Oblique Drawing. A History of Anti-Perspective 9780262017749, 0262017741 [PDF]
For more than half a century, Erwin Panofsky's Perspective as Symbolic Form has dominated studies of visual represe
143 29 42MB
English, Italian Pages 389 [405] Year 2012
Content: 1. Elements For A History of Axonometry --
2. Spatial Illusionism in Pompeian Wall Paintings --
3. Oblique Drawing --
4. The Idea of Model --
5. Brunelleschi's Model for the Dome of Santa Maria Del Fiore And the Gherardi Drawing --
6. Demonstration Figures --
7. Machinations --
8. Soldierly Perspective --
9. Drawing in Paralleli Modo --
10. The Jesuit Perspective In China --
11. The Tower of Babel: Form And Representation.
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- Massimo Scolari
- James S. Ackerman
- Jenny Condie Palandri
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Zitiervorschau
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Bernard Cache, 1995 Architecture as Metaphor: Language, Number, Mo11cy
Kojin Karatani, 1995 D ifferences: Topographies of Contemporary Architecture
Ignasi de Sola-Morales, 1996 Constructions
John Rajchman, 1997 Such Places as Memory
John Hejduk, 1998 Welcome to The Hotel Architecture
Roger Connah, 1998 Fire and Me mory: On.Architecture and Energy
Luis Fernandez-Galiano. 2000 A Landscape of Events
Paul Virilio, 2000 Architecture from the Outside: Essays on Virhial and Real Space
Elizabeth Grosz, 2001 Public Intimacy: Architecture and the Visual.Arts
Giuliana Bruno, 2007 Strange Details
Michael Cadwell, 2007 Histories of the Imrne\iiate Present: Inventing Architectural Modernism
Anthony Vidler, 2008 Drawing for Architecture
Leon Krier, 2009 Architecture's Desire: Reading the Late Avant-Garde
K. Michael Hays, 2010 The Possibil ity of an Absolute Architecture
Pier Vittorio Aureli, 2011 The Alphabet and the Algorithm
Maiio Caipo, 2011 Oblique Drawing: A History of Anti-Perspective
Massimo Scolari, 2012
OBLIQUE DRAWING A HISTORY OF ANTI-PERSPECTIVE
MASSIMO SCOLARI
THE MIT PRESS CAMBRIDGE, MASSACHUSETTS LONDON, ENGLAND
introduction by
JAMES S. ACKERMAN
© �0 1 � Massad1us1·l IH I 11sl 11111