Jazz Solo Guitar Method 2 PDF [PDF]

Zitiervorschau

60,lq-t'e Mer

BavPresents

k

Sú

c.§

Jazzcultar Plethod

CD CONTENTS

E T¡¡¡Tc S¡h¡¡tb ft rs¡¡¡r*et':¡: Tli-TcS&i¡¡io12 tj9l fctls¡¡ciqti¡¡¡E¡ryact:¡Sl (:¡01

@ § p § @ i7l [l-l

Ea

@ PÉryMirtu[:l0t E XisCtH:t:l3l E fñEGiÉücf¡ tf,¡ @ llrjaG¡cb till E TültG t{cVoad!¡t tfl

uaorS¡balnio[:lal

Diuisceicrzt:l9l O-ceprcr¡t:l2l aoosc¡¡pod12t:161 9s¡¡¡¡¡ ¡p¡¡uci t:ll! OOuA¡gorcüll¿t:l7|

[] ouue+rr¡ht:lU @1,¡m¡¡¿ r¡prod @ rcrrnvg,to¡

12 t:

@ Oüi¡UR¡¡o¡uúr @ erql Tü tl39l

I

ü

E Tbr. N@ vcligilat f¿ (.fll @ Qlrrr¡v*:ia¡rtü'l Cc¡vMdot:irl

a Cüuicll-trr[3Ol

!l

E $¡ifuH¡my E Cm¡§awr[:aUtl3]

t:l9l

E]

@ E:ralcftrAtl5tl

o261 8y LEL B^y pUeUcrTpN¡. t?.8- PACIFIC. r'E)(8. ArL RGHTS RES€Fr/EO. INTEñV\nOil/rL COPYR|GIff S€üJF€O. B.U.l. l¡iAo€ Ar(o PfiINTED lN U.S^ C¡, üfrrrrrrtñ h ¡Fv to'ít rc Érr d ñi ¡n6rt rú, !a fsaod.rr( ñ rñü o' n rrt Ú É.ü h r nü¡va !}rln, q¡¡isrlf. q' by fiy Í:¡arB .¡ElrlrE, m.d,¡¡fÉ. pttryy, rpfdito. q¡, cürarilr, rrttu¡ Írtrr gÍficÉ¡ 0l tta

wclt us on ttlE lteb

t)u0?r

0

i

ww.melEy.ca¡n

-

E-¡¡pll uc Üt ct¡pilQmelby.com

Tabte of Contents """""""""

3

"""""""""""""

4

cbords'.

""""""""""""'

5

}larmooy

""""""""""""'

6

""""""""

8

I.

lntroduction

tr.

Chord

Itr.

Diaonic ?tb

rv.

Functional

Consm¡ction

v. 1. Ctosed

position

z.Dtr+.z.. 3.

" "'

Dror3

vI.

""""" E¡rcnsion Chsr......-.-

vtl.

Harmonizing a

""""-""""

4. DroP2 eod 4

utr.

12

"""""""""'

14

""'

Humonizing NooGordTom ..""""""""' 1. Diarmic EÉüod 2. Dominant ryp,roach.... 3. Chroo¡tic aPProach' 4. Diminisbcd &PPÚoach

x. )«.

Tbe Tri-Tooc

)ffL

Chcd Movecnt

)gtr-

ausrt¡l

}(rV.

""""""""""

Melody

ExploringtbeDiminisbcdchord""""' An examplc ooc with analysis

D(

"""

"""'Zl """""""U

HarmonY Metbods motion......' 2. Chrom¡tic II-V's

Advanccd

1. Contrary

stn¡cn¡re

xw.

Solutions to

analysi§

""""""""'

""""

26

""""'

28

""" """

30 30 30

"""""" jl """"" 33

3. Slastt chord harmooization 4. Const¿nt

wiü

18

""""""" 19

-

Example Tune #2

15

"' l:il """' ¡v

Subsiu¡tioa

xv.

3

;Á

""""'¿""""'

"""'y

"""""""""' """""""""'31

Quesüons

?q

About the Auüor FCCUAZ

"é

7 e

C C

1 é é é é é é

Introducfion This book is designed to te¿ch any guiunst to compose chord melody arrangements for üe _zuirar. Tbe pace of the book will make a begrnner or advanced srudent comfortable. Every meüod used is discussed at length with over 50 musical examples glven. The accompannng CD wiU assrre the sn¡dent that he or she is ptayrng the ex2rñples correctly.

