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BEAUTY AND THE BEAST VOCAL SCORE

Music and lyrics by Julian Butler. Script by Mike Kenny. ©2012 Julian Butler.

01. Something Amazing. from Beauty and the Beast.



q = 110

 



C

F   E‹             

p

  



ped.

q = 172      pizz.     

6



10

       



                 





 

          

C

E‹



               

F









                               

                               

                                  

Words and music by Julian Butler.

               

14



       

18



23



   

   

   

      arco         

                         

   

                                 

                                       

             

                                

2



28



                



       

32

    

   36

    

              





    

        

               

    

    

    

    

    

    

    



 COOK:

                                      

     42



al ways



D/F©

  

    be - liev- ing.

    E‹

    

48



er - ance,

Looks can be D/A

 

find pat-ience with - in. G/D A‹/C

           

  

 

    

D

    

         

   

de - ceiv- ing.

        

See-ing is - n't

 

G

     mp        

ped.

No -one can be blind C B‹

    

      

    

E‹ D

    

A‹

  

Look un -der G/B

 



   

to

                  

         E‹

    

              

        

ap -pear - ance, but with time, D

   







the skin B7/A

  

per - sev

B7

     

 

 

  

  





and some - thing A‹/D

  



a-



           54



3







D

G

    59





Down here

          G

  

    





D

   



  

                       

 

B‹

        

stench, this



  



B¨‹





   

feet,

or

A‹

  

        

     

  

  D

 





   

  

sun - baked





 

cess - pit, B‹ B¨‹

rats don't last here, bats fly A‹

             

from the base -ment that's ad - ja -cent to the

        







G

3

             



o - dour,

67



              

     



      

   

               

in the cel -lars there's a smell of rot -ting meat, like



bins. This

G

   

63





maz-ing may be - gin.

                    pizz.         





past here. 3

      



 

    

 

Heav - en knowshow C





  

 

           

  

some -where so gross can E¨9

     

 



          



4

       71



cook up



  

D

 









     



q = 129.25



  



rais - ing

  

G



this prob -ab - ly will,





rais

  



- ing

 

 







some -thing a - maz - ing. B‹7       







 



G

 





  



some -thing a - maz - ing.

 

B7







D/A





  





          

Sam-ple the food, you'llhave to ap - prove. Some-how we're

      

May not look clean,

  E‹                             



 

  

3

Some -how we're

C/G

  E‹                    

f

83

D/F©

 

  

 

  

         

         

     



3

If

     

but good things come in dis - guise.

C/E



E¨(“2)

           

        

looks could kill

ped.

C

          



    



Good-ness gra-cious, some-where so base.

G7

75

79

fresh and tas - ty.

G

   





some-thing

           



         

       

                      A/C© C9

   

may-be it's not.

D7

Might as well

G/D                    

 C

A/C©

         

             



 

it,shame if I waste it.Why don't you taste

it?

87





face

E‹    

  

B7/D©

5

   Bº/F   B7/F©        

                          



94

q = 145





 









          p   





                                              



                                                     

99

    103



ties,

 

  

Four 'ta -



G(b5)



mp

 

  

  



 

105









  

         

does -n't mat -ter what their state is.

    

 

       

prob -'ly find where the plate is.

   



     

Mu - ta - ted.

                 

  



I think they've ma - ted!

       

Now brus sels. This one's got

C(b5)

   

 

  

         

 



They could

                           

6

           108





stub ble.



And mus cles.

It's



 

       

cov -ered in pus, like cus - tard!





     



BOOTBOY:

                  

     111







We'll

             





116



    D

 

  

















Hold on, don't chuck that.





        



We'll



tuck











118

cheap this.

















that

     

   



 











 



















   

 

  

   

If looks could kill







If looks could kill





      



                 rit.          A‹



  

Adds ex - tra sweet - ness.



call it mus - tard!

un - der-neath them sprouts. It's





 

       



                                            

    



A/C©

   this

this



D







7

          122

prob -ab -ly will,

         



prob -ab -ly will,





  



    



     

3





butgoodthings come in dis - guise. Some -how



C/E   

3

3

3



butgoodthings come in dis - guise. Some -how

 

 

D/F©



  





 

 

C/G



D/A

     



q = 129.25

   

we're





 



 

rais - ing

    we're



some-thing a -



rais - ing

G    

f

some-thing a -



 



         



ped.



      

   

      

       

  

      

   

      

      

  

126

maz - ing. Sam - ple the food, you'll have to ap - prove. Some - how we're rais - ing



maz - ing. Sam - ple the food, you'll have to ap - prove. Some - how we're rais - ing

B‹7      



       

     130







maz - ing.

                 

E‹

C9 D7   A/C©              

q = 172

maz - ing.

     

  E‹         



blind

to

ap - pear -ance, but with

     





     

No-one can be

D C B‹ A‹                     

No-one can be

  E‹        

blind

to

some-thing a-

G B7/F©                                 

     



some-thing a-

     

ap - pear -ance, but with

 D             

 



time,

per - sev

   

time,

 

 

per - sev

       

B7/D©

 

   

8

       135

 

er - ance, find pat -ience

        



er - ance, find pat -ience

 







  

with - in,

with - in,



look

look





un-der

  un-der



the



 

skin

G/D

      141

maz - ing may



    



maz - ing may

 

A‹/C



the

G/B



 

 

  

















be - gin.

    



  

  

   



       

                   

a-

       



E¨Œ„Š7

    

andsome thing A‹/D

a-



be - gin.

