Aaron Parks - Invisible Cinema Songbook [PDF]

Zitiervorschau

Aaron Parks

Invisible Cinema Songbook

Travelers

bass + drums intro

 

5

   

        Bbmin

      

   

        

A

                        Bbmin Cmin7 E^7 A^13 Db^7                                   

10

  

      

Aaron Parks

F7sus(@3)

             

   

Gb^7

 

    





       Bbmin

        A^13

   

14

 

                      Cmin7 E^7 Gb^7 F7sus(@3) Db^7                               

B  

19

Bbmin7(b6)          

 

23

  

Bbmin7(b6)            

 



           

  

 

/C         

  

                            

2 27

      Gb^13(#5)

  

 31





35

Gb^13(#5)

C

   

A^13

40

 

E^7(#5)

       

 

                                 



B2/D#

Db/F [phrygian]



  

                   

B^7

/Ab

 

 

                 

           

        B2/D#



         

             E2/G#

    

44

 

     

     





     

 

  





  

Ab2/C

B^7

    



A^13

    

 

    



E^7(#5)

Ab2/C

    

      E2/G#

      

         

     

Db/F [locrian]

   

D  

49

C#min7(b6)

    

   53

  

C#min7(b6)

    

     

       

57



A^13(#5)

 













    



61

        

A^13(#5)

 

     







 



   

   

 

  

     

  

   

/D#         

/B                

                             

E

Bbmin

  

             

   

  don't play this melody again on repeats         

65

    

   

3

     



     

      

   

  

        ( repeat 4x)

solos on ABCD

Peaceful Warrior

A q = 105     F#min

6

    D

10

E

F#min

     

      



piano + guitar play melody in unison

  

 

D

      

B

F#min

Aaron Parks

      E





F#min G#min/F# F#min G#min/F#

          

G/F#





F#min

A/F#









bass & drums enter

G/F#

A/F#

B/F# B/F#                                       

18

D

26

E

D

E

F#min G#min/F# F#min

G#min/F#

                          34 C F#min B/F# F#min^7 F#min B/F# Db/F                 bass changes note! not f#!

snare drum: marchlike

D

42

E/D

  50

D

Bb^7/D



  

F#min

D/F#

4:3

     sweeping, dramatic...

56

B

B/D#

   62

F#min

 





 E/G#

    3

D

4:3

E/D

  

 Db/F



F#min/E





Bmin/D



/A

    



D^7

  

F#min/C#

C#

       /B



 /C#  

D^7 A/C# Bmin7 A/C# 4:3   C#min7                    3

3

2

68



D^7

 

Bmin7



E F#min      

F#min/C#

 

/A

  



B/F#

74

  



/B

/G#



    

F#min(omit3)

  

  

  

this section comes way down, and gradually builds into following melody

   

  

D^7

86

   

B/F#

80

Bmin/F#

F F#min      

grandiose-ish

92



98

 102



Bmin/F#

 

G

F#min7



   

  

   

bass & drums suspend and drop out





               1st time: piano alone 2nd time: bass joins

104



F#min  

       (as written)

C#7sus





    



 



E           



         Emin

  

       





q = almost double time

(open)

F#min(omit3)

D^7



  

      

C#7sus



B



             

       

        

drums and guitar come in at end of 2nd time

H F#min 106       

E

  



guitar and piano trade solo choruses (bassline is busy)

 

  

108 Emin

F#min

  

B

 E

3

  

 

  



  

 

  

B

  

110

Emin

112

D

I

Eb/Bb

G



 

120

E

  

C

116



A

 

114



q = 105 (original tempo)

G#min/F#

F#min7

              piano figure

128

J

Bb

      

B

   Dmin/A A

E7susb9 C#7alt

   

continue on cue

 

F#min7

F#min

F^7

         G#min/F#

    

F#min

                           melody out

136

D

E

D

E

F#min

                

G#min/F# F#min





G#min/F#

 



4

K 144

      F#min

 

 G/F#



 

      

     A/F# 

4:3



B/F#   









bass plays 148



     

F#min   

152



  



      

A/F#     G/F#       

  

D

 

   D

E

 

4:3





4:3

B/F#      

    

E









   

156



 

 F#min  

 G#min/F#



 F#min





G#min/F#



L piano/guitar alone at first, drums/bass creep in with anything in F# minor tonality repeat and fade                                     

160

guitar

5





Nemesis

q = 129

Aaron Parks

                



  

drums fade in











A

  11

       

                               Db7sus('3)            



guitar playing swung 8th notes (against everyone else straight 8th) 3

3

        



Abmin

       3





  D^13

 

 

