Arranging - Small Ensemble and Horns - Syllabus [PDF]

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Arranging: Small Ensemble and Horns - Syllabus

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Arranging: Small Ensemble and Horns Course Authors: Jerry Gates

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Lesson 1: Chord Symbol Identification

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Major Chords

Scholarship Program

Minor Chords Dominant Chords

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Augmented Chords Diminished Chords

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Half Diminished Chords Lesson 2: Rhythm Section Notation Review Drums: 3-Part Notation Drums: Stop-Time Notation Drums: "Kicks Over Time" Notation

COURSE INFO Credits: 3 Duration: 12 weeks Catalog #: BME-131

Bass: Written Out Pitches Bass: Rhythmic Notation with Slashes Bass Activity 2

CERTIFICATE INFO Total credits: 24

Guitar

Duration: 8 courses

Guitar: Melodic Lines

Tuition: $11,200

Guitar: Comping Parts

Registration fee: $175

Keyboards: Melody Parts

What is a certificate?

Keyboards: Comping and Solos Lesson 3: Instrumentation: Trumpet and Trombone

Course Faculty

Trumpet

Jerry Gates

Trumpet With Concert Pitch Melody

Associate Professor in Contemporary

Breakdown of Ranges by Area

Arranging, Directed

Trumpet Mutes

Studies in Arranging,

Tenor Slide Trombone

and Contemporary Twelve-Tone

Pedal Tones

Composition.

Trombone Range Breakdown Slide Positions Lesson 4: Instrumentation: Alto, Tenor, and Baritone Saxophones Eb Alto Sax Alto with Concert Pitch Melody

Jeff Perry Berklee faculty since 1997, and currently teaches arranging in the Contemporary Writing and Production department.

Breakdown of Ranges by Area Bb Tenor Sax

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Arranging: Small Ensemble and Horns - Syllabus

http://www.berkleemusic.com/school/certificates/course/arrangi...

Tenor With Concert Pitch Melody Breakdown of Ranges by Area Eb Bari Sax Bari Sax With Concert Pitch Melody Breakdown of Ranges by Area Lesson 5: Unison Writing

Student Comments “I have always loved the idea of writing for horns and writing multi-stave parts, but I’ve never been able to get my ideas to work on paper. This course gave me a

Writing within a Given Specific Key

great foundation for writing lines

Transposing to Fit a Specific Instrument

and crafting ideas that can be

Combinations of Horns on Unison Melodies Two Octaves Playing the Melody

played in a the real world!” - F. Gros

Three Octaves Playing The Melody Lesson 6: The Arranging Process and the Midterm Project Considerations Before Writing Pitches The Arranging Process Midterm Project Review Lesson 7: Melodic Development Eighth-Note Anticipations: Melodic Development Quarter-Note Anticipations Eighth-Note Delayed Attacks Quarter-Note Delayed Attacks Lesson 8: Melodic Development Continued Straight vs. Swing Sixteenth-Note Anticipations Sixteenth-Note Delayed Attacks Lesson 9: Harmonization: 2-Part Couplings (Soli Writing) Melodic Couplings: Diatonic Thirds and Sixths Intervals of Fourths and Fifths Seconds and Sevenths Orchestrating the Harmonized Melody Lesson 10: Three-Part Soli Writing Harmonizing A Diatonic Melody with Triads Diatonic Approach-Chord Harmonization Chromatic Approach Chord Harmonization Applying Triadic Voicings to 4-Part Chords Lesson 11: Three-Part Soli Writing (Continued) Tension Substitution Omit 2, 3, or 4 Technique Harmonization with Diatonic Major and Minor Triads Special-Case Voicings Lesson 12: Background Lines Voice Leading Background Lines Common Tones in Background Lines Creating Complex Background Lines Final Project

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Arranging: Small Ensemble and Horns - Syllabus

http://www.berkleemusic.com/school/certificates/course/arrangi...

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