D

  

andsome thing

skin B7/A

                      pizz.                  

145



      

                                            E‹



 



     



02. Pretty. from Beauty and the Beast.



                           A q = 180

 

6







 

MAID: A

   

10

E(“4)/B

E

                               

       

be -ing so pret - ty. No E7

A

    

13

Sun

            



  



a - ri - ses

  



  

 

F7               









  

      

   

      

  

curse

up -on

A

              





me,

        

                          

 

my beau - ty.

E7



be - neath my breast and



                

 

or song for

                    





        

words

                                       



E

                        



                  



E(“4)/B

                

Words and Music by Julian Butler. A

F

  all

B¨               

  

 





a -round me

         



   



2

    

16



    

the birds are sing - ing

                          F7

   

19



     

23

  

 

  

 

  

la da da, ding dong! The F7 F©7

  

 

 



from hill -tops



lit -tle bit green - er,

            E

 

 

and

    

  

the men that D©‹

out - side my





 



front door,

G7/D                            



there's

        

 

a -round me

  

             

lit -tle bit keen er. F©

    

the grass is just that

  F©7                 

    E

 

all

B                 

                      

27



la da da, la da da, E¨

  

                             

bells are ring -ing

   

           

        

B    F©7                      





        

And

ev -'ry time I

E‹7/C                       

   

G

some -one wait - ing,

step

           

       

la da da da da, la da da da da.

E‹7/C                     

 

   

G7/D

      

        

3 32



   



           

   



Ev -'ry man I've

E‹7/C





met

has

   



    





fal - len

for

   

   







me;

it's

G7/D                  







 

ra - ther grat - ing.

                

   

                         

36



La da da da da, la da da da da,

E‹7/C

    

 

   

G7/D

      

42



all the way

 

  





there

            

    

da da, da da da da, la da da

 

 

 







             A





is

no - one quite

           F©‹





   

     



to

    



A7

             

Lon - don town



46

 

 

from



E‹7

  



      

     

la da da

   



as



Vi

     

-

  





nam

   

C©‹

      

          

   

as I

     

   





    

pret- ty

                 

E

               

et -

  

da.

FŒ„Š7

  

   

da da



am.

             F

   

      

    



Of

    

4

          



50



all the girls from Chi - na down to

          E

                      

     



no - one quite as

                   

60



F©‹

Si -



pret - ty,

no

                       

-

                       

C©‹

one quite as

         

                 

     

pret-ty

        





 

there is

    F



am,

                   







as

I

am! E

                    



La da da, da da da, da da da, ding, dong! D

 

66



  

       

     

 

sweet

A

55

  

 

  

E

  

 

        

 

   

Don't get E

 









i - deas,

  

let's

A

          

make this

A

        

E(“4)/B

        

   

per -fect - ly clear.



           

A boy like

B‹

  

     

        

       

 

71



 

 81  



  

you should know the D

      76   









score,

so

  





 

to hear;



I'm

 





full F©7



of

    

           

pi - ty),

    

you'll

 



 

  





me.



   



   

  

G(b5)



     

 

 

             

ne - ver B‹

 

get

pret - ty D/E

           

 

a





  

      



          

   



A

         

  

 

girl as pret - ty, (it's B/D©



D

    







as

 

 

three or four. You must un -der-stand, E A

you'll ne -ver, ne - ver win a D



girl A/C©

87



          

84

   



weboth knowwhereyou stand: B‹

            

      



ten, you're a D/E

                                                  



hard E

I'm a B/D©



              

 

5



  as

                       



6

                         

92



                    

                 

F©‹

                   

                

                                G(b5)

97

          



        

  

                                  

                                                          F©‹

102

                                                             

 

                                                        G(b5)

107

 

                                                           

                                                             

112

G

D/F©

G(“2)

                                                   



             

  

               

    

117



121

D/F©

A7(;5)/G

       

   

   

G(“2)

        

A5/G

A5/F©

              

                 

                                      

   

125



   

BOOTBOY: It tastes like



fish. G(b5)

    

Well,not quite

                                 129              



It tastes of

                   

133



  



It tastes like

                137     



         

charred.

    

    





It's like

a

                            141       



frit -tered gunk.

It's

                            B7(;3)/F©

peas. F©‹

    



   

meat. G(b5)

    

    

    





   

bon - y, chew y, G

     

    

peas,

but of

lard.

G/D

     



  

    

    

             





   



the



dirt theyweregrown in.

but it's



too

           

        

    

    

    

    

bit -ter











    

    

  



chunk of

                                    quite nice.Let'ssend it



 



G(b5)

A/E

been.

                    

It would taste sweet, F©‹

         

ac - tual-ly

sea wherefish have

                     

    

  

     

the

    

Well,more like



but of

  

                        

fish,

   



Well, not quite

    



       



7

ston - y, F©‹

    

    

goo - ey,



in.

                                        

G(b5)

 

8 146







                                   

150



face, G(b5)

                  

154



hands, F©‹

    

  

    

     

    





                            158        



I

may

                      162     



faint G

or

               

    



die from

    

F©‹



the plate may

smell it G(b5)

                              

my love - ly

    

face,

    

    

    

    



Taste

                

con - tact, G(b5)

    

 

no, it

    

      



flick - er.

     

    

    

    

    

      

   them if

    

  

     

I

it,

    

     



  

  

the

rim.



    

ain't F©‹

    

in -side



my

    

    

  



    

    

    

 I

     

con - tract, so it's B7(;3)/F©

               

    

    



could

                

    

If I should

    

  

my

    

quick- er.