13

Abmin





    3

3

 3

         



Emin/G



bass can be a little busier, but not much



       

guitar plays pickups 2nd time only 3



note piano figure continues with chords    8th                                      Emin/G D^13 Abmin           

9











3

  

Db7sus('3)

 3

     

Emin/G







3

 



     

  

3

 

2 15

  D^13

 

3

B

 

17



3

   



3





 



  

Cb^13

  

Abmin



23

 

Cb^13

 

          



  



3

3

3

Fmin



  3

          3

3

Db7sus('3)

   



        

              3

   





  21

Db7sus('3)

          

Abmin

19

3        

3

3



 3

3

Fmin



       3

   3

Db7sus('3)





3

to 

   

   

25

C

3 organ pads come in

  

Abmin









Abmin







29





    

Emin/G



 

3

3



    

Emin/G







D^13





D^13



   

3

  







   

Db7sus('3)



Db7sus('3)





   

D solos Emin/G D^13 Db7sus('3) Abmin Emin/G D^13 Db7sus('3)   Abmin                             33

(top notes of piano figure)

                             41 Abmin

Fmin

Cb^13

Db7sus('3) Abmin

Fmin

Cb^13

Db7sus('3)

after solos, D.S. AL CODA

                    Abmin  

 49 





guitar plays melody 1st 2x only...

      



    

Fmin



3

   

     

        

Cb^13



        

                          Db7sus('3)           hold chord 4th time

3

( 4x )

Riddle Me This     5



drums set up groove (snare off) then bass + piano enter

 

Cmin





Aaron Parks





 

  

Gb^7(#5)

       Ebmin7(b6)

CØ7

  

B Bbmin C#min/E        

21

 

Ebmin7

C F#min

25



C^7(#5)



F#Ø7

  

  

CØ7



F7(b9)

      

Gb^7(#5)/Bb





  3    



       

3

          3





Cmin/Eb F#Ø7

Amin

               Gmin13

     

A7(b9b13)

Bb^7(#5)/D

     3

  

F13(b9)

CØ7

3

E7sus(b9)

  

G#min/B Bb7sus(b9)/Ab   Bb7(b9b13)

Fmin

C7(b9b13) 3

Amin/C B7(b9)/D#

       

A^7(#5)/C#

                 

Eb7(b9)/Db

F#min13/A

  



C#min6/E

3

13

17



 Cmin/Eb Cmin Cmin/Eb Ebmin/Gb Ebmin/Gb F7sus F7sus                            

A Ebmin Ebmin/Gb F7(b9)/A Bb7sus(b9) F#min/A   Cmin                        

9

3





 

B13(b9)

      3

       3

D Dmin Cmin/Eb D7sus(b9)/C3 D7(b9b13) Fmin/Ab G7(b9)/F Amin E7(b9b13)                               

29

3

    

              Gmin/Bb  Gmin Bbmin/Db Gmin/Bb C7(b9) Gmin Bbmin/Db F#7alt C7(b9) Gmin Bbmin/Db C7(b9)                                                   softer

33

        

3

2 39

                Bmin/D  Bmin Dmin/F E7sus Bmin Bmin/D Dmin/F E7sus                             

ending loops last 4 bars

after solos, goes back to just drums, then back to intro

     

Karma

Aaron Parks

A2/Ab A^7(#5)/Ab D^7/Ab    Abmin7                           A 17 A2/Ab   Abmin7                    q = 240

4

25

A^7(#5)

     



33

C^7

4



 













B7sus







Cmin^7

4





 

  

 

4



Eb7alt                                     B 51             F2/E      Emin11         41

A2/C#

Eb7alt

1.

2.

on the head out, loop the chords from first 16 mm. of (B)

59





F^7(#5)/E 

  67

     Emin11      















Bb^7/E 

















         







 F2/E     













2 75

 F^7(#5)/E    

83

 

 Gmin^7       







 









        C^7/G          

Gmin^7   

  107

   

Eb/G











 











  



  





Db^7/G





          



Eb/G   











          











Db^7/G 









   

     

C^7/G 

 Bb^7/E   



91

99



             









     



















 form is AAB

melody

    

Roadside Distraction

q = 70





Aaron Parks



  

2nd time only





F Ab Bb Db       F Ab  Bb   B^(#11)                            A

5



 

  Ab  

F

  7

  F

  9



  F

  11

  F

 



        Ab

 

  Ab

 

 



Bb

         Bb



   

 Bb

 

  

              Ab 

 





Bb



 Db   

     3   

B^(#11)            



 Db  



    

 

B^(#11)            

