Gil Sharone-Wicked Beats 100063 Drumnet Ru [PDF]

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Contents Introduction......................................................................3 Nyabingi ..........................................................................4 Jamaican Boogie............................................................5 Burru..................................................................................6 Ska ..................................................................................7-9 Rocksteady ....................................................................10-11 Reggae: One Drop 13 Essential Hi-Hat Patterns ..............12-13 Reggae: One Drop Variations........................................14-15 Reggae: Steppers 13 Essential Hi-Hat Patterns ................16-17 Reggae: Steppers Variations ........................................18 Reggae: Rockers 13 Essential Hi-Hat Patterns ..................19-20 Reggae: Rockers/DJ Style Variations............................21 Reggae: Rockers Variations Timbale Patterns ............22 Dancehall ........................................................................23-24 Discography ....................................................................25 Credits ..............................................................................26

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Introduction Welcome and thank you for checking out my DVD Wicked Beats. I hope you enjoy learning about some of my favorite styles of music: Jamaican Ska, Rocksteady, and Reggae, and that you’ll find this DVD informative and inspirational. Before we get started, I want to bring a few things to your attention. The following styles are not based on technique or flash, they’re based on FEEL and SPIRIT. I’ve seen many players who are proficient in other styles of music sound very awkward when trying to achieve the proper feel for these styles. Even though most of the following beats look simple on paper, it’s the feel that brings them to life. I recommend printing this eBook and using it as a tool while watching the DVD. Take notes next to the various patterns and apply them when you sit behind the kit. Also, keep an eye on the tempo range listed throughout this eBook. Tempo is one of key factors that define the difference between these various styles. You’ll see how the same beat can translate to a different style by slowing it down or speeding it up. One key to developing a strong feel for these styles is being comfortable with the upbeat pulse, also known as the “skank.” Almost every drum pattern here emphasizes the upbeat and there’s always at least one other instrument emphasizing it as well: the guitar, piano, horns or all of them together. By applying these grooves to your playing, your feel and comfort level behind the kit will improve, as well as your vocabulary and versatility, ultimately enhancing all other styles of music that you play.

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Nyabingi Nyabingi drumming is the foundation to all of the Jamaican styles covered in this DVD. Here are some of the main “heartbeat” call and response patterns used in Nyabingi. 75-125

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Jamaican Boogie I recommend playing all of these grooves at the various tempo ranges both on the ride and hi-hats. They’re key to developing the right feel! Keep them swinging and pay attention to your backbeat. 90-125

Ex. 1 US Shuffle

EX. 2 Jamaican Boogie Shuffle

Ex. 3 Jamaican Boogie with Jazz Time

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Burru There are different ways to approach the Burru style on the drumset. Usually the bass line or melody will determine what kind of feel to establish. Here are a few variations you can use to build the full pattern...

Ex. 4 “Mad World” Pulse

Ex. 5 Reversing the Pulse Variation (Stripped Down)

Ex. 6 Ad Lib over Reversed Pulse

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Ska 110-136 (counting the backbeat on 2+4)

Ex. 7 Standard Ska Beat #1

Ex. 8 Standard Ska Beat #2

Ex. 9 Riding the Bell

Ex. 10 Riding the Bell over Ska Groove

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Ska 110-136 (counting the backbeat on 2+4)

Ex. 11 Closed Hi-Hat Variation #1

Ex. 12 Closed Hi-Hat Variation #2

Ex. 13 Closed Hi-Hat Variation #3

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Ska 110-136 (counting the backbeat on 2+4)

Ex. 14 Latin Variation on Ska Beat

Ex. 15 Variation on Standard Ska Beat

Ex. 16 Ska Beat with Bass Drum Variation

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Rocksteady 85-145 (backbeat on 2+4)

These 2 basic Rocksteady Patterns were the birth of the “One Drop” found in Reggae

Ex. 17 Classic Rocksteady Pattern #1

Ex. 18 Classic Rocksteady Pattern #2

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Rocksteady 85-145 (backbeat on 2+4) Ex. 19 Double-Time Hi-Hat

Ex. 20 Double-Time Hi-Hat with Upbeat Accent

Ex. 21 Upbeat Only on Hi-Hat (Feel the space — the notes you aren’t playing)

Ex. 22 Straight Feel Jazz Time

Ex. 23 Jazz Time Pattern

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Reggae 13 Essential Hi-Hat Patterns with Bass (ONE DROP) 100-160 (counting backbeat on beat “3”) *Bass Line Play-Along Track Included Ex. 24

Ex. 25

Ex. 26

Ex. 27

Ex. 28

Ex. 29

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Reggae 13 Essential Hi-Hat Patterns with Bass (ONE DROP) 100-160 (counting backbeat on beat “3”) *Bass Line Play-Along Track Included Ex. 30

Ex. 31

Ex. 32

Ex. 33

Ex. 34

Ex. 35

Ex. 36

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Reggae Hi-Hat Variations (One Drop) 100-160 (counting backbeat on beat “3”) Ex. 37

