(Clarinet - Institute) Bouffil, Jacques Jules - 6 Clarinet Trios, Op. 7 and 8 [PDF]

Zitiervorschau

Clarinet I

Jacques Jules

BOUFFIL (1783 - 1868)

Six Clarinet Trios Opus 7, Nos. 1-3 Opus 8, Nos. 1-3

Jacques Jules BOUFIL (or BOUFFIL) (1783-1868) was a Parisian clarinetist and composer whose career spanned the reign of Napoleon, the restoration of the Bourbon dynasty, the Revolution of 1830 and the formation of the Second Republic. He studied under Lefèvre at the Conservatoire de Musique where he won first prize in 1806 and was awarded a pair of French-made Bb and C clarinets, an award which remained in place until 1817. From 1807 to 1830 he was solo clarinetist of the Opera-Comique de Paris and for a number of years performed with a celebrated wind quintet the members of which included Louis François Dauprat (Horn), Joseph Guillou (flute), Antoine Henry (bassoon) and August Georges Gustave Vogt (oboe). Bouffil’s compositions were almost exclusively for the clarinet. His six trios, within Opuses 7 and 8, represent a major contribution to the clarinet literature of any time – trios for all seasons, if you will – and although clearly intended for professionals in a concert setting their melodies and musical conversations are a delight and challenge to all amateurs. For those players who have mastered the art of circular breathing, these trios will offer a particular pleasure, because there is no convenient place in the fast movements for mere mortals to breathe, notwithstanding an occasional “,” to suggest least inconvenient points where one might inhale quickly without ruining a phrase. Until the emergence of library catalogs of the world at one’s fingertips on the internet, I was unaware of any of the trios past Opus 7, No. 1, which I played routinely in my teacher’s clarinet trio. At this writing, the six scores are freely available for downloading (in Finale 3.7 format) at the web site http://www csudh edu/oliver/clarmusi/clarmusi htm I have dedicated this edition to my late teacher Ralph Sarber who throughout his career wanted nothing more than for young people to learn to play the clarinet, to bask in its literature and to love its versatility. Happy playing all! Oliver Seely Lakewood, CA April 21, 2012

Clarinet I

Jacques Jules

BOUFFIL (1783 - 1868)

Six Clarinet Trios Opus 7, Nos. 1-3 Opus 8, Nos. 1-3

Clarinet I Trio for Clarinets                 Clarinet I         en dehors                                  Opus 7, No. 1

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Allegro Moderato

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        11

  

         

Jacques Bouffil (1783 - 1868)

              

                                                                  crescendo                                                                                              cantabile   dolce                                                                                     

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                     brillante                                     41



                                                                       cantabile 44

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©2011 by Oliver Seely, Jr. and assigned to thepublic domain inmemory of my teacher Ralph Sarber.

                                                                                                                                                                                                         1.         2.                                                                                        poco                                              poco crescendo                                                         50

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                  



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

 



   



  



 



             crescendo 

                           sub. mais en dehors

                                               108

5

     

                                                                           crescendo                                                                                                     cantabile                                                                 dolce                                           brillante                                                                         cantabile                                                                                                                                                                                                            114

  

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Menuetto          1.                      2.               poco pesante                                                                                    poco crescendo  2.                        1.            grazioso Trio                                       1.    2.           173

Allegro (q=152)

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202

210

                                                                 poco  grazioso crescendo                         1.                   Reprise (q=152)                                            poco pesante                                                                                                               219

225

232

239

249

258

267

7

Andante                                                 poco crescendo  bien chanté                                                               subito  crescendo Poco piú mosso (dq=50) a Tempo          Poco rit.                                                                           sostenuto                                                                                                                                    274

Andante (e=117)

280

287

293

299

304

310

315

              320

 325

 331

 336

crescendo



                                                       crescendo   a Tempo Poco rit.                                                               8

(q=88)                                                                                                                                                     meno   dolce en dehors                                               dolce crescendo 3 3  3 3                                                3 3  3 3 3 3            3   3                                        3 3 3 3 3             3   3   3   3     3                               crescendo 338

Allegro Moderato

344

351

356

362

369

373

379

9

       385

390

  leggiero

 





 

   

                                                           

397

  404

dolce en dehors

 



                     411

418

                   425

431



    

     

crescendo

               dolce 



crescendo



 

   

      

  

             

       

  

3 3     3  3   3  3 3      3                

dolce en dehors

               leggiero                                                                   438



                         



445

10

            

Clarinet I

Second Trio for Clarinets Opus 7, No. 2 Bouffil (1783 - 1868)       Jacques Allegro non troppo (q=132)                    Clarinet I     poco  appassionato                                                                     3  3 3 3 3 3       3               3               3   3                                                                                              crescendo 3 3 3                                3 3 3 3 3 3 3       3    3    3  3     3                      3   3 3 3 3 3  3 3 3 3 3  3    3    3                    3                               crescendo  3 3 3 3 3  3 3  3 3                                                                crescendo                                                      1.   2.            11 1

7

17

26

32

39

49

56

63

69

78

87

Copyright © 2012 by Oliver Seely and assigned to the public domain in memory of my teacher, Ralph Sarber.

 



96



 102



 

                      diminuendo

      123

 130

 137

 



  

      144

             150

156

  

168

                                       

  

           

      

         crescendo

 

                            poco  appassionato                                                                 3  3 3        3 3     3                        leggiero 3 3 3 3                                  crescendo                                

                  162



               

109

116







       



 

               leggiero        12





         

174

3             3   3  3                    



           3 3 3 3   3   3                    

3

180

    186















3  3    3                      3 3 3                 192

198

   204

210





   216

3

3



3

3 3           

crescendo

3





3



3 3 3 3 3      3                         leggiero 3 3 3  3 3  3   3     3                   3               crescendo                                               3

3

3

Adagio cantabile (e=72)                                                 espressivo sostenuto                                                                                                                                               219

226

232

237

13

 243





         





 



          

    

 a Tempo Poco rit.                                                                                 espressivo sostenuto                                                 più

247

253

259

                 espressivo                                                                         

                             263









268

274

                                                         278

   282



                         Rall.

morendo

14





  

    286



      

Minuetto - Allegro (q=144)

  2.    

   

   

                1.    