                  

    

Think of



            

my

    



death could not come F©‹

       

skin.

    

                    

placed them on





  

MAID: Think of

the steam could wrin - kle ten - der

burn







    

    

   

             

166







hard - ly worth the price.Why not send him?

          



  

9

G/D

A/E

D

                                 

       

 

F©‹

                      

                                                 

171

A5/F©

C©º

A/E

                                                  Slower.

  

175





 

 

Find

pa -tience

with - in.



COOK:

                      

180







     



G/A

     

 



  





some -thing

183

 

D/A

a

   

 -

 D

 

   

Look un -der

E‹/G

D/F©

  

 

  



  





be

F©7/E



-

         

 



 

gin.

D       

 

 

 

  





D/F©

  

 G

and

 



D/F©



the skin,

 



maz - ing may A(“4)





  rit.





D

   

 

G

 

03. Toil. from Beauty and the Beast. Words and music by Julian Butler.

      q = 160





BUTLER:

    

  

Toil!

                   



ond and be - fore,man has



BronzeAge to the

     

      14

F‹

    



      



   

 



  





C7



Space Age, in G¨

   

  

 

               F

F('9)

 

   

    



front and be - hind, A¨

     





  

man

     

has



       





 

toiled and cre - a - ted this F7

B¨‹

                    

the

 

    

  



   

C

      





swords. From the

G7

      

worldwe now find. C7



  

F‹

        

 

 

C‹

toiled and de - fen -ded with faith and good

                20                  

From the Stone Age to theRome Age,bey-

C‹

             8                 

        

 



Toil!







 

   

Ro-mans, they roamed on - to C‹

       

  

  

  

  

2

            26



Eur -o - pe - an turf.



fash-ioned some

  

 

They trained us

                    Dº

      32

F‹

   

 

   



 

       





 

our good En -glish soil.

        

It took toil.

45

C‹



  

 





 

Norse-men were





 

      

C‹

 

The

                       

   

      

          C©‹

horse men of the high-est re -gard.



C‹

 

    

Do you

 

     

  



  

 



   

      think it was fun?

G



 



They

A¨º

    

  

   

             

Vi -kings came fight-ing the Eur - o -pe -an guard.

        

G©7

 

     

        

38

  

 

 

killed most of us first.

     

          G



    

 

to drain but

G

roads on



   

C©‹

              

Aº7

               

      

  

The

  

          They got in their long -

        

ships,

the

                  

  

F©‹

3

                       51

En-glish re-



coiled. Do youthink it was fun?

                           C©‹



           59



En -gland to broad en their



Ger -mans,they

B¨º7

               

    

It took toil.

The

C©‹ C©‹/B

                 

home.

Pictspicked

B¨5 A5

D‹

         

     

              

     

The En-glish were fin-ished, ex - tin- guished by Rome.

A

A7

D‹

                                 

                 G‹

   73





 D‹       

 



toil. D‹

         

D5/F©

               

G‹

      

      

spoils.

Do you think it was fun?

    





Toil

is

 

  

F/G

 

     A





 

     

work,but a lit - tle bit



  

   hard - er.

G‹

     

The

             

 

66                          

heard 'em, theytook all our



  

It took





     Toil is F©&

 

 



    

     

4

   

    

78



gutspusheda lit - tle bit D‹

      





  82

far - ther.

      88

  



is

grit with a lit - tle bit of griev ance,

E¨º7

B

           

E

 



 

 

   

 

 

ne - ver







 

COOK:I've got

 

  

or

A7/G

      

boi - ls

A/F

A/E

 

 

   

95

All me boils B¨º7

              

 

      the



D‹

                 

on me blis -ters and hands just from work - ing





D‹/A

            

 



have got blis - ters A

       

  

 

 I

 







 

    

sea -sons.

         Bº

       



shine, through all

                 





             



quit, come rain A

Toil

  



      







      





   

 

 

    

the land.All this E

 

to -

  il.

A7

 

                  



  



plough through my list 'till B¨



 

 

  







    

the sun hits F

the

      

    

5

101



mud.

  



Till my fin - gers

A

       







pour

blood.

E



 



 

      

 

 



ev 'ning's be - gun there's more

G‹6

A&

                

      113



bad - ly

I

119

E

 

 





   



to - il.

       





 



 



 





   



  

I have to re - ly

    

A



 

on me,





 

     



D‹/A

               





 



not good





for

my

 

 



 



 

num -ber one to get B¨/F



the pad - dy,and how -e - ver

 



 

        

             

When the

E

A

  B¨

not done.

them - selves. It's

 

 

      

in

  

B¨º7

      F





 

 

Like a slave

     

A/E

I'm

  

D‹

 

ven then

    

 

hou -ses don't clean

A

health, but B¨/F

A

cry,

   

  

 



    







F



106



-

 

a - ny-thing done. When I F

            

E

    

 

6

      126



slip in E/B

     

  

-

to slum -ber

132



E

un - bend - ing, the B¨/F

          





    138



 

B¨7/F

 

next thing I

  

F

 







   

E/B







I'm a - wake

 

 

 

  



BUTLER: Toil

   A‹               

G‹

  

know,

COOK: Toil

gain.