This is not a book of arrangements! This is a how-to book designed for any lcvel of guitar player. Topics include: harmonrz¿tion and ¡s-[¿¡6snization meüods, ¡n¡lyzing melodies, deating wiü extensioos, cteating slash chord harmony etc... This is a must have for any oric interestcd in pcrforming as a solo grritar player. TWo full lengrh arrangements a¡e i¡cluded which cover the material presented.

FBO'AZ

-

Chord Construction

is occessary' the guitar, a thorough lnowlcdge of chord constn¡crion rn ordcr .o bc masrcrful at arranging for thirds above Placing Cnoros can bc constructcd from any scatc' cbords arc dcrivcd from scales. As a ma.rcrorfñ, bcrc is üe C major scale' any scale dcgrec creatcs a chord' For i¡suoce'

the mqjor scale yield Thfuds placed above thc sccood dcgrec of

6e

tooes D' F A and

c'

DminT

on tbc distance Each oorc of thc chord is givcn a number bascd This group of ootcs is callcd a Dnin? cho,rd7 of the chorü They re lebeted ¡s foo{' 3, 5, atrd o', from the boBom

o*

-

Drún7

All chords

bave a formula of thirds, whicb

ct"¡rc üe difrereat cbord §'pcs'

They are as follows:

Major ?t

=

maj 3d, Eitr

Mi¡or 7.

=

min

Dominant

?Ú

Jnt,

E¡j

3'ú,

Eaj

3", EiB

maj 3d, Ein 3", ¡lin

=

Minor 7L5 =

BiD

3'Ú,

Ein

3'ú,

maj

3"

CnejT

CEGB

3d

D'Ein7

D

FAC

rb¡sbz

3'd

G7

GBDF

135b1

3d BBiD?bs

BD

FA

1357

rb¡bsbr exrcnd bcyood thc

Dotes r¡¡e callcd extetuiotts since thcy Thirds can be built bcyond the 7ó. Tbese additional g, t 1, and 13. Thesc numbers reflect the dista¡ce from the root of the chord' 7ó. Tbey a¡e labeled

ffiI

DminT

t

Get comfortcomplex chords are formpd in this manner' This is the basis of chord constn¡ction. Even the most It is essential for unders¡a¡¡ding the matcrial to fsllow able with the precedrng

"on.rpO.

Diatonic 7ü chords A diatonic chord is a chord whose notes belong to a particular scale. For exampie. a DminT chord is diaron,c ro üe keys of Bb ma¡or and F major. The example below is the Bb major scale harmonized with 7ü chords. This r¿ie cre¿tes rwo major 7ü chords, th¡ec mlnor 7ü chords, one dominant chord, and one mi¡or 7b5 chord. Thesc are rhe main rypes of chords we find in jw standards.

Bhrra¡7

CminT

DminT

EbrAaiT

GminT nmzüs)

Here a¡e the diatonic 7ó chords in D harmonic minor.

Dm(mai7)

emzüs) FMa¡zflS

GminT

Bfua¡7

CFz

Dm(mai7)

Tbis scale inroduccs three ucw chords; the minor major JÜ, majorTth [5, and ¿ rlimini5[6{ chqd. All chords will usc many chord t,"es in it's cxamplcs, it cliü not orrch on dl of thcm. Even thc most complcx chords you might corc ¿rcroc¡r belong lo t pannt srale of somc sort For inst¿ncc: BIC is derived from tbc C rliminishcd scale. Examinc thc folloc/ing eiamplc. This is an adva¡ccd chord form dcrived from üe diminished scdc. Notice üat all úc toocs i¡ tbc chord are di¿tonic ¡s ths diminiqhed scale. h¿ve a scale thcy bclong to. Althougb this book

BrC

m-

F¡O\,A¡Z

Functional Substitution melodic lines. There sr" threc Knowlcdge of major scalc harmony is paramount to succcssfully [¿¡6onizi¡g thesc carcgories by their function. They arc as foüows: famiües of chords in üe major scalc. Ticy are dividcd into

1.

Tonic

2.

Sub Domina¡t

3.

Dominant

ilh¡stratcs rhis coocepl In cach family, th¡ec notcs arc in common bctweca cach cbord. This exrmple

*l

amzüs)

_[ Dqttütstt

Dgittittott

To¡tic

AminT

FMa¡7

EminT

Ta¡,ic

Tanúc

bttúottt

Domin¿tu

bcrween any rwo of them I-ook at the notcs in eech cbord family, tbcre a¡e always tb¡ee norcs in commoo closc rclationsbip allows yol¡ to froely substitrtte onc chord for ¡notbcr'

/?/ - -. .V,'/ --J:/

'

6

:-