                                                      sostenuto                                         diminuendo                                                  Trio (q=130)     1.  2.                                  dolce cantabile           1            2                                                         dolce cantabile  Reprise (q=144)             1. 2.                                                                                        sostenuto                                  295

304

318

329

338

346

355

364

371

                             diminuendo sostenuto                                       381

393

15

   



     

  

                       energico                              Allegro non troppo

(h=104)

405

411

              

            

                               

   

417

                                                                                            espressivo                                                    crescendo     3 3 3 3 3 3   3  3                         423





430

438

444

451

456

           461

          

                               3 3 3    3                           467

473

16



  crescendo           



                   





3

3

3

478

3

 



3 3  3   3      

3  3 3                     3  3 3  3      3    3 3 3     3      3                                                                   1.  2.                                                                                  crescendo                                                                                                 483

3

 3

      3

3

3

489

494

500

508

517

524

 530

 536

 542

              



 



  

      

                                         come prima  crescendo                                            crescendo

                                                  548

17

   556

 560

 566

571





     

       subito         

                                                                                                            

              

                             3 3 3 3 3 3 3 3                                                                                                              crescendo 3 3 3     3                                             3 3 3     3                     3 3 3 3 3 3  3 3 3     3                                        577

583

588

594

600

606

611

616

18

3   3 3   3                           3

620

625







3





 Alternative ending 3 3    3 3 3                

3

3



 3   3            3               3

3



                    

 

631

636



        sempre 

3

3

19

3

3

3

 

 



Bb Clarinet I Trio for Clarinets                                                      Opus 7, No. 3



 

Moderato (q=120)

  1

Bb Clarinet I

              8

          14

                                                  cres.  19

24

 28

 33

 40



Jacques Bouffil (1783 - 1868)

   

             

             

                        

                                                                                                                                                

                               44



                    

                                                                   49

 



54

20

Copyright ©2012 by Oliver Seely and placed in the public domain in memory of my teacher, Ralph Sarber

      

          

                                                                                         3                                  58

62

65

                           68











                                                                                                                                                                                 73

78

83

87

                          93

                                                                    99

3               

                                          104

110

21

            

              







         119

                                              

                       130

 141

 145

                                                                                                     

                                                                                                                                                            3                                    150

155

159

164

167

    170

 175

 181

                                                                                                                 



22

                        3               1.    

               2.                 cres.                                  Minuet

187

           

200

209

                                       cres.                                             TRIO 1. 2.                      1.                                          atempo 2.                                                Reprise             1. 2.                                                                                         3                                                                                                                                               215

224

233

243

252

263

275

285

296

23

 



                    

                                                       Fugue simple

  306



315

320



                          

  325

331



   

 





              

                                                              

                                                                         337



343

     

    

                                           348

352



                    

             356







24





         









 

                                                                                                               

Allegretto

 360

 368

                                                          376

    390



                  398

 404

 410

  

 

                                                              

3 3  3 3  3 3      3                3                      3 3 3  3        3      3         3   3 3  3   3   3      

                                                              414

423

 431

 439

 446

             

            

              3   3                                                                                                                                           25

                    453









460

465

  471

 476



        



   3 3              3  3             

3           3

  



3   3                              3

3

3

3

            

     

3

3

3

3

3

   

3

     

                                          482

                                     489

                          496

    3

502

3



     3

3 3   3    3            507

       3

3

3

 



 

   

26

3 3       

   

3   3 



3 3      

 



Clarinet I

Fourth Trio for Clarinets Opus 8, No. 1

(The Grand Trio)

                                Clarinet I                                            Allegro                                       1



Jacques Bouffil (1783 - 1868)

Andante

6

12

        18

25



 



    

      







                                         

           

32

39

  

46

               53







   

  

Copyright ©2012 by Oliver Seely and placed in the public domain in memory of my teacher Ralph Sarber

27

  

          





       



     

     









    



 

                                                                                                                               3 3 3 3 3 3 3  3               3                       59

 





73

80

86

93

   98



                                             105

112

                    118

125

132



 



      139

 



       

                

                        

         

          

         28





   

 

         





  



   



        

                     146

          

                 

                                                                                                                

155





164

173

181

   188

                                                    195

202

209

   216

   223



       











            

  

  



                

  

                                  

                         230

29

 



  



        239

   244



            



       

3 3  3                               3 3  3                                                         251

257

263

                                           270

276

 



283

Allegretto                                   287

293

            299

305

     

  



        3

3

3

        

   dolce     



       

 

           

    



                                                           30

311





           Major

        3   3           

                             dolce

316

   322

329



 

 





    

    

 







      Minor                                                                       335



   





341

     

                                       

                       347

353

     359



            365

                 

  

                       

31



   

     378



 

          1.   

     384

391

 

MENUET

372



 



 

405

411

425

432



 







   







cresc.

2.

        

 







  

                                                                                         

              Trio                  398



    

 









     

















  

                                                      Reprise                       440

  

447

454

32

         460

          467

478



487



495



501



   

   

  









  

 

                                                        Allegro-2 3    3         3     3 3 3     3                    3 3 3           3          3    3  3                

3 3 3 3 3      3   3   3    3     3             3        3        3 3 3 3    3        3       3   3                                               506

509

514

3 3 3 3 3   3 3                      3 3 3 3 3 3 3 3 3  3 3                       3                                 3

521

3

526



        531

3

3

3

3

               33

3

   





                       3

535

3

3

    540

552



557



562



567



571



   

3 3   3  3   3          3  3    3

   

          

       546

3

3 3                 3       3   3

 

3

3

3

3 3                3   3 3 3 3 3 3  3                                      3 3 3 3 3 3 3        3 3 3                                 3 3 3 3 3 3                    3     3             3 3 3 3  3 3 3       3  3 3   3    3                                         

 



 

  

  

          

  

     



3     3    3  3       3     

             3 3    3 3 3 3 3 3  3                                   578



584

3 3   3                   3      3        3 3 3   3     3     3                         590

596

34

   3  3    

 3   3   3   3 

3 3 3 3 3 3 3    3      3                     3               3      3 3 3    3   3                                                    601

 3

604



610





3

3

3

3                                     616

3

3

3

3

3     3 3  3                                    3 3 3 3 3    3    3 3    3 3           3  3                              3 3 3 3 3 3 3 3   3  3    3      3                        3 3             3       3              3

3

621

3

3

627

632

637

3      3               3 3 3 3    3 3  3               3                   3 3              643

 





 3  

3

649

654

35

Clarinet I

Fifth Trio for Clarinets Opus 8, No. 2 Jacques Bouffil Allegro Moderato (q=112)       I                                Clarinet I                                                                                                                                                                                                                                                       Legg.                                                                                                                                                                                                                                                             1

7

14

22

27

32

38

44

48

52

56

61

36

Copyright ©2012 by Oliver Seely and assigned to the public domain in memory of my teacher Ralph Sarber

                                64

67

                                           

      

1.

  

  

2.