 

 



burst -ing like thun -der but

 

F

  

     

mehead's

                 

  



  

  

at some -thing past one,

F

   

     time is

   







is

work,





is

work,

                                  

G‹/D D‹7

       

and it

all









 

a-

   

    

  

    

   

but a lit -tle bit hard - er. Toil is

but a lit -tle bit hard - er. Toil is

G‹



starts

G‹

    

    

G¨&

       

   143

7

                            

gutspusheda lit -tle bit far- ther. Toil is



 

D‹

        

     shine,

shine,



 

B/D©

   



 



E

E/G© A

A7/G

             

 

     







      









the

the

sea -sons.

sea -sons.

D‹

A

  



B/F©

   

                

  

  

or



A/E

   



grit with a lit tle bit of griev ance, ne -ver quit, come rain

      

through all

A/F

 

            

through all

    

154 A7/C©

E¨º7



 

148



or

                              

gutspusheda lit -tle bit far- ther. Toil is



grit with a lit tle bit of griev ance, ne -ver quit, come rain



   

        







  

       

        

 

 



D‹





A7/E

       



 

04. A House in the Country. from Beauty and the Beast.



q = 170 C

F

    

  6





  







  

 



BUTLER: A

house in

the

C

12



left. C

18   

A house in

the



 

ten C/G

           

or



 

 

 



  





 















coun - try

is

all

   C/E



      

 

we have

F





be - reft.

D









   

        

coun - try, we're bro - ken, A‹

A few a - cres

of

A

A

G

A&

                                 

 

land,room for D‹

 



                   

C

       



E‹



F

                

     





   





F

F



 

 



C

Words and music by Julian Butler. C





twelve guests.

     

   

A‹6

  A



      

house in C/E

       

the coun-try

       

B

is

all D‹

                

2

24     









  



we have left.

       F/G G

A

C

F



     

  

30        





coun - try

is

D¨/F

       

C

        

 

  

 

 

all that we've

got.





  

A¨(“2)

  

      

     house in

    

Debt -ors

got the bet

F‹

B¨‹

-

                              

35      





  

ta - ken



    





the lot.

           

     40



 cows, B¨‹6



 











ter,

they've

 

 









A - ni - mals? May - be. There might



 







but a house in D¨/F



B¨&



         

            E¨‹

      the coun try C

is

all E¨‹



    

  

  

the



 







be some

D¨/A¨



         



 

have A¨

we G¨/A¨

                                             



 

45     





now.

  



   





 

E¨/B¨

51







Some chick - ens,

G‹

C‹

      57



not much



    

But a A¨



            



 



some game!



 

  



A D‹/F

house in



  

   

   

the



  

  

coun -try

to you,

but it's bet- ter

F‹7(;5)

C/E

  

            



 

than liv ing where I used to

   

F‹(;5)

  

is

E¨/G

              

                  E¨‹/G¨

  



E¨/G

house in the coun try.

                  





   

        



BUTLER:Noth ing else to myname!

                   

          

 

house in the coun try.

 B¨           

  





      

COOK: A A

     

3

   







do. D

                      

4

     63









A

MAID:

 

house in







the

coun



G/B

              G

-

try. COOK: Oh,

 



                  

    67





   G

72

 



      

G/B

   

   78













coun - try.



 

  

  









C





break - ing

my



heart.

   

D

    

    





F©‹/A



    

         

G‹/B¨

   

 





  



     

BUTLER: We must go.

leave here to - night. D G

  



   

It's

E‹

 

we must



in sight. COOK: What a blow!

A -cres of farm - land, no - bo - dy

C







please: don't you

  

                   

      





the

B7



 

 

  

MAID: A house in

start!



A‹7(;5)

    





D/F©

  

  

   



                

G

    



  

   





 







   





84

5



            



 

       



96





rit.





 



B‹/F©





105



 

    108

A‹







BUTLER: A





G

   



      rall.

 

 

 









  

   



 



 











    house in



C

 

  

the

  

A‹







 





B‹/F©

             

D/F©





   A‹

F





 

  



rit.





 



q = 115. D7

C‹/E¨



 





C

   

C/E

   

    

                            

G

 



G

      

101



 

q = 145 C



          

    



91

  







 

 

   coun - try



is





  

all

we have

   

G

C

 

 



  





  

 



 





left.

F





   



05. Anything. from Beauty and the Beast.

    

q = 170





   











MAID: A



 

Just get

me

E6

            

a



   

8

-



         E6

20   



 

E6

 

trin ket,

AŒ„Š7

a sym bol

AŒ„Š7



    

 

 A

E6

     

quite

                                           

AŒ„Š7

             





My taste is

14

a

ny -thing. E6

ny - thing.

                      sim ple,

-

AŒ„Š7                        

AŒ„Š7

                       

         



     





Words and music by Julian Butler.

-

E6



AŒ„Š7

      

love

is

AŒ„Š7

E6

all

I

need. AŒ„Š7

                                   



ny - thing.

          

AŒ„Š7

of

E6

Just get

E6

  

    

AŒ„Š7

   



     

E6

     

me

    

 

 a

 

-

ny -

        

AŒ„Š7

2

26     





            

thing.

   

I'll

E6

  

AŒ„Š7





       

    

35       



 

39   



 

  



 

    

  

 

  





B‹('9)

   



    

    

  



     



  

D



 



nose. The mat - ter

I've got

  



A('9)



 

 

I hate to im - pose, I pro - pose that the gross of what's





       

 



cho -sen won't cost through the

C©‹

 



B‹('9)

         

D





  



in -ces -sant pres -ents most pleas - ant.

C©‹

take a con -ces -sion for in my pos -ses -sion are

A('9)

             

31

 

E6



        







 





is closed.

