Duet Albums For Beg 02 Dill [PDF]

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MU 786.41 DUET ALBUMS FOR BEGINNER

VOL. 2

^.50

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Public Library Aator.

Lenox and Tilden Foundations

The Branch

Libraries

PUBLIC LIBRARY IS^ ^i^^^Xx^^'^ AT LINCOLN CENTER 111 Amsterdam Avenue New York, N.Y. 10023

MY

BOOKS MAY BE RETURNED TO ANY BRANCH OF THE NEW YORK PUBLIC LIBRARY ALL RECORDINGS MUST BE RETURNED TO BRANCH FROM WHICH BORROWED NO RENEWALS ARE ALLOWED FINES FOR OVERDUE MATERIAL PER

CALENDAR DAY:

Adult books \04 Juvenile books $4 Recordings 10^ ^orm #0709

Sir»->

R-PAGE

DUET ALBUMS FOR BEGINNERS Price, $

Second /^^^coH The

BROWN

DUET BOOK

G.

Schimier,

Inc.,

New York

1.50 f/U»

Digitized by the Internet Archive in

2008

with funding from

IVIicrosoft

Corporation

http://www.archive.org/details/duetalbumsforbeg02dill

DILLER-PAGE the

^

brown duet book

DUET ALBUMS FOR BEGINNERS The

GREEN DUET BOOK Second /4l6am

The

BROWN DUET BOOK Each Containing Thirty Folk-Tunes

Arranged by

ANGELA DILLER Texts by

KATE STEARNS PAGE Ed.

G.

Schirmer,

Inc.,

New York

1209

fii

us

Copyright, 1924, by

O.

Schirmer, Inc.

Si768 c

Priated in th« U. S. A.

\^^^

av

To Kendrick and Barbara

THB KKW TOTIK VmiJC BBNEIllL LIBR-ARY OF THE 111

AMSTBEDAM AV& MEW

TTTIT?

ATfT

I'EltroilMlN'G

¥0M

AKTb

10023. ».I.

.3S

G\

^

THE DILLER-QUAILE GRADE

SERIES

II

pieces provide a variety of correlated material for the Second solos, duets, pedal studies, technical exercises, a Carol book and an piano comprising Grade,

The following books and

Opera

story.

SECOND SOLO BOOK This book contains folk-tune arrangements and easy classics. Like the First Solo Book, the pieces have permanent musical value, and the book is edited with greatest attention to phrasing and fingering.

SECOND DUET BOOK These duets are folk-tune arrangements and easy classics. The duets are for teacher and The book is crosspupil; the teacher's parts are, however, of only moderate difficulty. used course, be independently. of may, each book though Solo Book with Second indexed the

FIRST PEDAL STUDIES This book consists of twenty-four progressive exercises and pieces. It begins with the damper pedal in broken and held chords, followed by exercises using The volume concludes with eight pieces illustrating various types of

simplest use of the syncopated pedal. pedaling.

A PRE-CZERNY BOOK This book provides an abundance of easy, carefully graded exercises with a variety of Some of these, drawn from Czerny, have been transposed in order to technical demands. avoid the use of the treble clef for both staves; others have been adapted in order to provide more studies for the left hand, and to make possible the very gradual grading that cannot be found in any one volume of Czerny studies. Special attention is given to the introduction of scale-playing, with the particular problem of passing the third or fourth finger over the thumb. A generous number of suggestions for study and practice have been given throughout the book.

BROWN DUET BOOK is a collection of pieces written for two children of the same grade to play together. They are exof the pieces are folk-songs with the words printed above both parts. cellent for adding color and variety to Pupils' Recital programs.

This

Many

THE DARING PRINCE AND

9

OTHER

PIECES

These 10 little pieces are piano solos inspired by children's Riley. The poem is printed at the top of each piece.

poems by James Whitcomb

DILLER-PAGE CAROL BOOK This book is rapidly becoming a "Christmas-time Classic" as the Carols are played and sung by hundreds of children all over the country. The collection contains ten very familiar Carols, Silent Night, O Come All Ye Faithful, etc., ten less familiar Carols from many lands, and four duet arrangements including the March of the Three Kings and a Bach Chorale.