Ex. 38 Intro To Extended Ad Lib

Ex. 39

Ex. 40 "Natural Instinct" Closed Hi-Hat Variation

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Reggae Hi-Hat Variations (One Drop) 100-160 (counting backbeat on beat “3”) Ex. 41 "Natural Instinct” Open Hat

Ex. 42 Poly’Riddim

Ex. 43 Santa's Flying Cymbal

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Reggae 13 Essential Hi-Hat Patterns with Bass (Steppers) Steppers can be played using a cross-stick or backbeat 100-160 (counting backbeat on beat “3”) *Bass Line Play-Along Track Included Ex. 44

Ex. 45

Ex. 46

Ex. 47

Ex. 48

Ex. 49

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Reggae 13 Essential Hi-Hat Patterns with Bass (Steppers) 100-160 (counting backbeat on beat “3”) *Bass Line Play-Along Track Included Ex. 50

Ex. 51

Ex. 52

Ex. 53

Ex. 54

Ex. 55

Ex. 56

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Reggae Hi-Hat Variations (Steppers)

Ex. 57 Can also be played with cross-stick or backbeat

Ex. 58 Sly Dunbar Pattern You can play this pattern with hand-to-hand sticking (which will cause you to cross your hands over each other as you play), or you can play it with one hand playing all the hi-hat notes, using (for example) the sticking RLLRLL

Ex. 59 Sly Dub Style

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Reggae 13 Essential Hi-Hat Patterns with Bass (Rockers) 100-160 (counting backbeat on beat “3”) *Bass Line Play-Along Track Included Ex. 60

Ex. 61

Ex. 62

Ex. 63

Ex. 64

Ex. 65

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Reggae 13 Essential Hi-Hat Patterns with Bass (Rockers) 100-160 (counting backbeat on beat “3”) *Bass Line Play-Along Track Included Ex. 66

Ex. 67

Ex. 68

Ex. 69

Ex. 70

Ex. 71

Ex. 72

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Reggae Rockers/DJ Style Variations

Ex. 73 Rockers/DJ Style Variation #1

Ex. 74 Rockers/DJ Style Variation #2

Ex. 75 Rockers Shuffle

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Reggae Rockers Variations Timbale Patterns

Ex. 76 Roots Reggae Variation #1

Roots Reggae Variation #2

Ex. 77 Roots Reggae Variation #3

Ex. 78 DJ Style Variation

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Dancehall Main Dancehall Pulse

Ex. 79

Ex. 80

Ex. 81

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Dancehall Ex. 82

Ex. 83 Part 1 Soca Dancehall Style

Ex. 83 Part 2

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Recommended Discography There are way too many artists and albums to list, but here are some of my favorites to get you started: SKA The Skatalites Roland Alphonso The Wailers (early ‘60s) Tommy McCook Don Drummond Justin Hinds & The Dominos Prince Buster Byron Lee & The Dragonaires Any Trojan or Soul Jazz Records Box Sets More modern bands playing the classic styles include Hepcat, The Slackers, The Aggrolites and Jump With Joey ROCKSTEADY Alton Ellis Ken Booth Phyliss Dylon Marcia Grifiths Hortense Ellis Slim Smith Desmond Dekker REGGAE Ras Michael and the Sons of Negus (Nyabingi) Bob Marley & The Wailers Peter Tosh Bunny Wailer Steel Pulse Gregory Isaacs Barrington Levy Roots Radics Black Uhuru (Sly&Robbie) The Upsetters Lee “Scratch” Perry Mighty Diamonds The Heptones John Holt Max Romeo Junior Reid Augustus Pablo Burning Spear DJ STYLE U-Roy Michigan and Smiley Mikey Dread Clint Eastwood Eek A Mouse

Yellowman Capleton Sizzla Anthony B DUB King Tubby Lee “Scratch” Perry Scentist Mad Professor DANCEHALL Beenie Man Buju Banton Capleton Sizzla Shabba Ranks 2 TONE The English Beat The Specials Madness Bad Manners The Selecter 3rd WAVE SKA Fishbone No Doubt Sublime Skankin Pickle Let’s Go Bowling The Mighty Mighty Bosstones Operation Ivy Reel Big Fish DRUMMERS TO CHECK OUT! Here are some of my favorite Ska/Reggae/2-Tone drummers: Lloyd Knibb – The Skatalites/Various Carlton “Carly” Barrett – Bob Marley & The Wailers/Various Style Scott – Roots Radics/Various Sly Dunbar – Black Uhuru/Various Leroy “Horsemouth” Wallace – Gregory Isaacs/Various Carlton "Santa" Davis – Peter Tosh/Various Winston Grennan – Jimmy Cliff/Various Benbow Creary – The Upsetters Steve “Grizzly” Nisbett – Steel Pulse John Bradbury – The Specials Everett Morton – The English Beat Philip “Fish” Fisher – Fishbone Willie McNeil – Jump With Joey Scott Abels/Greg Narvis – Hepcat

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Credits Executive Producer: Gil Sharone