 

             

                                                                                                                                                                                                                                       73

79

88

95

                                                                    cresc.                                                                 100

     

                 

105

111

                                                                                                                                                                        119

125

132

37

                                                                                                                                                                                                                                                                                                139

147

152

157

161

166

                                    169

173

                                                 

38

Clarinet I Fifth Trio for Clarinets 

   1

Clarinet I

Moderato (q=132)

    



  

6



Opus 8, No. 2 II

   

    

       3

1.

               12

18



    

    25

32



   











   





            

Jacques Bouffil

     



2.

          

   

      



   











   

            

               3            1    2 

   

cresc.

    TRIO          dolce                                                 dim.

     39

45

   1    2     51

                                 

                          57

                        

 

2.                                 1.             

 

Reprise (q=132)

64

39

    71

     75





   

 3      



     

          

    

      

88



                

   81

  







    

   











   

                      dim.  3                                       95





   

102

40

cresc.

Clarinet I Fifth Trio for Clarinets Opus 8, No. 2



Andante Varie (e=100)

    1

Clarinet I

         6

                                              

    

          

III

                                          12

           18

 23

       

  

Jacques Bouffil

      

                           

3 3  3   3   3   3   3         3   3   3   3   3    3       

dolce

                                                  3 3 3   3   3   3   3          3   3        3          28

33

3 3 3 3 3 3 3 3 3 3  3    3   3 3               3 3 3 3 3 3 3 3 3 3       3  3  3   3   3       3                                       3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3                                                                                                                        37

41

46

52

41

               56

 63

 71

 75

 79

 84

 89

                                                                                                                                                                                                                                                                        sub.                                             

                                                                                                                                                                                                                                       poco à poco rall. 92

95

99

104

113

42

Clarinet I Fifth Trio for Clarinets Opus 8, No. 2 IV

                          Clarinet I                                       Allegro agitato (h=112)

Jacques Bouffil

1

6

         

       11

17











 

            

      

    

                  23

                                  29

     34



dolce esp.













    



41

48





 

      sempre









    

    

 







        

  

                     sub.          54

60

43



   

 66

         



        

                  71

 

   

      



                         77

                                                                         83

88

dim

                         cresc                                                                     93

99

104

        109

115







 

     

      

 

 

            

    

                                                                       121

126

44

                   dolce esp. dim 131

137



143



149





 





           esp.

   









       











     



 



                        

      

                           sub.                   155

160

                                  165

45







Clarinet I

Sixth Trio for Clarinets Opus 8, No. 3

Jacques Bouffil (1783 - 1868)                              Clarinet I                                                                                                                                                                                                                                                                       esp.                                                                                                                                 I

1

Allegro (q.=64)

 

6

12

17

22

28

33

38

43

48

                      53

Copyright ©2012 by Oliver Seely and placed in the public domain in memory of my teacher Ralph Sarber.

46



  



  

 60

 65

                                                        

          

            

                                                                                                        1.                                                   2.                              Sost.                           70

73

80

86

97

  

 

   

                                                               cresc.                               dim. 103



109

115

47

       121



   

 







 



 

                                                   Sost. cresc.                                                                                                                                                                                                                                                             dim.                                127

133

140

146

152

158

163

169

                                       sub.                              esp.                                        175

180

185

48

 190

 196

 201

 206

 211

 216

                                                                                                                                                                                                             

                  

                 

220

                                226

231

 

esp.           

                 

49

Clarinet I

Sixth Trio for Clarinets Opus 8, No. 3

II  Jacques Bouffil (1783 - 1868)                       Clarinet I                                                esp.                                   Andante poco Adagio 1

6

13

                                                                                                                               staccatissimo                                                   staccatissimo                                                                                                                                                                    19

23

27

30

34

39

44

49

50

                                                                                                                                                                                 esp.                                   53

57

60

65

72

                                                                                         staccatissimo                                                 staccatissimo                                                                                                                                                              77

81

85

88

92

99

103

dim

51

calando

Clarinet I Sixth Trio for Clarinets Opus 8, No. 3 III

Jacques Bouffil (1783 - 1868)

              Clarinet I                2.     1.                                                                                                        cresc.                                       1.        2.                      Trio                              1.      2.                                                                          Allegro (q=144)

    1



6

12

18

25

32

38

44

50

56

62

52





 68

 74

 80

 86

 93

1.

Reprise 2.                                                                      

       

       







                       

  

99

105

53

   

     

                                                           cresc.









Clarinet I Sixth Trio for Clarinets Opus 8, No. 3  IV

Allegro non troppo

     1

Clarinet I





                        6

     

(q=126)

6      

  

13

                  19

      

 



 

                                                  

 

  56

 63

 

   

                     

       69



             76



 

 

  



 



   

       

    

      

  

                                                          









 





33

      

     



26

40

Jacques Bouffil (1783 - 1868)

      54



 

  

 

  

 

     89

 96

 103

 110

 

 

    

82

       

 

    

  

                                                    sub.       

 





  





117

124

 



          



  







 





 

cresc.



   











 

  





 

 

  

     

 











  

 

                                                                     sub.               131

137

143

152

                                      cresc. 161

55



 173





             



       

                                    sub.                                                                                                                                                                                                              cresc.                                                                               182

191

200

207

215

221

228

235

242

249

  256

        

         56

           



Clarinet II

Jacques Jules

BOUFFIL (1783 - 1868)

Six Clarinet Trios Opus 7, Nos. 1-3 Opus 8, Nos. 1-3

Jacques Jules BOUFIL (or BOUFFIL) (1783-1868) was a Parisian clarinetist and composer whose career spanned the reign of Napoleon, the restoration of the Bourbon dynasty, the Revolution of 1830 and the formation of the Second Republic. He studied under Lefèvre at the Conservatoire de Musique where he won first prize in 1806 and was awarded a pair of French-made Bb and C clarinets, an award which remained in place until 1817. From 1807 to 1830 he was solo clarinetist of the Opera-Comique de Paris and for a number of years performed with a celebrated wind quintet the members of which included Louis François Dauprat (Horn), Joseph Guillou (flute), Antoine Henry (bassoon) and August Georges Gustave Vogt (oboe). Bouffil’s compositions were almost exclusively for the clarinet. His six trios, within Opuses 7 and 8, represent a major contribution to the clarinet literature of any time – trios for all seasons, if you will – and although clearly intended for professionals in a concert setting their melodies and musical conversations are a delight and challenge to all amateurs. For those players who have mastered the art of circular breathing, these trios will offer a particular pleasure, because there is no convenient place in the fast movements for mere mortals to breathe, notwithstanding an occasional “,” to suggest least inconvenient points where one might inhale quickly without ruining a phrase. Until the emergence of library catalogs of the world at one’s fingertips on the internet, I was unaware of any of the trios past Opus 7, No. 1, which I played routinely in my teacher’s clarinet trio. At this writing, the six scores are freely available for downloading (in Finale 3.7 format) at the web site http://www csudh edu/oliver/clarmusi/clarmusi htm I have dedicated this edition to my late teacher Ralph Sarber who throughout his career wanted nothing more than for young people to learn to play the clarinet, to bask in its literature and to love its versatility. Happy playing all! Oliver Seely Lakewood, CA April 21, 2012