THE STORY OF SIEGFRIED re-told for children, with very simple arrangements of 23 of the musical motives, carefully fingered, phrased, and pedaled. This book makes a delightful feature of a pupils' recital, with one child reading the narrative, and other children playing

The opera-story

is

come

the motives as they

SHEET MUSIC ^^

in the text.

^j^^ j^^

Carnival

The Goldfish Pond

Pop! Goes the Weasel Great Grandfather's Clock A Ride in an Aeroplane The Star-Spangled Banner (Key of G). Every child should be able to play the National Anthem. This is an easy arrangement in a key low enough to be sung with ease. The story of the origin of the words and music is printed on the back page. A complete list of Diller-Quaile material for all grades is printed on the back cover of this book.

PREFACE The

choice of Folk-Tunes, as material for the child's

A

needs no explanation.

word should be

said,

first

piano study,

however, as to the marks

used in editing these pieces.

The staccato,

—

slur

^

dot

•

and dot and

,

and portamento, respectively.

a slight break in the sense, and ating English. is

used

is

The brace

'

used to aid intelligent reading.

For example:

staccato.

portamento;

f

f

f

f

f

f

f

f

The mark

much

as a

|

,

signify legato,

means that there

comma

is

used

The brace does

is

punctu-

in

indicates the length of the phrase,

and

not refer to legato or

means that the notes

means that the notes are

There are often several ways

•"T^

slur

are to be played

to be played staccato.

of phrasing a passage, but since

an inex-

perienced child usually reads from bar to bar, irrespective of the rhythmic

grouping of the piece, these indications of one

way

of phrasing

may

not be

superfluous.

Most

teachers agree as to the value of words in developing the child's

feeling for phrasing,

and rhythmic

words, or translations

in the

As

sense.

rhythm and

far as possible, the original

spirit of the original, are

used

in

this book. It is

by many 31768

hoped that

this little

volume may help supply the need, expressed

teachers, of a collection of

Duets

for

two beginners

in

piano playing.

INDEX Pace

a-hunting we will go

English

20

Avenging and bright

Irish

40

Banks of Doon (The)

Scotch

56

Bohemian

46

French

12

English

36

Russian

26

English

18

French

4

French

24

English

50

Russian

22

Hungarian

52

English

12

English

2

Russian

32

Bohemian

30

Love will find out the way

English

54

Lusty Gallant (The)

English

16

Mazurka

Polish

58

Noel

French

10

Oh, the days are gone

Irish

48

English

28

Rigaudon

French

38

Russian Dance

Russian

60

Sedlak (The Peasant)

Bohemian

34

Shepherdess (The)

French

42

Under the

Russian

8

English

6

Message (The)

Bird's

Born

is

He — II

— Slavikovsky

est ne

British Grenadiers (The)

Disagreeable Lover (The)

—Yak do tihbeh Law deetih

Gaily the Troubadour Touched His Guitar

—La chevre Lorraine— En passant par

Goat and the Wolf (The) Going through

Go NO MORE A-RUSHING Her dear round little Horses of Eger (The)

How I

should

I

saw three

face

etait sur la

un arbre

Lorraine

— Bielalitza Kruglalitza

—Az Egri menes

your true love know?

ships

Kalinka Little

Men

Over the

Well

(The)

hills

—Veak

dovedu

and far away

—Mon pere avait cinq cent moutons Cherry-Tree — Oi peed veeshnievo

met, well met,

White Cockade (The) J 1 768

je si je-ste to

my own true love

Scotch

44

SECOND ALBUM

THIRTY FOLK -TUNES

Thirty Folk-Tunes SECONDO Arranged by Angela DiUer

Texts by Kate Stearns Page I

Saw Three Ships Come Sailing

saw three ships come sailing

I

O they sailed into Bethlehem, On Christmas day. On Christmas day, O they sailed into Bethlehem, On Christmas day in the morning.

in,

On Christmas day, On Christmas day, saw three ships come sailing in, On Christmas day in the morning.

I

And all the bells on earth shall ring, On Christmas day, On Christmas day, And all the bells on earth shall ring. On Christmas day in the morning.

Pray, whither sailed those ships all three. On Christmas day.

On Christmas

In

day,

Pray, whither sailed those ships all three. On Christmas day in the morning?

Traditiomd

Old English Carol

Andante con moto "1

r

^^

^

^^m

'

i

P

P

pp

^ ">

r

5

2

'>^

\

%r

^^

--

3

^

r

\

^ ^^ ^^ cresc.