Music: “On The Corner” “Unite” “Natural Instinct” “IceCream Sunday” “J5 Bingi” All Written by: Phil Cheval AKA Phil Harmonic Star Station Mercury Productions

Produced by: Gil Sharone & Ray Brych Directed by: Chopper Edited by: Jonathann Launer Associate Producer: Don Lombardi Still Photography: Patrick Surace- www.patricksurace.com, Chris Newman, Jose Altonaga, David DeVine, Val Camp, Meats Meier and Bryan Lint. Reggae and Historic Photography: Peter Simon- www.PeterSimon.com, Kate Simon- www.katesimonphotography.com, Dick Meseroll, Lissa Wales- www.drumpics.com, Video Shot by: Val Camp, Patrick Surace, Jonathann Launer, J ose Altonaga, Chris Newman and Meats Meier. PDF eBook Transcriptions by: Michael Dawson PDF eBook Layout & Design by: Gil Sharone & Robert Rivas PDF eBook Text edited by: Joe Bergamini & Ray Brych DVD Cover Artwork by: Evan Skrederstu DVD Authoring by: Lee Diskin

Additional Music: "Experience Riddim" Created By: Jefferson Zambrano Produced by: International Reggae Musicians & Tijuana Reggae. www.tijuanareggae.info www.myspace.com/tjreggae “If I Try” Performed by: Toko Tasi www.myspace.com/tokotasi Skunk Records www.Skunk.com No Doubt Songs: “Underneath It All” Performed by No Doubt Written by G. Stefani, D. Stewart World Of The Dolphin Music (ASCAP) and Eligible Music / BMG Music Publishing (ASCAP)

Audio Recorded & Mixed by: Kevin Majorino 60’s Ska Group: Filmed at Joey’s Place Los Angeles, CA Recorded and Mixed by: Michael “Miguel” Happoldt Joey Altruda- Bass Aaron Owens- Guitar Mike Boito- Piano Shaunte Palmer- Trombone Alan Mezquida- Sax Eitan Avineri- Trumpet Persephone Laird- Vocals Alex Desert- Vocals Deston Berry- Vocals

Special Appearances: Lloyd Knibb Roger Steffens Carlton “Santa” Davis Shaka Man Adrian Young Michael “Miguel” Happoldt Roger Steffens is reading excerpts from one of his books “The World of Reggae-featuring Bob Marley” Adrian Young appears courtesy of Interscope Records

Music: “Comin' Home Baby” Words and Music by Robert L. Dorough, Benjamin M. Tucker (c) Irving Music, Inc. on behalf of Sincere Music Co. and Benglo Music Inc. (BMI) "Why Did You Leave Me To Cry" written by Alton Ellis published by Push Music Jamaica Publishing Limited "It's Rocking Time (Rocksteady)" written by Phillis Dillon published by Push Music Jamaica Publishing Limited "Mad World" written by Baba Brooks & Arthur “Duke” Reid published by Push Music Jamaica Publishing Limited Reggae/Nyabingi: Filmed at Drum Channel Studios Oxnard, CA Recorded and Mixed by: Kevin Majorino Phil Cheval (Aka. Phil Harmonic)- Bass Freddy Flint – Guitar George Hughes Jr. – Keyboards Shaka Man- Nyabingi/percussion Jai Jae (Kabasa) - Funde Jah T (Antonio)-Thunder Tommy Cheval- Funde Gil-drums/percussion

“Rock Steady” Performed by No Doubt Written by G. Stefani, T. Kanal World Of The Dolphin Music (ASCAP)

Thanks to: Lisa, Lil’Man Grant, my Family, Ray Brych, Don Lombardi, Kevin Majorino, Lloyd Knibb, Phil Cheval, Amanda Marguerita Romero, Roger Steffens, Shaka Man, Robert Rivas, The Skatalites, Drum Channel, Daniel Glass, Evan Skrederstu, Chris Brand, Michael Dawson, Pat Surace, Peter J. Marinello, Val Camp, Bryan Lint, Stuart Charno, Miguel Happoldt, Green Path for the Ganja, Meats Meier, Danny Franco, Jeremy Berman, Adrian Young, No Doubt, Dave DeVine, Michelle Gailey, Jonathann Launer, Carlton “Santa” Davis, Fish Fisher, Fishbone, Dave Wakeling, Sly Dunbar, Bubbler, Hudson Music -Paul Siegel, Rob Wallis & Joe Bergamini , Marcello Pantano, Chris Newman, Jose Altonaga, Val Camp, Don Sidney, Sarah Golden, LouDog, Albert, Tommy Cheval, Chopper, Rocky, Kiwa, Frendy, Banana, Stolen Babies, Dillinger Escape Plan, Aurelito I&I Sound System, Tijuana Reggae, Brad Klein, www.legendsofska.com, Peter Simon, Kate Simon, Modern Drummer magazine and all of the musicians involved. Thanks to all of my equipment companies for their support: OC Drum, Drum Workshop, Zildjian Cymbals, Pro-Mark and Remo. For more information on Gil Sharone visit, www.GilOnDrums.com

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