E

A('9)



 

          



        



  

long dres - ses, short dres - ses, dres -ses with frills, pat - terns, A('9)

  

 

  



B‹('9)

  

 

   

 

         

3

43



     

dres -ses that go o -ver jeans.

  

C©‹

          

    

A

   

 

B‹

  



ev -'ry -thing else in -be tween.



    

     52





da.

 

E

F©‹ F©‹/E

   







56





D

                  

 



da,









 

         a

 

A/C©

 

pres-ent is bliss,la





  





   

     

So, what do you get the girl whohas ev - 'ry - thing? A - ny-thing,a - ny-thing,

        a - ny-thing at

D

o -ther than this,la

          

               

  

But

  

  

47                    

  

    

I've got dres ses in green, white and black,pink and pur-ple and

D

   



 

            



D

    



    

 



A/C©

B‹







  



   

  



 

 

all!

It's A('9)

           



 



  

 

      

 

  



 

4

61             



not I don't like 'em;

  

A('9)

 

 



jum - pers A('9)

    

  67     



frank -ly C©

  

     71     



die for Cº



and



       

A/C©



sprin - ters

 

than

  I don't

   

  a

who has ev

 





had

have

the room. F©‹

  

  

But

hot

din

 



la

da. E

                   C©



ners,



    

o - ther than this, la

what D

    

da,



    

A/C©

 

do

   

   

D('9)/E

    

 

    

E

    

I'd

 

 

you get

- 'ry - thing? A - ny-thing, a - ny-thing, a - ny-thing at A/C©

and

 

               B‹



 

D

So

-

I've more





                           F©‹/E



  

      

     





 

gift,



Cook's B‹







D

   

 





 



C©‹

  





         74        girl

 



I've sta -bles full up to thegloom.

  

  





ride 'em, I groom'em.

B‹('9)

  

    65

I

       



the



 

all! A('9)



 

     

   78













         

89      



 

  

     

  

          

  

   



o - pen

       





  



my own zoo. B

  





   





    



  BUTLER:





   



    





        

BOOTBOY: No hor - ses.

So,

no

  

a ni -mals at all.

COOK:



    

     





   

 

MAID: No

   

 

by

   

  

No dia - monds.



If

  

 

I've



No dia - monds.





dres- ses.

                         A

  

 



 

           

  



 



  



two.

  



         

un - true, I could pro -bab - ly C

    

  

No-ah was broke and there was -n't a boat, I could send the a - ni -mals sail - ing two B¨ A G© E7

             93        



a - ni -mals it's C©





I've got

                               85              so ma - ny D



A('9)

5

  



B‹

  

 

   

C©‹

  

 

    



 

6

      98

jew -els ga - lore.

    

   



           C©





 

           



 

   

So, make - up? D

F©‹

    

    



A/C©

    



           C©

     

     

     

   





the girl who has ev

   

  

F©‹

    

B

   

     

- 'ry - thing? A - ny- thing,



 

So what do you get

the girl who has ev

     

So what do you get

     

the girl who has ev

- 'ry - thing?

     

     

- 'ry - thing? A

So what do you get

         



That's

No make up. She's got all there is.

not on my list. So what do you get

   



No choc -'late. You got that?

102            



      

D

    

the girl who has ev

      

A/C©

   

  

- 'ry - thing?

 

    

A - ny -

   B‹

   

-

-

     

    106

  



a - ny- thing,

 



   





a - ny- thing,



thing,





-ny

 

A/C©

      



a - ny - thing

  

   

  

 



-

-

   

thing



D('9)/E

 

    







at





  

a - ny thing



all!

 

at

 

all!





at

all!

a - ny - thing



7

at

 

all!

A





   

   

   









   



 













110

    





   

 

 

            

D/F©

D‹/F



A7/G

           

   

   

 

     

 

                            

(E)

A

06. A Little Magic.



from Beauty and the Beast. C

  



E‹

q = 130

             

5

C

E‹

              



10

A‹

C&

A‹

C&

C

                         

A‹

C&

C

E‹

14











D/A©

   18



A‹

 C&

F©7(#5)

C

C



COOK: I was

           D/A©

 E‹

                            

E‹

             

D‹

D‹7       

                  

D‹ D‹7  B‹                                            B‹

              

                                     

                             

 

E‹

Words and music by Julian Butler. A‹ C&

A‹

C&



   

 

born on Christ -mas Eve. C

E‹

       

  



 C



 

Doors close

be-



E‹

                        

2

   22



hind



est,

 

 me

A‹

when I

  

26

C&

 



when

A‹

29





C

D‹

 





I

walk



  

through

a for - est,

      

        



from hi - dey - holes

     

F7(;5)/E¨

         

      



C

 

  

in ev

E‹/C

 

Latin feel.

 

'ry -one's

A‹/C

   

-

   

 

 

all

the

             

 

C





     life





a time

D‹

  

  



 

  

   

  

there comes

C

 



C&

                       



to look.

D9/F©

   



A‹

   

      

D‹/F

33

Ev -'ry nowand then,

E‹

  



E‹







 

good andhon

C



   





                  



C

crea - tures come

   I am so

C&

           

  



leave.

               

  

 

    

when we need

D‹(Œ„Š7)

 

   

  

  

3

          36



               

a lit -tle mag- ic. We wish

F/G

G

u-pon a star

C

once

E‹/C

or twice.

A‹/C

          



  

lit - tle mag- ic.