VI

(/

m

m ^ • 1768

]^

^^ ^^ ^ / 1/

p

^

-^

w

f

PRIMO

The Goat and (La chevre Once a

Came

a

little

goat

was

the

etait sur

Wolf

un arbre)

sitting on a tree,

hungry wolf, so fierce

to see.

Wolf, the wily, said so slyly, "Come down, do!" Goat, the wary, said, "I'm 'fraid of you!"

"But on Friday meat's forbidden, my good dame." the goat, and down she came.

Thus he fooled Then

the wolf he caught and shook her, seized her beard, "Mercy!" cried the goat,"'Twas this I feared!"

French Folk-tune

Allegretto

li i ,f

^^

—

^

^^ 1

^

r

f -&-

1708

cresc.

^^

^

^ ^

6

SECONDO

Well met, well met, Well met, well met,

my own true

my own

love!

true love!

Long time am I a-seeking of thee; I'm lately come from the salt, salt wave,

And

all for the

sake, sweet love, of thee.

might have had a princess fair. For she would fain have wedded with me; But I cared not for her crown of gold. And all for the sake, sweet love, of thee. I

English Folk-tune

Andante, molto moderate

K

z±

^

n r

m

i

p I

^

^

M

p

legato

I

f

[7

r

p

^^ ~\

"m ^^^

^ I17«8

r

?^^

ll;"^

£/

^m Trr-

^

PRIMO

Well met, well met,

my own true

love!

Well met, well met, my own true love! Long time am I a-seeking of thee; I'm lately come from the salt, salt wave. And all for the sake, sweet love, of thee. I might have had a princess fair. For she would fain have wedded with me; But I cared not for her crown of gold. And all for the sake, sweet love, of thee.

English Folk-tune

Andante, molto moderato 1 r

-|

4

r

2^

(^^

f

}i

S

^

P

1

jip

^^

t

?

^m

s

VP

pp

w 81768

^^

w

11

>

8

SECONDO

Under the Cherry-tree (Oi peed veeshnievo) "Husband dear, I must go; With my friends I would be.

In a wood, long ago,

Stood a tree, white as snow. Underneath it sat a lady Pretty, young, and sweet to see. Close beside her stood her husband,

Wizened, old, and

gre}'

was

Let me frolic, let me wander, I should like the world to see." "No my sweet one, if you leave me, Wretched lonely I should be."

he.

Russian Folk-tune

Allegro

§v 4

^

^ a

.

1

r

^

S

f

^^ 1

—— — — •

^

^^>n

\)

^ 1

' '

"^

^ 7

. 7

1

'

•

•

.t.

£.

p" r

. 7

pE=q r

—

Vw

^

V

P

V

^

?

J

^

^

cresc.

i> ITTT'

i^

• 1768

P=q

J

J

=J

4

1

^ ^

'

7

/

7

,'

J/

——

V m,

^ 7

^ 7

\

•

f

F ^*^n -^^)

1

•

^

^

p

^

^^

•'

^

m

2

^

m

1

/•

^

9

PRIMO

Under the Cherry-tree (Oi peed veeshnievo) In a wood, long ago, Stood a tree, white as snow. Underneath it sat a lady, Pretty, young, and sweet to see. Close beside her stood her husband, Wizened, old, and grey was he.

"Husband dear, I must go; With my friends I would be. Let me frolic, let me wander, should like the world to see." "No my sweet one, if you leave me. Wretched lonely I should be." I

Russian Folk-tune

Allegro n

i

f

3

i

UU

s

i ^

no uu cresc.

81768

^ #•:

'/•

///

t'

^m €=

^

ijM r]

\

r

^

f

10

8EC0ND0

Noel Noel now we sing, Noel with joy we cry! Faithful people

Give thanks

all,

to

God on high!

There in Bethlehem, Of Mary He is born; There the ox and ass Stand near his bed forlorn.

Sing, sing Noel,

Sing, sing Noel,

The King is born Noel now we sing, Noel with joy we cry!

to-day,

The King is born to-day, Noel now we sing, Noel with joy we crjM

French Folk-tune

Andante

i ^g!

rj^TYT P

^

^

m

^

^m

iMM

^=^^

m

I^M f

to ^

fe

cresc.