Clarinet II

Jacques Jules

BOUFFIL (1783 - 1868)

Six Clarinet Trios Opus 7, Nos. 1-3 Opus 8, Nos. 1-3

Clarinet II Trio for Clarinets

Allegro Moderato

 1

Clarinet II

7



     

 

 Opus 7, No. 1                

Jacques Bouffil (1783 - 1868)

                                 espressivo 

                                leggiero                                                    crescendo                                                                                    dolce  cantabile                                                                                                                                                                                           13



19

25

30

36

41

47

53

                                              56

©2011 by Oliver Seely, Jr. and assigned to thepublic domain inmemory of my teacher Ralph Sarber.

4

           

   



                                 1. 2.                                                                                    crescendo                                                  en dehors                                        poco crescendo                                                                                                            60

65

71

76

82

89

97

poco

crescendo

5

                                                           en dehors                                                      crescendo                                            leggiero                                    dolce                                               cantabile                                                                                                                                                                                                      105



113

119

125

131

137

143

148

154

158

                                                            leggiero  162

167

6

                       

       



          173 Allegro

(q=152)

MENUETTO 1.                   

   2.



                                                                           poco crescendo  1. 2.                              Trio  1. 2.                                                             leggiero                                                                                         crescendo poco   leggiero   1.                                         183

194

201

210

219

225

232

                                                                                                                                          

Reprise 239

(q=152)

250

260

267

7

                             sostenuto poco crescendo                                   poco  274

Andante (e=117)

280

                                       sostenuto   crescendo Poco piú mosso (dq=50) a Tempo Poco rit.                                                                                                                                                 sostenuto poco                                      crescendo                                            espressivo                                           crescendo    a Tempo Poco  rit.                                            sostenuto 286

293

299

304

310

316

322

327

333

8

                 leggiero 338

Allegro Moderato

(q=88)

                                                                             344

       

351

   358

       

        meno 3 3 3              

             365

     372

377

   

   

 

  



   

    crescendo

   dolce



               3    3   crescendo   3          3   3          

                                     crescendo  

                                       leggiero                                                                                        dolce                                                         384

  

391

 

  



398

405

9



 

 

     

                 crescendo  dolce                                      413



418



 

 

dolce

  

                         crescendo 3     3  3   3   3   3 3                                     3      en dehors                                                                          425



432

437

444

10

Clarinet II

Second Trio for Clarinets Opus 7, No. 2

  

Allegro non troppo (q=132) 1

              poco appassionato

Clarinet II

 8

















        

Jacques Bouffil (1783 - 1868)

                         

                                                 crescendo 3                                                                                     espressivo crescendo                                                 leggiero   3 3 3 3 3 3 3 3   3 3 3           3                    3 3 3                           3 3       3    crescendo 3 3  3 3 3             3                            17

27

37

46

54

61

70

3 3 3 3 3   3   3   3                       crescendo                       3

78

3 3  3   3   3 3          

83

                      11 90





     

Copyright © 2012 by Oliver Seely and assigned to the public domain in memory of my teacher, Ralph Sarber.



1.





 

2.





             96

                                103

110

117

     124





   

                            espressivo                   diminuendo                         crescendo                             



    

131

              138



 





169









        

           

    





  



 



     

157





             en dehors

151

163





              3 3 3  3                      crescendo             145





 







  

 

  

       3 3 3                    

 

            12

  

 

  

        







   

 3  3 3                           3 3 3                    3

                   175

   



181

187



193



 

 

 

        205







    217











237







  3 3   3           3  3 3              

   

Adagio cantabile (e=72)

 231



crescendo

3

         3 3 3 3    3        3             



















crescendo



                                                

                                                                 espressivo sostenuto                                                                                        

     219

225





199

211





3

  

crescendo

13

                                                              Poco rit. a Tempo                                                                                                                                                                                                                                                              241

247

255

261

267

272

                                               espressivo    277

      

                             morendo Minuetto - Allegro (q=144) 2.     1.                                                                                                    282

Rall.

286

296

305

diminuendo

   315

 

                    14







   

 326













                        333

2.

Trio (q=130)

339

345

            



351

357

  363

 

      370

  377



    384

398

 



 







  



2.



  







   

   

    



1.





 





 



 



  

            391





1.







   



 



2.

 

Reprise (q=144)

    



cantabile













  

   

  

    



  



diminuendo







      15





 



          

     



   





        

















            



1.









   

       





                                energico                                     405

Allegro non troppo

(h=104)

411

                                                                                                   subito                                                                        418

424

430

436

 442

 449

 456

 461

                                              crescendo  3 3 3 3 3  3  3 3                                                          

    

 

                                3 3    3 3                                                      espressivo

    467

473

16

              478

3

         3

3



3

3









3 3        

          3 3 3 3 3 3    3 3                  484

3

3

3

3

3

3

3

488

  493

                  1. 2.                                                    499

505

     3

3

3

3



  3



                                  

                

                                                                                    crescendo                                  511

516

522

                                                  crescendo                                     crescendo  come prima                                 529

535

541

17

         548

    

      

                

                                                                                                espressivo                                                                                 3  3 3 3 3 3 3 3                                                                        3 3     3  3                          crescendo  3 3                                        3   3 3 3 3 3 3 3 3 3 3                                  3    555

561



 

569

575

581

587

592

598

604

609

615

18

620



626



 

        3

3

3



 

       

              Alternative  ending            

             

3 3   3  3 3         3 3                3

632

637



3





3

3

3



3

  







19

3









Bb Clarinet II Trio for Clarinets                                  Bb Clarinet II                                                                                                                                     cres. Opus 7, No. 3

1

Jacques Bouffil (1783 - 1868)

Moderato (q=120)

9

14

19

                                                                  dol                                          25

31

36

 



 



42









                       

                             

                                                                                                                           48

54

58

20

Copyright ©2012 by Oliver Seely and placed in the public domain in memory of my teacher, Ralph Sarber

  63

 69





                                     

      

        

                                                  72

    

                                                                                               