F/G

 

     43





 

 



  

    

  

 

  



 



in our

 

 





  

 



  

take a

leaf



 



   

     



    

 

 

 



down and we don't F©º



  

 

know where C/E

  

   



 









out

of

my

book

3     

G

G&

     

   

C©º





   

D7(;5)

    

 

           

when ev -'ry -thing's back

 

E

we need

D‹(Œ„Š7)

E

'ry -thing's up - side

F

   

-



        

lives,

  

     

to look,

F/G



 

 

when ev

 

or twice

A‹



46



G

to front;

D‹

Once

  

D‹

              

    

40

a

In ev - 'ry -one's life,

C

                                



 



      

  

and sprin -kle some







4

  49

3

3

 

 



    

3

 





star - dust, some won - der, some heart,just some fun



C

E‹/C





   



 52



 

  

A‹/C

 





  



    

   





here

Gº/B¨

  





we're on - ly

C



 







  

for



F/A





  

     

 BOOTBOY:

              



for a lim - i - ted

F‹/A¨

C/E

time, my

D&/F©

                               

          56



 

  

E‹/C

 

   

  

G

G&

       

A‹/C

 





 



        

 

Re-

dear.

mem -ber the time when I got stuck up a C

  

 





  



 

tree? You couldhave wavedyour wand, C&





   

  

D‹



 



 

and

D‹(Œ„Š7)

 

 

     





    59

res-cued

me,





    



but you did - n't.



    



D‹7

 

  

    62

     

G

    

E‹



     

 

  

      

let me

wait

A‹

E&/G© C/G

              



  



  

66



  

    



 

69



mer -ry

  





hell.

 

You couldhave

    



     

      

D‹7

 

  

G



 

 

  

I C&

  



 



raised me up



 

  



    

  



G&

 



  

   

Re-

 



 

 

       mur der,mak-ing D‹(Œ„Š7)

    

        

 

sim -ple

spell,

butyou

E‹7

          

    with a

E‹(Œ„Š7)

 

 

was scream ing blue D‹

    E‹

E‹6



 

mem ber the time when I got stuck in a well? C E‹/C A‹/C

 

   

I did -n't.

softbranch break.







You just

     

E‹7

G

                

No,

  

un - til I felt that A‹6/F©

    



E‹(Œ„Š7)

 



No,you did - n't.

No, I did -n't.

 



    

  

5

 

   

F

 

6

72     



did - n't.

 



    

   

D‹/F

   

E‹

 







         89  



    









   



well

   

    

C/E

 





                    

 



   



   



     



   

                        

             



   



 

   

 





 



fill.

    

F

 

      

 

     

I did - n't.

   

G&



  

still



D©º7



 



                        F©7(#5)

that G

79

85

 





  



  

if the rainhadnotmade

D7/F©

I would be there

No,

75         











    



No, I did - n't.

D/F©

 

No,you did - n't.

    

 



  

 







 

 

  





    

   

 

Once

7

     92



or twice

A‹

  

     95



-get what it's F

 

 

  

    98





les - son D7(;5)

     



in our

lives,

    



   

   

  







all

a

   

-

E

            when ev -'ry -thing's in -

E

C©º



 





    







we

should

learn. G

      

   

 

  

  





C/E

    

   



 

you for

  

   

F/G

 

to turn.



 



  

  

 G&

 

 

  

 

side out,

D‹

bout andyoudon't know where F©º



  

   

   

 

 





Here's

  

 a

  

 

        p

        

ped.

101



               

       

                

       

         



104

 





                  

                              

8

  107







        

110







spell.



 

Some-thing big.

      

        

  

Some-thing,

     



    

-







 

 

115



power,

  

zing.



     



-



       

113

ma

mf

 

        

  

  

 

for a

       

              

  

Now it's time

       

             

   



3



well,

 

some - thing a -

      

 

          

   







    ma - gic







we

all

need

a

big

of

















 



 

 

 

 

















 

 

 

 

  

 

      



and this

lit - tle

bit of ma-gic's hap-pen -ing

now!



             





           

               



ff

07. She's Too Good for Me. from Beauty and the Beast.



q = c.130

   

        



BOOTBOY: I love her!

   

Rubato.

 



8







her!

  



  I

 



    care.

        A&9

love her, I



love her, I

   

   

love

  

D(“2)/E

C‹6/E¨

 

  

           



her!

16

 



D‹/F

 



       

D

   

q = 100

She's too good for me.

             



love D‹/F





 

I



Words and music by Julian Butler.

Too good

D

A&9

D

A&9

D

A&9

D















  

Slower.

  

  

  

  

      



Shewalksright past me like I'm

not

there.

E‹



C‹(Œ„Š7)/E¨

A9

B‹

              

   



  I

  

to

  

      smile and she looks at me G‹6

D

                      

2

                      

23



 F©& G          

D‹/F

     

D(“2)/E

        







strange -ly, like this.

 



and a kiss?

 

30



too good for

I would,

A&9

 



45





 

D

A&9









  

  

   



 -

E‹

A9

B‹

C‹(Œ„Š7)/E¨

                    

         G

 

  

 

 

A&9

D







  

stood. You can tell me there's



but I can't find the wa - ter, I'm



D

        



Just way

     

un - der F©

A(“4)

          

  

her and it's

       F©&

  

One look at

fish in the sea,

C(“2)/D

She's

           



A&9

           A&9

see that it's true.

She's too good for me.

38

      

     

 

D

  

ea - sy to

C‹6/E¨

me.

        

good.

but it's

G‹6

   

   plen -ty more

    

    

lost in the wood. What to

  

  

D

     

too

do?

