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Pearson Education Limited KAO TWO KAO Park Hockham Way Harlow, Essex CM17 9SR England and Associated Companies throughout the world. english.com/roadmap © Pearson Education Limited 2021 All rights reserved; no part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without the prior written permission of the Publishers. First published 2021 ISBN: 9781292391533 Set in Soho Gothic Pro Printed and bound by L.E.G.O. S.p.A., Italy Acknowledgements The Publishers would like to thank the following people for their feedback and comments during the development of the material: Peter Mason, Inigo Casis, Gordon Semple, Konrad Djeko, Agnieszka TyszkiewiczZora, Katie Crawford, Mirta Bugacoff, Kate Brown, Jasper Luke Stein, Alexandra Warden, Bruna Mora Bastos, Susana Royo Non-Prominent Text Credit(s): 108-109, Guardian News and Media Limited: Elle Hunt, Is it possible to work 22-hour days? Danielle Steel says it is the secret of her success, 13th May 2019. © 2019; 124, Guardian News and Media Limited: David Shariatmadari, Language wars: the 19 greatest linguistic spats of all time, 17th June 2018. © 2017. Illustration acknowledgements Daniel Limon (Beehive illustration agency) Pages: 8, 26, 48, 49, 50, 52, 54, 68, 72, 124, 126, 128, 129, 137, 141, 145 Lauren Radley Pages: 24, 38 Ash Jin Pages: 36, 84, 136 Tony Richardson Pages: 86, 144, 115 Photo acknowledgements The publisher would like to thank the following for their kind permission to reproduce their photographs: 123RF.com: Anastasiya Aleksandrenko 18, Ann Dudko 122, Anyaberkut 118, Belchonock 135, Luca Bertolli 42, Mathisa 14, Milan Gonda 178, Ozgur Coskun 31, Racorn 64, Ryan DeBerardinis 117, Viktoriya Malova 78, Zulhijrah 89; Alamy Stock Photo: Banda Aceh 10, Deborah Vernon 83, DPA picture alliance 47, IanDagnall Computing 93, Matteo Omied 90; Getty Images: 10’000 Hours 74, Abel Mitjà Varela 38, Allison Michael Orenstein 132, Arpad Benedek 2017/Twilightcolors 19, Azem Ramadani 61, Benoitb 70, Buena Vista Images 37, Cavan Images 60, Colin Anderson Productions pty ltd 102, Cultura RF 7, DEA PICTURE LIBRARY 92, Denver Post 70, Diana Walker 113, Digital Vision 12, Dorling Kindersley RF 28, Dougal Waters 108, E+ 91, 140, FangXiaNuo 19, FLYFILM 60, Francis Miller 96, Gary Burchell 80, Hill Street Studios 5, 57, 101, Hiraman 56, Ika84 65, Irina Marwan 109, iStockphoto 3, 32, JOHANNES EISELE 142, Jonathan Perugia 123, JW LTD 81, Katya_Havok 120, Kevin Schafer 107, Keystone 112, Marc Dozier 88, Maskot 19, 20, Michael Duerinckx 143, Monty Rakusen 132, Mustafagull 62, Noel Hendrickson 110, Paul Bradbury 3, 29, PeopleImages 5, PeopleImages 64, Peter Cade 102, RapidEye 103, REDA&CO 70, Richard Drury 74, Robert Kneschke 6, Robert Kühne 120, Sanjeri 56, Sean_Warren 33, South_agency 35, Spencer Platt 130-131, Studio-fi 18, Sylvain Gaboury/FilmMagic 108, Tetra images 5, 70, Thomas Barwick 21, 44, Thomas M Barwick INC 5, 13, 90, ThomasVogel 14, Tim Robberts 11, Visual China Group 100, Westend61 81, WILLIAM WEST/AFP 98, Yuri_Arcurs 105, Zave Smith 79; Shutterstock: Adrian Bradshaw/EPA 99, AlekseyIvanov 3, 7, Basyn 16, Daily Mail 121, David Tadevosian 34, Diego Fiore 107, Dmitry Kalinovsky 42, Elnur 88, ESB Essentials 20, FER737NG 106, Fizkes 74, Gorodenkoff 90, Hanohiki 67, Howard Sandler 44, Htneim 16, Immersion Imagery 178, Ivan Bondarenko 31, Ivan_Kislitsin 97, IxMaster 29, John Wollwerth 122, Juan Ci 116, Kaspars Grinvalds 139, Kiattisak Anoochitarom 93, Leonid Ikan 5, 82, LightField Studios 104, Mar1kOFF 121, Michaeljung 16, Natthawon Chaosakun 7, Oliver Foerstner 89, Peter Stuckings 15, Pressmaster 29, QQ7 66, Rawpixel.com 3, 17, REDPIXEL.PL 25, Rich Carey 3, 47, 134, Roman Kosolapov 46, 56, Ruta SaulyteLaurinaviciene 14, Ryan Sault Photography 33, Singkham 63, SizeSquare’s 138, SpeedKingz 35, Svetlana Lazarenka 44, Syda Productions 117, Tyler Olson 78, View Apart 83, Volkovslava 78, Wavebreakmedia 31. Cover Image: Front: Getty Images: Buena Vista Images Every effort has been made to trace the copyright holders and we apologise in advance for any unintentional omissions. We would be pleased to insert the appropriate acknowledgement in any subsequent edition of this publication.
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