^? ai7«8

^

3

1

m

11

PRIMO

Noel Noel now we sing, Noel with joy we cry! Faithful people all, Give thanks to God on high!

There in Bethlehem, Of Mary He is born; There the ox and ass Stand near his bed forlorn.

Sing, sing Noel,

The King is born Noel now we sing, Noel with joy we cry!

Sing, sing Noel,

The King is born Noel now we sing, Noel with joy we cry!

to-day,

to-day.

French Folk-tune

Andante "1

I'-i .n

i

r

io i

^^

1

mf 3t;

*

s

1

m± '*

s

•

•

d

r

^

^

mi

^=ff^

^.

cresc.

"if

m 1768

t

^fe

12

How

should "How

I

your true love know?

should

I

your true love know,

From another one?"

"By

his cockle hat

And "He

and

staff,

his sandal shoon."

dead and gone, lady. is dead and gone; At his head a grass-green turf, At his heels a stone." is

He

Shakespeare

Andante "1

*

S

^^^

P

m

r

^

15^*:

-»-

te

Born

is

(II est

Born

English Folk-tune

-^zsz

He

ne)

During many thousand years,

He, the Child divine; Oboes, bagpipes, sound your greetings! Born is He, the Child divine, Pipe and voice in song combine. is

Prophets wise foretold the story; During many thousand years We did wait 'mid hope and fears. Born is He, etc.

His bed, Filled with straw His lowly cradle; In a stable is His bed. Humble place for kingly head. In a stable

is

Born

is

He, etc.

Allegro vivace

m^/ I

^

1768

1

;

qj^ French Carol

r 5

^i DC

m

S

-zr

"cr

^

PRIMO

How

should

I

13

your true love know?

"How

should I your true love know, From another one?" "By his cockle hat and staff, And his sandal shoon."

"He

dead and gone, lady, He is dead and gone; At his head a grass-green turf, At his heels a stone." is

Shakespeare

English Folk-tune

Andante -I

~n-

?

^

i

I

r

r

1

^

^

2

Tf" i^i"

r

r

r

i

[^

-&

Born (II

He

is

est ne)

During many thousand years, Prophets wise foretold the story; During many thousand years We did wait 'mid hope and fears. Born is He, etc.

Born is He, the Child divine; Oboes, bagpipes, sound your greetings Born is He, the Child divine. Pipe and voice in song combine.

In a stable is His bed, Filled with straw His lowly cradle; In a stable is His bed, Humble place for kingly head.

Born

is

He,

,./-., ^ Old French Carol

etc.

Allegro vivace "1

r

^ P P

m

zai

11768

^^

^

^

14

SECONDO

m=^^

r

^

^

f

I

mf

f

i^

^

f^

-c^

1

1

^-p—

^>^

c r

I

1

—^-^nH^rP ^ ^

p

1

1

1

1 1

_F

1

—r

P—0

r-0

3 1

_F

F

-^

-F

—a 2

,»->/

pp ^

^^?—

•

i^^;^

—

=-^

-»:-

r-

•

p±' ^^

:^

—^

J

1

Ci

1

F

—T

1

^

P

-^ .J-,

—k—

^r

F F

1

—

-1r

r

Ij

1

1

1

'

~r

—f

—r

rf

e;TSV.

^

J «

J «

6

1

^H— ^^^1

—

F

1

-F

-3-73

f

ritard

'

r.

r.

r.

•

6

r.

^J

V7

1 I

A

s

-^^

3

-4

3

1

i

^

i g 1

s / ^

^

mf

fa tempo

r

^ li^

ii s

t

Fine

• 1768

15

PRiMO r

n

:^ Z2Z

^•^^i:^

w

m

i

P

P

PP

i

zaz

i i

^

ZZ3Z

izz:

^ iE^ ^

S

laz

"77"

n

#

^^

^^

r

^

^

P "I

^

M^ M

r •J

u. cresc.

to

i ?

^

ritard.

^

n

^^^ -ijO^ =^

/'rt

:i

^

i

P

i

-f—m-

S

f vi/

r

S P

P

i^

i

^

122;

PP

tempo IZZ

1

^

Fine

81788

16

SECONDO

The Lusty Gallant Fain would I

I

have a pretty thing,

To give unto my lady; have no thing, and mean no thing But as pretty a thing as may be.

For some do long for pretty knacks, And some for strange devices; I'll buy whate'er my lady lacks, I

care not what the price

is.