D‹/F

D(“2)/E

C‹6/E¨

C(“2)/D

A(“4)

   

 

  

 

 

     

She's

q = 120

        

52

me.

     

 

A&9

D

  



  

  

can't, CŒ„Š7

 

tell her F/A

 

70

 



 

   

   





  





but I

G/D

   

   



I

     

 

for - e - ver,

G‹

F©&

 

B¨/F

C7/F

 

   



would



  

       

e - ver find

              





    

but I can't seem to

 





     

        

I'll love her

 

 

nerve.

               

so,

E‹



 

q= 100 

that I love her

   

FŒ„Š7

 



                        

 

     

    

B‹/F©

   



know, find the

      

64



C©Ø7

       





would tell her

G

  



you

       

 

D7

Faster.

59



I

   





too good for







3

 

   the words.

  F

      rit.

           

COOK:You're too good for her, more like,

          F&

      a tempo.     D

A&9

D

A&9

D

A&9

D











  

  



  

  

  

you

4

        

see?



A&9

E‹

     F©&

   

 



she A(“4)

 

 

  



B‹



is

G



 

You've

 

got flaws.

 

D‹/F



   

Who has - n't?

 

she does-n't want you, it's

G‹6

D

            

  

she's got one more:she thinks

     

C‹6/E¨

 



  

C(“2)/D

      







you.

A&9

D

 

  

 

But

D(“2)/E

   

for

      

   

       

too good

feed. And if

F© C‹(Œ„Š7)/E¨

   

  

her loss, not yours.

     



D/A

             

85

91

         

You'rekind,sort of hand-some and ea - sy to

      



    



A&9

   

D

   

A&9

B‹9/D

   

  



 

78

  

07a. The Beast's Castle.



from Beauty and the Beast q = 145

    



Music by Julian Butler. C©‹



   

 

3







  

















 





 

5







C©‹





 





  

8



  

  

   

    

   







  

  





B¨(b5)/D

    

    

        

                               E(“2)



                 

C©‹

12





B¨(b5)/D

q = 123

     



B¨(b5)/D

                         rit.      

17





B¨(b5)/D

     





G

            

     

A5('%)

  

      

2



                D‹

21



D‹7

    

  

24

 





    





      

A(“2)

29

  



 

32

 

        

38

 

     

D‹7







   





  

 

 

















B¨(b5)

E(“2)/F©



E(“2)

 

      

q = 155 C©‹

 

            

B¨(b5)/D

                                   E(“2)

 

 

                       



     

                     

41

           



 

       

  



         

 

 

E(“2)

          

 



   

Bº/D



F(“2)



G(“4)

  





D‹

       

       

27

    

Bº/D

           

                               

E‹/G

A(“2)



                B‹

44



  

47

  





 



D‹



                                              D7(;5)/B

B‹/D

D‹7



Bº/D

 

 

 

D‹





 

  

                             

G('9)/A

49



D6(;3)/A

  

 

A(“2)

E(“2)/F©

 

 

    

  

E(“2)

  

  

D‹7

Bº/D

 

   

  

       

  

                                     C©‹

52



 

B¨(b5)/D

C©‹

55



   



 

58

B¨(b5)/D



  



                        

       

   rit.

  

  



  



 

3

  

08. A Rose. from Beauty and the Beast.

 

Words and music by Julian Butler.

q = 141









BUTLER: A rose

   

5

 

         A rose will last C©º D‹/A

is God in na - ture cast.

      F   C6  G‹            

F C6 F C6                                    





     

 

  

   



       

  

   

long af -ter man is gone. A/G

  

In sight and song, their beau -ty Gº7 C7

                            Gº7

 

9

  





  







grows.

   





  

 



A rose.

  

13



   

   a

rose will stand. C©º D‹/A

       Gº7

 



      

 



 

    

Though war may soil the land,

F   C6   F   C6  F   C6                       

  

  

 

They hold their

       

   



 

G‹



   

se - crets close. A/G

 Where

                         



 





 

2 16

   







sor -row goes, their beau -ty grows. Gº7 F

     

20







   

      C6   F   C6             

F   C6       





   

   





  

  

         

 Thorns

may prick - le

care -less fin - gers; a

Gº7 C©º D‹/A A/G                                 G‹

 

   

24

 



small Gº7

  





price

for

 

 

 

  

26

 





the



rose.

F  

rit.

  



  

they

 

bring F









 C6       







joy

A

 

  



 



  





us.

 



 



rose.

F  





















A



rose. F     

 C6       

 

C6

A

 





 

09. Unknown.



from Beauty and the Beast.

    

Words and music by Julian Butler.

q = 153 C©‹

B¨7(b5)/D

                                       



 

5



C©‹

                

9



BUTLER:

 

 

B¨7(b5)/D



     

       

     And so

                   

  

  

I

to go.

have

C©‹

   My fate

    is at

  the cas-

B¨7(b5)/D

                                       

        12



 

tle,

  

where I





must

die.





  I

C©‹

                                

2

   15

     













MAID:Then break it!

             



have to.

It's fat - ed.

 

I

 

pro - mised. B¨7(b5)/D

                 



B¨7(b5)/D

 

19

              

25    



      

MAID:Ev -'ry day

A E    E/G©            

30



world moves

   C

   

  

C©‹

             

         





A A E    E/G© E    E/G©              

          



     



  

fast,

     

    

 

I'm

learn ing.