75



80

84

                                                                             90

95

                                    100

 104

 110

 116



   

                                                                                            3

21

                                                                                               124

131

                                                                                         136

142

     



                                               148



154

 159

 164

 170

                                                                                                  

                                                173

 176

 182

   

                

          







         

                                22

                 





              1. 2.                                 cres.                              cres.                                    TRIO 1. 2.                                              1. 2.                                                                   a tempo                                                                               Reprise 1.    2.                                                                                      187

Minuet

200

211

220

230

238

248

258

268

278

     

       287

 296

















                                       23

   

                                                                                                                                                          306

Fugue simple

311

317

                                                                        323

329

 336



                                         

                                                                                     342

348

                                                 353

24

 

   360

 366

 373

 380



                                                                                                                                                       

Allegretto

              386

          

               

                                                                      392

398

3 3 3 3 3 3 3 3 3 3 3                                             3 3 3 3                                                                            405

3

410

416

                                             422

                                              428

25

  

      3

  435

3

           3





     

 

                                                                                440

451

                                      

  458

  

     466

3





   



3        3 3



  3 

3 3 3        3   3                            3 3 3 3                                     471

3

3

476

                                      481

                                                          488

495

 3  3             501

    507

3



3



3

  3

        

         

3 3 3 3  3  3                        3

3

      26

   

 



Clarinet II

Fourth Trio for Clarinets Opus 8, No. 1



(The Grand Trio)



Jacques Bouffil (1783 - 1868)

                                                                                              Andante

  1

Clarinet II



6

11

  Allegro     16

24



  32



 





 





  



  









48

         55

60



 

     70





  

  



      

  





                    

                                          40

     

    

 



 

  

      

  



  

  

   







                                         

Copyright ©2012 by Oliver Seely and placed in the public domain in memory of my teacher Ralph Sarber

27







                                                                                           87

94

100

                              

 



77

 



      





107



dolce

         114

120



   

     127





 



       



                                                    139

146

           

  

 

       

         

133

153





 

 







 

  



     

  

    

                                       



  

  

28

    



       

                                                                                                          160

168

175

184







 



                        

                 193



   

    

  

                                                                                                                                  203

213

222

233

                                                                                          241



250

 

259

29

   

    

268



272





dolce

                                                          

    

  

Allegretto

287



      293

 299

   

            

              











   

  



dolce





           

323





                  

dolce

                           329



           



311





                                      

                  Major          305

317





  

  279





 





                335







30





           

  Minor   

 340



    



                                      346

  



352

   358

 





 

       



                                  

                                           364

370

   

MENUET

372





 



















2.                                                                                                   cresc.                                                   378





1.

384

391

398

405

31

                Trio

411



418

  

425

432

  439

   









 





446

453















    

   









    















   

 







 

              



   









      

  



     

 

Reprise

  

                                                           

  

459



466

473



 

                               



           



480

487















                 

          

      32





   501

506



  

  513

3 3            3                 3 3 3 3 3 3 3 3 3 3                          3    3                           3 3 3 3 3    3     3                         

Allegro-2

  495

3 3 3 3 3 3 3 3 3 3   3               3                              3 3 3 3        3                           518

522

  3    3   527



       3

 

3

3

3

3         3

             3    3     3        3      3     3                    532

3    3     3   3    3            

                                           3 3 3 3 3                                   3 3                           3

537

542

549

555

33

3

3

           561

566





3

  

3





       



    3                      3

       571



3

3

3

3

3

 





   





583

    589

3

 

 





 

     

3

3



3

3



    

    

3

      3    3    3    3            3   577

       





     3   3

         3

3

3

  3                       3      3

3

3 3 3 3    3    3 3                          3                           3 3 3 3 3      3      3     3                           3 3 3 3 3 3 3 3 3 3   3   3                                       3 3 3 3  3 3 3                                     3 3 3 3 3   3      3         3                       595

3

3

3

600

606

612

617

622

34

3 3 3 3                

                       3 3  3   3    3                     3  3 3  3          3              627

633

639

3 3  3       3         3      3     3 3          3

3

645

3      3         650

 



35

3

3

3

3

        

Clarinet II Fifth Trio for Clarinets Opus 8, No. 2 I

                              Clarinet II                                                                                                                                                                                                                Allegro Moderato (q=112)

1

Jacques Bouffil

5

10

15

21

26



                               Legg.                                                                                                                                               31



36

41

45

50

36

54



 

      



                               



 

  

              

                                                             1.      2.                                                                                                                                                                                                                                                                     59

64

69

74

80

85

90

95

                                                  100

                                                                    cresc. 104

109

37

                                                                                                                                                                                                                        esp.                                                                                    112

119

126

133

140

145

                                                                                  

149

152

        155

       160





  



              

               



                                                                                  165



170

38

           

Clarinet II Fifth Trio for Clarinets Opus 8, No. 2 II

Jacques Bouffil

2.                               Clarinet II                                                                    cresc.                          dim.   TRIO 1. 2.                                    2.    1.                             dolce  1.                        2.             Reprise (q=132)                                                         1

Moderato (q=132)

1.

11

20

32

41

51

59

70

80

88

  





      dim.  99

   

   

cresc.

           39

   

     

           

Clarinet II Fifth Trio for Clarinets Opus 8, No. 2 III

Jacques Bouffil

                                Clarinet II                                                             Andante Varie (e=100)

   1



10

                                      20

                                                  3  3  3  3                          3 3 3 3 3 3  3 3 3 3 3  3    3  3                              3 3 3 3 3 3 3 3 3 3 3 3 3 3                                 3 3 3 3 3 3 3  3 3  3  3 3    3 3 3    3                                      27

34

39

43

47

3     3                                                                                                                     51

56

62

40

          

     



             

                   

   

                                                                                                                                                                                                                                   69

75

79

83

87

92

96

                                                                                                                               poco à poco rall.                                                          101

104

108

114

118

41

Clarinet II Fifth Trio for Clarinets Opus 8, No. 2

Jacques Bouffil

                   Clarinet II                                  1



IV



Allegro agitato (h=112)

6

12



 

  

                        

            

                                                                17

22

27

34

 



dolce esp.





               41

47

53





 60

 





esp.



    



 

 sempre

      

         

 

 





 

      

    42

   

 



    



 

                            

66



71



         

           

           









         

  

 



                                                                dim                                 cresc                                

77



   





83

89

95

101

                                           107

           

112

     117

122



            

                     

                                                  127

43

   

   133

140



147





 dolce

 



 

    





           

esp.