Traditioital

English Folk-tune

Allegretto 5

H

'>--^ ii

8

^^

t

J'

^

r

^

#—

*r

^

=P

^=^F=^

-

M

J

^

J

M n r

i

7

n

•ffi

^

^

V

11768

^

^

^P m

*i

X

5

7

i

7

r

Cdl

E^

^

^

^ 5^ w;ip

:s

^

2

^

7

\

P

5

^

^

»-

2

"^

n r

5

7

I

cresc.

7

f

^

'r

IT

PRIMO

The Lusty Gallant Fain would

To

I

have a pretty thing,

give unto

my

lady;

have no thing, and mean no thing But as pretty a thing as may be.

I

For some do long for pretty knacks, And some for strango devices; I'll buy whate'er my lady lacks, I

care not what the price

is.

Traditiontil

English Folk-tune

Allegretto

##^

m

8

^^

n r

5

P

m-f

^m

^

s

i

P J

i^ni ~i

#

r

s

5^ ^ife 2

1

cresc.

^7 ig I

11768

2

i'

p

^ ^^

n r

if

^

S

^

/•

^

SECONDO

18

Gaily the Troubadour Touched his Guitar Gaily the troubadour touched his guitar, As he was hastening home from the war; Singing, "From Palestine hither I come, Ladye love, Ladye love, welcome me home!" Singing, "From Palestine hither I come, Ladye love, Ladye love, welcome me home!" Traditional

English Folk-tune

Andantino n

'y-\,'i

\

i

i

f

P

:f 4\.

nr

m

^g

^ "I

i

vm,

i

T

^^^

r

^

=^

m

r

#

i pp

^

^>LJ

^ ^

n

;£

^

r

H

m

r^

i' ^^^

b

81768

i-

i

i

m^

PRIMO

19

Gaily the Troubadour Touched his Guitar Gaily the troubadour touched his guitar, he was hastening home from the war; wSinging,"From Palestine hither I come, Ladye love, Ladye love, welcome me home!" Singing, "From Palestine hither I come, Ladye love, Ladye love, welcome me home!"

As

Tniditiotud

English Folk-tune

Andantino ~i

:fe ^ )i

i0^

r

^

3

^

1^3

2 4.

n

r

i

^m

m

m

4

3

5

T

w

iiP^E^ m^>f

i i^

g

^

r

P

"1

^

i^

^

r

ritnrd.

:?^

-d-*-

^

^

S V^

• 1768

SECONDO

20

A-hunting

We

Will Go

The dusky night rides down the sky, And ushers in the morn; The hounds all join in glorious cry, The hounds all join in glorious cry, The huntsman winds his horn, The huntsman winds his horn. Then a-hunting we will go, A-hunting we will irn, A-hunting, hunting we will go, A-hunting we will go. Fielding-

Old English Air

Allegro "1

S^ 10

fei:

i

1

\

J

j'J

^

\

T

W^

Jl

i

•?

}

r S

7

[7

./

?

>

^

y

fl

^^

S

1 r

;i g i

U ^ ^ ^ ^ ^^

^ ^w w. ;/-

at7«8

^*^

s

1

i

i'

^

n r

'i

J

1.

^^ £ ^ ^^

rf

nt\

s

^^

r

i ?

s

7

).

"1

m

\

^f

m. ;i S'

V

t

r

1^

r

-y-^

3=±:

1

i'

^»-^

1

r\

^

r )

= .//

u^^pr

allargando

m^

/'

i

j--^

PRIMO

We

A-hunting The dusky night

And ushers hounds

Th(-

all

rides

in the

21

Will Go down

the sky,

morn;

join in glorious cry,

The hounds all join in glorious cry. The huntsman winds his horn. The huntsman winds his horn. Then a-hunting we will go, A-hunting we will go, A-hunting, hunting we will go, A-hunting we will go. Fielding-

Old English Air

Allegro

*

10

g=5 ii 2

mf

^

-\

r 5^

fe

5

5

^

P^ m•f

fe

J

~\

n

•i ?^

r

^n

5

i

^ —2 y*^

m

^^^

p

r

=*T—

;/

allargando

IS ^2^

•17C8

r

p

"I

3

^

r

5

2

r

m

f

3

"1

^

J'-l

r

^

1w

w

^

n

^^

22

SECONDO

Her Dear Round

Little

Face

(Bielalitza Kruglalitza)