2

13 B

4

                    Db F Ab Bb   F Bb Ab                         

17

4

        Db F Bb Ab Bb                

       F

 

Ab

  

21 C

  

   

  Ab

 

F

 





Bb

                    Ab F Bb       

Db 



23

25

   F

 

   

  Ab 



     

Db

 

Eb

  Db   Eb      

     

B^(#11)           



 Bb

Db 



    

27

               F Bb Ab      

      B^(#11)      

3

29 D

4

         F

 

Ab

  

33

         Bb Db F Bb Ab               

       F

 

Ab

  

  

Db

 

4

 

        F Ab F B^(#11) Bb BbDb                           Ritard

Eb

Melody

Harvesting Dance

                                  5

A

q = 141

D7(b9b13)

 

9

D7(b9b13)

 

D7(b9b13)

13

 

D7(b9b13)

17

 

 B

21

G/B

  

27 D/F#

 

C

Eb

Cmin

Eb

Cmin

                  Eb

    Cmin

           Eb

D7(b9b13)

D7(b9b13)

    

G/B

Ab^7(#11)

     Eb^7(#11)

D/F#

     

  





             G/B

     Eb^7(#11)

 

D/F#

     

Ab^7(#11)

   

           Eb^7(#11)

Eb

Cmin D7(b9b13)                                         

33

D7(b9b13)



     D7(b9b13)

 

  

D7(b9b13)

                Ab^7(#11)

  

    

Cmin

  

Aaron Parks

Eb Cmin D7(b9b13) to                                           D7(b9b13)

37

41

D

G/B

Ab/C

Fmin/Ab G/B

           

 

D/F#

Eb/G

Cmin/Eb D/F#

        

  

2 49 G/B

Ab/C

Fmin/Ab G/B

D/F#

             

E Eb Cmin D7(b9b13) D7(b9b13)                 

57

first solo

65

D7(b9b13) Eb

Cmin

G/B

   

79 D/F#

  

F D7(b9b13)      

guitar solo

D7(b9b13)

 

  Eb^7(#11)

  Eb Cmin

85

92

Ab^7(#11)

 

D/F#

 

       D7(b9b13)





Cmin

D7(b9b13) Eb



 

D7(b9b13)

            Cmin

D7(b9b13)

           

G/B

D7(b9b13)

Cmin/Eb D/F#

           

D7(b9b13) Eb

D7(b9b13)

            

73

Eb/G

Ab^7(#11)

 

Eb^7(#11)

  D7(b9b13)



Eb D/F# Gmin F/A Bb

G/B

Ab^7(#11)

 

D/F#

  Eb

 

 

      

Eb^7(#11)

D/F#

Bb Cmin

            Cmin D7(b9b13)

               

open



    

play last time

G                        

99

107

                       

115 G/B

 

Ab^7

G/B

         

Ab^7

G/B

         

Ab^7

        

121 D/F#

Eb^7

D/F#

133

I

  

Eb^7                  

Eb^7

               127 H         drum solo                                   

3

D/F#







  141

 

145

 



   

                     

          

    

  

 

          

    



  

 

          

    

  

melody for head out begins (same rhythm as head in, just over groove from H)

137

on cue

              





            d.s. al coda (back to B)

149                                             8va.....

                                             

153

D7(b9b13)                                            

156

q = 130

A

C

  

5

C/E

 



F/A

    Dmin7

 

17 Dmin7

D7

23

  29

C

C

 

33 Amin7/G

 

37 Dmin7

 

41

Bb

 

C/E

  

Emin/G

F

 

 

   

 

  

F/A

G

3

F

      C/E

  

    Bb/D

   F/A

 

  

Bb

F

  

 

C/E

 



G/B

  

F/A

   



E7/G#

    





E7

3

     

    

3

F

   

   













G/B

F

    



F

 

C/E

Gsus

Amin7

C/E

     

    

    





3

Aaron Parks

G

 

B

 

F

  

F/A

    

F

11

Praise

3

G





 

   3

   

Gmin^7

G/D

  

11

Bbmin

 

      Bb/D

D^7

    

15

D/F#

 



    

7

Afterglow 



C7sus Ab^7(#11)







  

Bbmin9(b6)

C13(b9) 4 Gb^7(#11) F7sus

  

 Ebmin7   4

Ebmin/Db B^7

      

Ebmin7 Ebmin7/Db Ab/C



 B

       

Eb/Bb



F/Eb

                        4

3

       

3

Gmin7(b5)

Cmin/Eb

F#7sus Bmin9(b6)

Db/F 3

       

   

Bbmin7/Ab

C/E

Aaron Parks



Abmin7

  

Db/F

     3            Gb







3

D/F#



  