    

    





















  

 

                          sub.                                           153

159

                                       165

44



More



Clarinet II Sixth Trio for Clarinets Opus 8, No. 3

  Clarinet II                         1

Allegro (q.=64)

6

               12

                                                        

                                                                                   18

                     

Jacques Bouffil (1783 - 1868)

I

24

30

35

            

                                       

               

                        

                    

                                                                sub.                                                                                   42

47

52

57

46

                 63

  68









                              1.                        

                                        74

             80

 

           

 

  

2.                                                       86

                   92

 98











  

                                        cresc.                              dim.                                   Sost.                                105





111

117

124

   130

cresc.

 



                  47

 





    135



                             142

148

154

   

           



                                                                                                               

                                                                                  dim.                                        sub.                                                                                                                                                                                                                     160

166

173

179

186

192

197

202

48

                                                                                                                      

                208

            214

                                   220

226

232

49

Clarinet II

Sixth Trio for Clarinets Opus 8, No. 3

                   II

Andante poco Adagio

  1

Clarinet II

        5

               Jacques Bouffil (1783 - 1868)

       

10

                   

                                                                                             staccatissimo                                                                                   staccatissimo                                                                                                                                                    15

20

24

28

32

37

42

46

50

50







                                        

                                                                                                                                           54









58

62

                                                                                                                                                                                                                      staccatissimo                                                  staccatissimo                                                                                                                                                  68



76

81

85

89

94

99

103

dim

51

calando

Clarinet II Sixth Trio for Clarinets Opus 8, No. 3 III

  12

 18

    24

Jacques Bouffil (1783 - 1868)

                      1. 2                                                                                         

Clarinet II

6

Allegro (q=144)

    1









              

                 

30



         Trio  



36

  43

2



    49

  

 







   1



   





 

 

1                           

   2.

                               55

61

52

 





                

  

  

 

 

  2.                           68

1.

80



  

  92

    







98

105





 

 

 



    



               

                                                        

74

86

 

Reprise

  

                                                      

53

Clarinet II Sixth Trio for Clarinets Allegro non troppo

  



1

Clarinet II

                                    9

16

23

   30

 44

 51

 58

 66

IV



Jacques Bouffil (1783 - 1868)

 



                  

  

   



         

   

   

  



 

               

 

       







 





 



              

                                                                                                    

              72



           

            37

Opus 8, No. 3



 54





 

                                                                  sub.

                                            

78

92

99

  118

  127















 



 

       



106



  





  

                                133

  





   cresc.

  

 

  

 

                                 sub.                             139

150

     163

 

 

cresc.

 

             174

  181







  



                                                     55





       

  



198

  

 



 

205

                                  





211

218





 









 

225

232



  239















  

 













  



         

 

cresc.







 









                







 

 

                                                             cresc. 246

253

  260



 







56







Clarinet III

Jacques Jules

BOUFFIL (1783 - 1868)

Six Clarinet Trios Opus 7, Nos. 1-3 Opus 8, Nos. 1-3

Jacques Jules BOUFIL (or BOUFFIL) (1783-1868) was a Parisian clarinetist and composer whose career spanned the reign of Napoleon, the restoration of the Bourbon dynasty, the Revolution of 1830 and the formation of the Second Republic. He studied under Lefèvre at the Conservatoire de Musique where he won first prize in 1806 and was awarded a pair of French-made Bb and C clarinets, an award which remained in place until 1817. From 1807 to 1830 he was solo clarinetist of the Opera-Comique de Paris and for a number of years performed with a celebrated wind quintet the members of which included Louis François Dauprat (Horn), Joseph Guillou (flute), Antoine Henry (bassoon) and August Georges Gustave Vogt (oboe). Bouffil’s compositions were almost exclusively for the clarinet. His six trios, within Opuses 7 and 8, represent a major contribution to the clarinet literature of any time – trios for all seasons, if you will – and although clearly intended for professionals in a concert setting their melodies and musical conversations are a delight and challenge to all amateurs. For those players who have mastered the art of circular breathing, these trios will offer a particular pleasure, because there is no convenient place in the fast movements for mere mortals to breathe, notwithstanding an occasional “,” to suggest least inconvenient points where one might inhale quickly without ruining a phrase. Until the emergence of library catalogs of the world at one’s fingertips on the internet, I was unaware of any of the trios past Opus 7, No. 1, which I played routinely in my teacher’s clarinet trio. At this writing, the six scores are freely available for downloading (in Finale 3.7 format) at the web site http://www csudh edu/oliver/clarmusi/clarmusi htm I have dedicated this edition to my late teacher Ralph Sarber who throughout his career wanted nothing more than for young people to learn to play the clarinet, to bask in its literature and to love its versatility. Happy playing all! Oliver Seely Lakewood, CA April 21, 2012

Clarinet III

Jacques Jules

BOUFFIL (1783 - 1868)

Six Clarinet Trios Opus 7, Nos. 1-3 Opus 8, Nos. 1-3

Clarinet III

Clarinet III



Allegro Moderato

 1



  

Trio for Clarinets Opus 7, No. 1

        

Jacques Bouffil (1783 - 1868)





  



                                                                                                                                                                        leggiero                                          dolce                                   dolce                                                     6

12

18

23

28

33

39

                                                                                                             44

50

 

55

©2011 by Oliver Seely, Jr. and assigned to thepublic domain inmemory of my teacher Ralph Sarber.

4



                 59



        



                                                                        1. 2.                                     crescendo                        poco                                                                                  poco                            poco                               crescendo 

63

69

75

81

87

93

100

5

            105

en dehors

  



                                          112



118



   

                



          

               crescendo                                           leggiero                             dolce 

                                                                                  dolce                                                                                                                                                                  123

129

135

141

146

152

157

                                                                                         leggiero  162



166

6

MENUETTO 1.                                                                 poco crescendo   Trio  1.   2.                                   leggiero 1.                               2.                                                                                     poco   crescendo  leggiero                                  1.      Reprise (q=152)                                                                                                                                     

        2.                    173 Allegro

(q=152)

182

192

203

212

218

225

232

238

249

257

266

7

                                                sostenuto  poco crescendo                                                                                       sostenuto   subito crescendo  a Tempo   Poco      rit.                                        sostenuto  Poco piú mosso (dq=50)                                                  cantabile  sostenuto                                                                                poco crescendo  sostenuto                                             crescendo                                                                                         crescendo a Tempo                   Poco rit.                          subito   sostenuto                                  274

Andante (e=117)

280

286

292

298

304

310

315

320

326

330

335

8

         leggiero 338

Allegro Moderato

344



            

 

351

        364



372

      

       378

               

                                                                   dolce                           

     

           

crescendo

358

(q=88)

                   dolce                                 crescendo

9



 