Round and white as Is the face of a

Fair

the petals of a flower

sweet

little

maiden,

is she as the flow'rs of the kolena, Fair and sweet is she.

would weave from the flow'rs of the kolena Fragrant wreaths for her neck and her shoulders, Blossoms rare, to adorn her pretty person; Fair and sweet is she. I

Russian Folk-tune

Andante con moto "1

r 4 1

•^ntj

^

I

t

p

V

11

^^

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f

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23 PRIMO

Her Dear Round

Face

Little

(Bielalitza Kruglalitza)

Round and white

as the petals of a flower

Is the face of a

Fair

I

sweet

little

maiden,

she as the flow'rs of the kolena, Fair and sweet is she. is

would weave from the flow'rs of the kolena Fragrant wreaths for her neck and her shoulders,

Blossoms

rare, to adorn her pretty person; Fair and sweet is she.

Russian Folk-tune

Andante con moto I

r

r

r

[^

^

1

^ S •

P

11

r

•

mi

1

r

i^

"f^

tfi

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ai76a

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p

riiard.

J

J^J

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SECONDO

24

Going through Lorraine (En passant par

la

they laughed and called me ugly, In my wooden shoes; And they laughed and called me ugly, In my wooden shoes; I am not so very ugly. In my wooden shoes, Dondaine, Oh, oh, oh! In my wooden shoes.

And

Through Lorraine I came a-walking, In nij- wooden shoes; Through Lorraine I came a-walking, In my wooden shoes; Met three captains gaily marching, In my wooden shoes, Dondaine, Oh, oh, oh! In

my wooden

Lorraine)

shoes.

am

not so very ugly. my wooden shoes; I am not so very ugly. In my wooden shoes; For the Prince declares he loves me, In my wooden shoes, Dondaine, Oh, oh, oh! In my wooden shoes.

Met three captains gaily marching, In my wooden shoes; Met three captains gaily marching. In my wooden shoes;

I

In

they laughed and called me ugly, In my wooden shoes, Dondaine, Oh, oh, oh! In my wooden shoes.

And

French Folk-tune Allegretto "1

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«

12 ^Vi

^

1>

——

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-r-m

=

>

^ 7

f

K 7

f'

«

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e \

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7 1— -J==t==

«

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9

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7

7

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s=^=» 5=^^

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7

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7

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5 1

7

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' 1

PRIMO

25

Going through Lorraine (En passant par

la

Lorraine)

And

Through Lorraine I came a-walking, In my wooden shoes; Through Lorraine I came a-walking, In my wooden shoes; Met three captains gaily marching, In my wooden shoes, Dondaine,

they laughed and called my wooden shoes; And they laughed and called In my w^ooden shoes; I

am

I

am

I

In my wooden shoes; am not so very ugly.

Oh, oh, oh! In

my wooden

shoes.

Met three captains gaily marching, In my wooden shoes; Met three captains gaily marching, In my wooden shoes; And they laughed and called me ugly. In my wooden shoes, Dondaine,

my wooden

ugly.

me

ugly,

not so very ugly, In my wooden shoes, Dondaine, Oh, oh, oh! In my wooden shoes. not so very ugly,

In my w^ooden shoes; For the Prince declares he loves me, In my wooden shoes, Dondaine, Oh, oh, oh!

Oh, oh, oh! In

me

In

shoes.

In

my wooden

shoes.

French Folk-tune

Allegretto

12

4

~i

r

^

(

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m

f

1

^^ 2

--i-t^

23

^

P

^

w ~\

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^

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t

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1768

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4

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s

PRIMO

The Horses

S8

of

Eger

(Az Egri menes) Horses in Eger all are white, Horses in Eger all are white, See them a- prancing, See them a-dancing. Horses in Eger all are white.

Why Why

Ladies in Eger all are proud, Ladies in Eger all are proud, See them a-prancing, See them a-dancing, Ladies in Eger all are proud

are the ladies there so proud? are the ladies there so proud? White are the horses,

White are the horses. That's

why

the ladies all are proud

I

Hungarian Folk- tune

Allegro con fuoco

^

t 5C

26

#

V

^^

^^

^

^

^

^

^

3

^

mi

3,

P

(

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W 81768

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r

P

nf'.

