

















 

















 



    







Chimes

              









 

p



rit.



A tempo





 

NEARER, MY GOD, TO THEE

Flute

      

Duration - ca. 3:30

Chorale style (q = 76)

   5











      

 



mp

     

      



    





mf



mf

     

  mp

     



      

p

Slightly faster (q = 80)

mf



mp

  

47

f



 

      

53

  f



mp

             

 

            mf



        rit.



mf

f

         

61

 



             (no trill) Tempo I (qq = 76)     41                  

34



mf

         

      



mf

16

22



Music by LOWELL MASON Arranged by MICHAEL BROWN

mp



       A tempo



mp

Copyright © Arquivo Banda de Música PMPR Maio/2013



 

NEARER, MY GOD, TO THEE

Oboe Duration - ca. 3:30

Chorale style (q = 76)

  



Music by LOWELL MASON Arranged by MICHAEL BROWN

     





mf



5



mf

     

 



mp

     

16

      

22

 

34

 

     

     

    



mf

mp





mf

 



mf

     

           

    

    



Tempo I (qq = 76) (no trill)

41

mp

    

f

                       

53



         

61

mp

      

mf

mf

 

 f

mp



     

        rit.



           

47

f

 

      

p

Slightly faster (q = 80)

    



A tempo



mp

Copyright © Arquivo Banda de Música PMPR Maio/2013



 

NEARER, MY GOD, TO THEE

Clarinet in Eb Duration - ca. 3:30

Music by LOWELL MASON Arranged by MICHAEL BROWN

Chorale style (q = 76)

   



p



mf



p

mf

      mp







  





  

 

mp

p

9

 



16

 



    

    







mf

p

mf

    

36

   

    



 





mf

p

f

mf





    

      

mf



   



mp

 



 

50









Tempo I (qq = 76)

43





Slightly faster (q = 80)

23

 

  



f



   

       

p



f

58

 

mp

63



 

rit.



mp



p

A tempo



 





p









mp

p



Copyright © Arquivo Banda de Música PMPR Maio/2013

 

 

NEARER, MY GOD, TO THEE

Clarinet in Bb 1 Duration - ca. 3:30

     

Chorale style (q = 76)

  



        

  

 36

mp



 

43



     

     

 mf

    f

          

55

  



            

mp

  

mf

    

 

f

             

mf

mp

    

 

f

stagger breathing

p

     

  

mf

 

    



    

mf

Tempo I (qq = 76) (no trill)

49

60





   

      

      

p



      



    

Slightly faster (q = 80)



mf

      

 

    

24

     



   

mp

18



mf

5

12

Music by LOWELL MASON Arranged by MICHAEL BROWN





     rit.







mp

A tempo



Copyright © Arquivo Banda de Música PMPR Maio/2013





  

Clarinet in Bb 2, 3

NEARER, MY GOD, TO THEE

Duration - ca. 3:30

Music by LOWELL MASON Arranged by MICHAEL BROWN

Chorale style (q = 76)

  





p



mf

        

5

p



 

     

   

  

      



12

17

24

 37



  



mf



     







f

 

50

mf

   

56

 

61

 

f

  mp

 

p

mf

     

f

 

mp



p

            

         

  

   

      

 



rit.

  mp

mp

A tempo

 

p

 

           

 



     

mp

mf

           

     

Tempo I (qq = 76)

          

44



mf

   

mf

   

 

   

p

Slightly faster (q = 80)



       

 

     

   

mp







 

p

 



  

  

Bass Clarinet in BbNEARER,

MY GOD, TO THEE

Duration - ca. 3:30

Music by LOWELL MASON Arranged by MICHAEL BROWN

Chorale style (q = 76)

  





p 10

 17









mf

p







mf





mp

 



 









 





p









p

mp

       

mf



p

mf

Slightly faster (q = 80)

24





 



mf 37











mp

 

44

        









  f

mf





mp





  

Tempo I (qq = 76)

 



f



  

52



mf



  

59





p



mp



p

rit.

A tempo





mp



mf

   

      f

 

 

p



Copyright © Arquivo Banda de Música PMPR Maio/2013







mp

 

NEARER, MY GOD, TO THEE

Bassoon Duration - ca. 3:30

Music by LOWELL MASON Arranged by MICHAEL BROWN

Chorale style (q = 76)





   p





mf

p





 mf

5

  

  

mp

      



p

12

       18





  



  



  

24









37



mf

   

 



 





mf

p

    



 



mp

 

mf

mf

mp

 p

 



  

p

   

     mp

 



mp

rit.