   

poco



      3 3 3 3 3     3  3 3                                 crescendo crescendo

                                 en dehors                                                                                dolce                              crescendo                                   dolce en dehors                                                           dolce                           crescendo 3 3 3   3           3      3  3                         3   386

390

397

404

410

416

422

428

434

                leggiero                      

                                                     441



448

10

Clarinet III Second Trio for Clarinets

Allegro non troppo (q=132)

   1

Clarinet III





   



                            9

18

3                 26

45

 54

 63

 72

 82

 92

 100







Jacques Bouffil (1783 - 1868)

            

                  en dehors 3 3        3 3        3       3            crescendo  leggiero                                leggiero         



                           crescendo                                   3 3 3 3 3  3 3 3 3                            3 3 3 3 3  3                                         crescendo 3  3 3 3 3 3 3   3      3                                   crescendo                                             1. 2.                                    espressivo                            11

                              36



Opus 7, No. 2

Copyright © 2012 by Oliver Seely and assigned to the public domain in memory of my teacher, Ralph Sarber.

  107

           

  



diminuendo

                         112

    119

  



  



                              poco  appassionato                    126

133

140

  147

 

   

           leggiero             154

160

166

  

                    3   3   3      

   crescendo



3 3           

 12

     

crescendo







                   



3





                                

                                                 

172

178

  



 

                 

  



          



 

3       

 



                   

espressivo

 

 



  





    



3 3      3

3 3 3 3 3  3  3  3 3  3               3                                     crescendo  leggiero 3

   

3

3

184

3

3        3                         190

     195

    201

3

3

3           3

3







        207



3

3



 













3

3

3 3            3





3

         





crescendo









                        



                   213

13







       



  

     219

Adagio cantabile (e=72)

   

                                                                                                              espressivo                                                                                                           a Tempo Poco rit.                                                 espressivo sostenuto                                                                                                                                                                                                                                                   espressivo Rall.                                               225



231

237

243

249

255

261

266

272

277

282

morendo

14

1. 2.                  

                  286

Minuetto - Allegro (q=144)

                                         296

                 diminuendo  subito                              Trio (q=130) 1. 2.                                    1. 2.                               cantabile                              Reprise (q=144) 1. 2.                                       308



 

 

317

330

339

347

353

 363



  374

 384

 394





              







          

subito

 



   

15





                   



      









 





 



 

diminuendo

          

    

          

  



Allegro non troppo

  405



(h=104)

 

 

  energico                  



411

       418

   

   

 



                                                                              subito                        

                                                                                                424

430

436

                                 3 442

         449

3

         

       3 3                3 3                 crescendo

455

   461











3

3

                     

         crescendo                    3 3 3 3                                              467

473

16

3 3 3   3 3 3 3  3                                                478

 483

 489

3  3                          3 3  3   3 3 3  3  3          3        3          3

                    494

 500

    

1.



          2.

    

  

  

     

506

513





                                                           crescendo



 

       

    

                                                               519

525

crescendo

                                                             crescendo          come prima      531

536

                     542

17



 

 

 

 

                                                                             552

556

                                                                                                                                           crescendo  3 3  3       3                                        3  3             3   3                                                                                                                                 crescendo  3 3 3 3 3 3 3 3    3   3  3          3                             562

568

573

579

585

591

597

603

609

3  3   3  3  3        3              612

18

 3      3        3

3

3 3 3   3             3   3 3                         3

3

617



3



                                 sempre  3 3  Alternative ending3 3  3 3                           622



3



628

634





3

3

 

3

3

          3

3

3

19









  



Bb Clarinet III Trio for Clarinets Opus 7, No. 3

Jacques Bouffil (1783 - 1868)

                                                                                                   3 3                                                    1

Moderato (q=120)

Bb Clarinet III

5

11

19

                                                           25

cres.





   





                                               









31

37

43

      49

  53

  58

    

    

 

                                  

                                                         

    

20

Copyright ©2012 by Oliver Seely and placed in the public domain in memory of my teacher, Ralph Sarber

         61

      

 











     

                                                                                    66

70

 73

 77

 82

 87

                                                                                                                                           

                                                                       3                      3                                                                                                91

94

104

109

21

                                                                                                                                                                                                                                                                                                                                 116

122

129

138

147

154

159

164

                                                                                                                      170

173

176

                                    182

22

   187

      196

    

Minuet





 

 

 





  





  

    

             



          cres.    1.

2.

                                                       cres.                                     1. 2. TRIO                                            1. 2.                                                                 a tempo                                    205

213

220

230

238

248

                    252



                        



1. 2.                                                                       

Reprise

258

264

271

23

 277

 285

 292



                            cres.                         

300



  

               

 

 

  









 

      Fugue simple                                                                                                            306



314

                                           321

              

                      

327

335

 







  

342



349



             



              

                           

               



                                    

                                    354

24

 

   360



Allegretto



 

                             

                                                                                                                 

    

                    366

373

 380

 387

        393

            

        400

  

  

3

411

417

                              424

431



      



         

3 3          

3 3 3 3 3 3 3 3 3                                    3 3 3 3                                                          406

      

 

 

 

           

         

                         

            25



3

       436

                                                                   

3

       444

      451



3

          

                                                                457

463

   469

 474

 481

       

3

3

3



3

        3

  3 3 3                                                             3

3

3

3

 

        

            

                                                     489

3 3   3 3                                                      496

    503

 3



3

3

3

3

3

3

                    508

3

3

                            3

3

3

26

 

 

Clarinet III

Fourth Trio for Clarinets Opus 8, No. 1

(The Grand Trio)

   1

Clarinet III

7





Andante



 







22

                                               Allegro                                                             

32

       

   44

52









 



 



              

    



             61





 

                                13

Jacques Bouffil (1783 - 1868)

       

  

  





       



 













 

   

 

                                                                             Copyright ©2012 by Oliver Seely and placed in the public domain in memory of my teacher Ralph Sarber 70

78

86

27

       94

                



 

99

105

111



 









                                       3

                   



117

129



   135



  

            149



155



     

    

 

3

   

  

     









3

3





                 

         











                        

         

 

        

              161



            

142

3

                          dolce

  

123

3

       

            28



 



   

      

        





167



 













 

 

          

                                                                                                173



180

188

                                                                                                                                                                                                         3 3 3 3 3 3                                                                         197

206

216

225

236

244

254

260

29

268





  274





                    dolce   

  



    



281

  

Allegretto

287









292

298



 

  

 





       

                 Major          



310



316



  

  



                                                              

304

  









         

 





 

              



 









    3          3                               323



dolce

      