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8EC0ND0

64

Love Will Find Out the

Way

Over the mountains, and over the waves, Over the fountains, and under the graves, o'er floods that are deepest, which Neptune obey. O'er rocks that are steepest, Love will find out the way.

Some think to lose him, which is too unkind; Some too, suppose him, poor thing, to be blind; too close ye wall him, and high as ye may. Though blind ye may call him, Lovt- will find out the way.

But

if

Traditio7ial

English Folk- tune

Andante con moto

i?^3W

3 P3

27

^=-#i^

^

«1

J 3

P

^

1

?

^

n r

i

^

-nz.

mf

cresc.

^ 4

P^

P

^ "1

^^

5

3

P

^

^-nr

1768

1

nt]

r

f

"S7 I

/

/w/*

^

'1

meno mosso

~a-'

*

PRIMO

55

Love Will Find Out the

Way

Over the mountains, and over the waves, Over the fountains, and under the graves. O'er floods that are deepest, which Neptune obey. O'er rocks that are steepest, Love will find out the way.

Some think to lose him, which is too unkind; Some too, suppose him, poor thing, to be blind; But

if

too close ye wall him,

Though blind ye may

call

and high as ye may, him. Love will find out the way. Traditional

English Folk- tune

Andante con moto

i^ 27

^

i^

m

^

i

^

p

V

"I

^

r

n r

I

^

f f V

mf

^

m ^^

1 r

im

^

^

mm cresc.

tl768

1 r

m, nf

mf meno mosso

3z:

8EC0ND0

66

The Banks Ye banks and braes

o'

I

sae weary,

my

Thou'lt break

fu' o'

Doon Oft hae

bonnie Doon,

How can ye bloom sae fresh and How can ye chant, ye little birds, And

of

To

fair?

I

rov'd

by bonnie Doon

see the rose and woodbine twine.

And ilka bird sang o' And fondly sae did

care!

its love, I o'

mine.

Wi' lightsome heart I pu'd a rose Fu' sweet upon its thorny tree;

heart, thou warbling bird,

That wantons thro' the flowering thorn. Thou minds me o' departed joys, Departed- never to return.

And my

fause lover staw my rose, But ahl he left the thorn wi' me. Burns

Scotch Folk- tune

Andante con moto

^fe^^ 28

^ p

1 r

P

legato

S

T

^==^

^

I

^EjEE^

5-a

W^

^

s

g

r

^m ^^

s

1 r '

"I

p

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s

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5-2

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F^ "I

3

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5-2

^

^

PRIMO

The Banks Ye banks and braes o' bonnie Doon, How can ye bloom sae fresh and fair

of

87

Doon I rov'd by bonnie Doon To see the rose and woodbine twine, And ilka bird sang o' its love, And fondly sae did I o' mine.

Oft hae ?

How

can ye chant, ye little birds, And I sae weary, fu' o' caret Thou'lt break my heart, thou warbling bird, That wantons thro' the flowering thorn, Thou minds me o' departed joys, Departed- never to return.

Wi' lightsome heart I pu'd a Fu' sweet upon its thorny And my fause lover staw my But ah! he left the thorn

rose tree;

rose.

me. Burns

wi'

Scotch Folk- tune

Andante con moto

28

s

m F^ S m

^

s

i

s

^^^^

1

p

f^

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&

SECONDO

68

Mazurka Come away, come away, Dance the livelong day. Come away, come away. Dance the livelong day. Fairest maid, my heart's delight Tripping gaily in the morning light, Ever laughing, never weary, Dance the livelong day! Fairest maid, my heart's delight Tripping gaily in the morning light, Ever laughing, never weary, Dance the livelong day!

Polish Folk-tune

Allegro moderato 1 r

^^

1

r

r

25 S4-

S ^'

29

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s

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T

4

i

JJ

1

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r

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PRIMO

59

Mazurka Come away, come away, Dance the livelong day, Come away, come away. Dance the livelong day. Fairest maid, my heart's delight, Tripping gaily in the morning light. Ever laughing, never weary, Dance the livelong day! Fairest maid, my hearts delight. Tripping gaily in the morning light. Ever laughing, never weary.

Dance the livelong day! Polish Folk-tune

Allegro moderato

1

29

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SECONDO

60

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DilUlrQmU Seiie:

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