61

   

f



   

    

f



    



mf

56



mf

  





mp

48

    

 

   



f

         

       

      



Tempo I (qq = 76)

43

        

mp

p

Slightly faster (q = 80)



p

A tempo







p

Copyright © Arquivo Banda de Música PMPR Maio/2013





 

Alto Saxophone 1, 2NEARER,

MY GOD, TO THEE

Duration - ca. 3:30

Music by LOWELL MASON Arranged by MICHAEL BROWN

Chorale style (q = 76)

     p

  

5

mp





        

 

 

mf

p

                  

17

 



 





 

         

          

   

p

1. Hn.

mf

mp

   

               

Slightly faster (q = 80)

 

24

p



       

mf

  

 



        



11

  

p

 





mf

 





    

                                1. Play

32

mp

             

          

38

       Tempo I (qq = 76)

44

mf

             

f 50

  mf

57

      

62

p

mf



 

                     

      a2

mp



 

rit.

mp

    

A tempo



       

f

p

    

mp

    

p



 

f

stagger breathing

 

p

mp

 

Copyright © Arquivo Banda de Música PMPR Maio/2013

  

   

Tenor Saxophone

NEARER, MY GOD, TO THEE

Duration - ca. 3:30

Music by LOWELL MASON Arranged by MICHAEL BROWN

Chorale style (q = 76)

  





p

5



 



mp

13



 

p

p

      



19



mf







 





mf

p

 

 mf

Slightly faster (q = 80)



    



mp

     





  

      



      



37

43

 mf

mp

p







   



24



 

 









Tempo I (qq = 76)

        f

  

49

  

57

  

62

p





 



  

mf

  

mf

    



 mp



mp

f



    f

 

mp



p

A tempo



p



            

p

rit.

 



 mf

   





Copyright © Arquivo Banda de Música PMPR Maio/2013

  



mp

 



NEARER, MY GOD, TO THEE Baritone Saxophone Duration - ca. 3:30

Music by LOWELL MASON Arranged by MICHAEL BROWN

Chorale style (q = 76)

   p







mf

p

mf

       

9

 

16

  



  



mp

  

37

44



   

  







p



 



        

p

 

 







mf

p

mf

Slightly faster (q = 80)

 

24



mp



mp

  





 











f

52







mf





  

  f

f

 p



mp

 





 p

rit.

A tempo





mp

mf

    

     

59

 



mf

Tempo I (qq = 76)

  



 



p

Copyright © Arquivo Banda de Música PMPR Maio/2013



    mp



 



NEARER, MY GOD, TO THEE

Horn in F 1, 2 Duration - ca. 3:30

Chorale style (q = 76)

   p

 

 

mp

 

  

mf

       

  

5

  

p

            

p

 



Slightly faster (q = 80)





32



p

   

mf

 

All

mp

 

 

mf

p

mf

  

      

     

    

          

39

      

     

       

        

          

   

1. One player (opt.)



mf

mp

               

  

17

 



        



11

24

Music by LOWELL MASON Arranged by MICHAEL BROWN



 

 

mp



                                  

44

Tempo I (qq = 76)

   

50



f

mf

 

mf

         

57

    

62

p

 

                     f

p

a2

     

  

mp

rit.

 

mp

A tempo



 



 

f

p

 

p

Copyright © Arquivo Banda de Música PMPR Maio/2013

 

  

   

mp

Trumpet in Bb 1, 2 NEARER,

MY GOD, TO THEE

Duration - ca. 3:30

Music by LOWELL MASON Arranged by MICHAEL BROWN

Chorale style (q = 76)

   







p

5





mf

p

 



p

Slightly faster (q = 80) 1. One player (opt.)

         

24

31





 



Tempo I (qq = 76)

          f

mp

mf

p

     

             a2



f

stagger breathing

 



 



 



p

   

rit.

62

p

 

 

mp

mf

A tempo



    

f

mp



mf

          

              

mf

 

        

mp

mf

   

   

          



        

50

58

mf

1. All a2

mp 44

 

 

 

    

mf

 

 

 

 

 

p



 



   

NEARER, MY GOD, TO THEE

Trombone Duration - ca. 3:30

Music by LOWELL MASON Arranged by MICHAEL BROWN

Chorale style (q = 76)

   p









mf

p

mf

mp



p

9

 





    







    

    















p

mf

p

mf

 

mp

16

24







Slightly faster (q = 80) 1. One player (opt.)