329

                  335

 30

  Minor   





                     

                               



   

340



346

352

     



                                      358

363

 369



        









    

 



                       





    

  MENUET             1. 2.                                                        372

378

384

                                 cresc.                                                  391



398

405

31

411



Trio

                            425

432

              



                   

439

453

     466







               

 



  

                   Reprise                            

                                       473



      



480

487





 Allegro-2 

   495







   

 



                          

3

                     

3 3 3 3   3 3 3                                             501

3

506

32





3 3                                             3 3 3 3 3 3 3 3                                                   3 3 3 3 3 3                                           3 3 3 3 3 3 3 3    3 3       3                          3                     3 3 3 3    3     3          3  3    3                                                3       3                         3     3 3 3 3 3  3      3                               512



3

3

521

527

533

539

545

553

559



3

3

3

3

3

3

3

3

                                                                    3 3 3 3                                     3 3 3  3 3 3  3      3                       564

3

569

576

582

33

3



3

3

3

                                   3 3 3 3 3 3   3 3 3                                                     3 3  3          3                       3  3 3                             3 3 3 3 3  3  3 3 3 3     3                               3 3 3 3 3 3 3 3    3   3                                      588

3

3

594

599

606

612

617

622

  3   3   3      

3

      

627

3

3

3        3

        3



     

       3                       3                                3

632

3

3

3

3

638

645













3 3 3                      651

3

3

3

34



    



3







More



Clarinet III Fifth Trio for Clarinets  1

Clarinet III

                    5

10



                      15

20

26

Opus 8, No. 2 I

Jacques Bouffil

                                                                                                                           

Allegro Moderato (q=112)

                         

                                                                                                                              esp. Legg.                                                                                                                                   29

33

38

42

46

36

            50

55





 



    





             

         









                 

               60





                               1. 2.                                                                                                                                                                                                                           64

69

73

78

83

                                                                                           poco                                                                                                              cresc.  88

93

98

105

37

                                                                                                                                                                                                                                                                                                                    112

119

126

133

139

145

148

                                                                                  153

157

                                                                            162



     

167

172





         

          38



       

Clarinet III Fifth Trio for Clarinets  

Opus 8, No. 2 II

Jacques Bouffil

            Clarinet III                                                                 cresc. 1

Moderato (q=132)



1.

11



   

20

                                   dim. TRIO 1. 2.                           dolce   2.    1.                              



30

41

51

                59

1



2.

 2.   



         

                                                                   70

Reprise (q=132)

81

88

  

 



   

  

cresc.

                     dim.

   

99

39





    

        

Clarinet III Fifth Trio for Clarinets Andante Varie (e=100)

   1

Clarinet III



Opus 8, No. 2 III

     

      

Jacques Bouffil

   

   

                                                                                                                                                                3 3                                                                                                                                                                                                            6

13

20

42

48

54

61

68

                                                                                 74

81

40

 84

 89

 95

 99



     

        

   

  

   

                   

                                                                                                                                     

                                                                                    104

107

 113

 118

poco à poco rall.







                  

41



  

 





Clarinet III Fifth Trio for Clarinets

Clarinet III

6





18



24









    

 12

Allegro agitato (h=112)

 1





38

 44



 

    

 51



57



63



  

   

          



     

 



  





 

      

 



 



         



                                           sub.                



    

Jacques Bouffil





30



Opus 8, No. 2 IV



    

     

dolce esp.

          





      

           



      

42



 



esp.

  sempre

   





 



                                   

69



    



     



      

   

                                                                                                                        dim                                     cresc                                                       74

79

84

90

96

102

108

114

   120







           

   









 

127



     

    

   

43

   





      

     

    

 



133

 





dolce

           140

146





     152

158





  







esp.





       



 



 

        









          





  

     

 



        sub.                             165

  

                                  

44



More



Clarinet III

Sixth Trio for Clarinets Opus 8, No. 3 I

                                                                                                                                                                                                                                                                                                                                                                            

Clarinet III

 6

 12

 17

 22

 28

 34

 40

 45

 50

  55

Jacques Bouffil (1783 - 1868)

      1

Allegro (q.=64)

                      46

                    

                                                                               60

66





  

 

72

                                                               

            

              1. 2.                                                                                  77

83

88

                                                                              94

100

                                    cresc.                                           dim. 106

112

47

 122

    

   129

   135

 141

 147

 153

 159

 164

                                 

 

cresc.







                         



  

   

                                                                                                                                                                     dim.

                             sub.                                                        171

177

    

   

182

 188



                                                48

 

 193

            

              198

 203

 208

 214

                                                                       

  219

 224



  230



                

       

                                                                                                                                                

49

Sixth Trio for Clarinets

Clarinet III

Opus 8, No. 3 II

                 

Andante poco Adagio

  1

Clarinet III

Jacques Bouffil (1783 - 1868)

              

                                                                                                                                           staccatissimo                                                    staccatissimo                                                                                                                                                                                         5

12

18

25

29

33

38

43

46

50





                                           50

                                                                                                                                                                              54

57

60

63

 70

                      

                                         76

                                                                  

               

80

84

staccatissimo

                         staccatissimo                                                                                                                              dim calando 88



93

97

102

51

     



   

Clarinet III

Sixth Trio for Clarinets Opus 8, No. 3 III

Clarinet III

Allegro (q=144)

    1

  



Jacques Bouffil (1783 - 1868)

 

 

  







 





1. 2.                                                                                                        6

12

18

          24

 30

 





   36

 43

2.



  49

 55



     

                







cresc.



 

 

1.                            Trio                    1. 2.                                               

     61

 

  





   

52

  

  







  68

 74



1.

 







80



 



2.

 

 

      

Reprise

                                                       

 

 

                                               86

 



92

                  98

  104





   



cresc.



           

53

    







 

 



 

Clarinet III

Sixth Trio for Clarinets Opus 8, No. 3

Allegro non troppo

  



1

Clarinet III



IV



Jacques Bouffil (1783 - 1868)

 

 14



                                                         21

 28

 35

 42

 49

 56

 63

 71

                    

                                                                                                                                                                        

 

  78

 



                    

  







 







 54





  







 



 85







       93

 100

 107

 116



   



      

  



 



123







 

  







 







     



                            sub.     

   





 

 

   

  

                     

                                                                                    sub.              cresc.

129

135

142

149

 



156

   163





 

   

cresc.



   55





              







  







175



  

182

 

       

  







                                                189

196



 





 218

  

  225

 







          



232

241

 248





   

     



203

212

           sub.                 

                                         

 











 





 

                                          255

56



 







     

cresc.



           

          

            