40 0 179KB
Alireza Motevaseli April 2016
piece for 4 Timpanies SOLO
Abbreviations: get to the highest note as much as possible while gliss up .
get to the lowest note as much as possible while gliss down
poco a poco getting fast the rhythm in the figure as much as possible
poco a poco getting slow the rhythm in the figure as much as possible
New Technique suggested by me: get the mallet in hand from the center of it like a Flip -Flop raise your hand up to the center area of drum and start to trill you see both side of mallet wool and wood contact with the surface it can cuase that you hear both sound ,soft and hard sound by mixing this 2 diffrent kind of mallet in the same time with the same mallet in just one hand
play on the sides of selected drum ,each one you desire ,there is no diffrence
duration about 1'
a Piece for 4 Timpanies (solo)
+ G.P. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ . < s > s > > >> > > 3 ? 5 œ#œ œbœ œ 6 œœbœ#œ >œ œ>œ œ>œ 5 b!> gli 1 ∑ 8 8 8 2 > J e=144
Timpanies E Bb G# D
Alireza Motevaseli April 2016
e=e
f
sfz fff
molto accel.
> > >> > j ? ? 3 œ œ œ bœ #œ œ œ bœœ œ œœ#œ œ b‰œ œ œ œ œ#œœ œ œ œ œ œ#œ 2 Œ Œ Ó Œ ‰ Œ ‰
5
Timp.
h=60
niente p
cresc.
< ? œœœbœ#œœbœœœœbœœœœœœœ#œœœœœœœœœ œœbœœœ#œœœœœbœœœœœœœœ#œœœœœœœœœ 2 Œ Œ ‰ Œ ‰ Œ ‰ Œ ‰J 4 ‰
8
Timp.
fff
? >>* > > > ? 2 >œ œ œbœ 5 ‰ >œ œ œbœ ‰ ‰ œ œbœ 3 ‰ œ œ#œ œbœ œ ˙˙Y ™™ 4 >>8 >> J >> 4 J
10 sempre marcato
mf
più p
>Y ? b#˙˙ ™™
15
Timp.
>Y ˙ ™™ ˙
-
? 5 ‰ ¿ ¿ >¿ ¿ ¿ >¿ 8
20
Timp.
gliss.
+
G.P.
∑
5 >¿ ¿ ¿ ¿ ¿ ‰ >¿ 7 ‰ >¿ ‰ ¿ >¿ >¿ ¿ ‰ 5 8 8 J 8 play on the timapni sides
f
G.P.
∑
> ? 3 œ œ >œ bœ#œ >œ œ œ >œ bœ#œ œ œ œ 8
nienteppp
Timp.
fff
Copyright © 2016 April
> √™ √ # œ œ œ 1 ™ bœœJ œ ≈ œJ œ ≈ > > gliss.
> > > ? œbœ#œbœœ œ œ œbœ#œ œ œ œœ œœbœ#œbœœ œ œ ‰ ≈J ≈ ≈J ‰ R R≈≈J ≈ > > > >
25
gliss.
Timp.
>Y ˙˙ ™™
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