    

     







   



mf

30

     

All











 



mp

38

   44















 





mf

Tempo I (qq = 76)

    



f

52

      

mf



  











mp

f

 rit.

p

 mp



f

60

   







p

mp





mf

    

       mp

A tempo





p

Copyright © Arquivo Banda de Música PMPR Maio/2013





 

NEARER, MY GOD, TO THEE

Euphonium Duration - ca. 3:30

Music by LOWELL MASON Arranged by MICHAEL BROWN

Chorale style (q = 76)





    p





mf

p





 mf

5

 

  

mp

      



p

12

      



  



  

mp

 



       

 





mf

p

18

    

24

p

Slightly faster (q = 80) 1. One player (opt.)

      

  

mf



30

44

 







 

 mf

   

All

            



mp

38

  







            



   

 mf



      

mp



Tempo I (qq = 76)

    





f

51

    

 

     



mp

    

f

rit.

60

     p

   mp

  

f

mf



          

 p

   mp

mf

   

   mp

A tempo





p

Copyright © Arquivo Banda de Música PMPR Maio/2013







 

NEARER, MY GOD, TO THEE Tuba (Strings Bass) Duration - ca. 3:30

Music by LOWELL MASON Arranged by MICHAEL BROWN

Chorale style (q = 76)

   













 

p

mf



p



mf



mp

 





p

mp

10





     

 



17











      



mf

31

p

  



mf



p

mf

  

     





All









    







mp

41





Slightly faster (q = 80) 1. One player (opt.)

24







mf

Tempo I (qq = 76)



 

mp



 

   

f

48

  



 

  



  

f





mf







mf

 

mp

f

57

  



mp

rit.

62



   



p

mp





p

mp

A tempo

 p 

 

Copyright © Arquivo Banda de Música PMPR Maio/2013

 

 

Timpani

NEARER, MY GOD, TO THEE

Duration - ca. 3:30

Music by LOWELL MASON Arranged by MICHAEL BROWN

Chorale style (q = 76) (Ab, Eb)



  



Slightly faster (q = 80) 24





 



44

   





mp

Tempo I (qq = 76)

 

f

mf

 

 



   f



Copyright © Arquivo Banda de Música PMPR Maio/2013

    rit.



 A tempo

 

Mallet Perc.

NEARER, MY GOD, TO THEE

Duration - ca. 3:30

Chorale style (q = 76)

  

    



mf



    



     





Tempo I (qq = 76)

f



 



   

      

 

Bells

mp



              mp

                       

54



f

          

59



mf

Slightly faster (q = 80)

     

44



mf



 

     Bells



5

22

Music by LOWELL MASON Arranged by MICHAEL BROWN



    



rit.



Copyright © Arquivo Banda de Música PMPR Maio/2013

        mp

A tempo Chimes



 

p

NEARER, MY GOD, TO THEE

Percussion 1 Duration - ca. 3:30

Music by LOWELL MASON Arranged by MICHAEL BROWN

Chorale style (q = 76)



 



Slightly faster (q = 80) 24

Tempo I (qq = 76) Bass Drum













f 48

  





rit.



f

Copyright © Arquivo Banda de Música PMPR Maio/2013

A tempo

 

Percussion 2

NEARER, MY GOD, TO THEE

Duration - ca. 3:30

Music by LOWELL MASON Arranged by MICHAEL BROWN

Chorale style (q = 76)



 



Slightly faster (q = 80) 24

Tempo I (qq = 76) Cr. Cym.



   Sus. Cym. p

 47 Sus. Cym.

   p

  



   

f



rit.

f

Copyright © Arquivo Banda de Música PMPR Maio/2013



A tempo

 

NEARER, MY GOD, TO THEE Music by LOWELL MASON Arranged by MICHAEL BROWN

Duration- ca. 3:30

   



Chorale style (q = 76)

Strings Bass

p

9

   

24









mp

17

p

mf

 

 







mf

mp





p



Slighty faster (q = 80)

 

32



 

mp

38

 





   

    





f

   



62

p

mp



rit.



mf

p

mf



  





 

mp A tempo



p





  

  



Tempo I ( q= 76)

    f





 

f

p











mp



    

51

56



 mf

 





      

        

mf

45



 









mf





   





p

mp



 