 

F 

     

Ev -'ry day

A E    E/G©             

     

what'snow is

    

passed

          

  

be -fore you

  

 

I

   

   

change,

know

   

E(“4)

 

this

 

 

G

     





  

 it.

     

   



3

    33



         



I've been hard

 E                             

B(“4)

          37



to

    

act.

I've

 C    

G



       

    

    41



 

B

 

     



make a G



      

sel - fish.





  

 

E

E/G© A

   

   

  

  



but now's the time I have toshow

    

F

     

                 

I've been slow

          

clined,

One chance

        

45      

been in -



E/G© A

      

and

   



          to

be some - bo - dy.

it.

       

E(“4)

 

       





One chance

 

to

G   D                            

D

                        

     

change, it's C



time F

      to let

go.

                                           



 

  

          Now it's



   

  

  

4

       48



      

time to make

that leap,

             

 



noth-ing

   

F©‹

 



 

       



  61







B

 

    

               F©‹

56

    

C©‹

C©‹

 



  

C

known,

It's all

    



where

          

I've lived long

  

     F

A





    

C©‹

      





un - known.

        E

E/G©



 

A

    

  

C©‹

                   

    

C/E

  

E/G©

B C  C/E F                                    

BUTLER:

 

 



  



              

       

is writ - ten.

  

-

B



52          

in to the un

E                



A(“4)



   and

    

C     C/E    F                



hap - py.

               

        I've had my chance

C

          

    

C/E F

  

    



to

  



 

65

  69







A7(“4)

A7

              

      73





I

made

stay true,

I will

C

      

a

face the F

pro-mise to



Beast



                

in to the un

B

         

-

known, E



   

him.

  

G

 

77

head.

        

                                        G



                            



5

MAID: That pro - mise will

       



than a -



D





D¨ C(“4)                                         



 

 

there's morebe - hind me







now

 A¨          



         





shine, but

        



  

           

G

  

  

        



in -stead of you and A(“4)

leap,

                 B¨

   

  

A

    

 

 E/G©

 

 



D

   where

  

C©‹

      

  

      

noth -ing is writ ten. F©‹ C©‹

 

 

  

           

6

81       





                                      86             



B

It's all

un - known. E E/G©

don't think you can, then you won't. A E G©‹

          

     89



    

   



don't. B

    

      92



off 'till G

          



 

96

C©‹

to -

C©‹

    

you

  

F©‹

C©‹

                         those

who say that C©‹

  

they

    

think it's too high, D B‹

 



then

       

      

what must be done to - day. B

If you

         

           will, well, F©‹

  

 





it



   

is. C

                     

they

     

 

Don't put



 

           

mor-row A



B

 

   

   

       

A





    

 

If



          



B¨(b5)

                                          

7



 

100

C©‹

B¨(b5)

                                



  

104

C©‹

         

B¨(b5)

                                          



 

108

C©‹



B¨(b5)

                                            

    112



     D

   





One chance

         

to

be some - bo -

G

    



dy.





One chance

D

  

 

        

to make a

    

G

change,

C

     

   



it's

8

     116



time

      to

let



go.

   Now it's



time

    

to

make that

 

leap,

F B¨      A(“4)                                                   

   119

 



BOOTBOY:

  

    

in - to the un

 











So,she took her fath - er's

  -

      horse,



known.

  COOK:

 

    

  BUTLER:

     



So,she took her fath - er's

horse,

     



     

So,she took her fath - er's

    

horse,

B C©‹ C©(“2)/D©                                         

                3          

 

3                       



122

and rode it in -to that cold night.

and rode it in -to that cold night.

She ne-ver looked back,





 



9

ne -ver thought



She ne-ver looked back,

                 3        and rode it in -to that cold night.



3

 

3

 



ne -ver thought



She ne-ver looked back,

3   

ne -ver thought

C©‹/E C©(“4)/F© E E(“2)/F©                                

   

 

     126



twice.

 





  



twice.





twice.



 

 

  

      She rode in - to

the

     

She rode in - to

the

      She rode in - to

the

G©       C©‹                                          G©(“4)/D©

10

    



129

deep, dark

fo

    



deep, dark

    







fo



-

-



deep, dark

fo



rest,

 on







rest,





rest,

 

  her



 

her mind,

 on



her mind,

 on

 -





her



 

her mind,

her

C©‹/E                                 C©(“2)/D©

   

 

       131

fath - er's

    

fath - er's

     



fath - er's



C©(“4)/F©

  

   







pro - mise.









pro - mise.

pro - mise.



 

  



She rode un - til

   



 



She rode un - til

  

She rode un - til

   







the cas - tle loomed in

   







   







the cas - tle loomed in

the cas - tle loomed in

  sight.

  sight.

 

sight.

E E(“2)/F©                       

 

 

     134

  







  







  

 





   

The

gates

swung

o - pen,

 





   

 

The

gates

swung

 





   



    



The

gates A

                               G©

G©(“4)/D©

   

11

swung

o - pen,

o - pen,

 

 

  

 

 



    

  

  

 

    

sound.

The

young

girl

en - tered,

du - ty

bound.

They

  

sound.

 

The

 

young



girl

    

en - tered,

  

  

 

    

  

 

 



    

The

young

girl

en - tered,

      137

not a

not a



not a

sound.

              A(“2)/B

   

A‹/C

du - ty

  

du - ty

A(“4)/D

bound.

  

bound.

They

 

They



                     

 

 

12

   

     

140

 

closed be hind her:





     

  

148





   

up













 

  



 

F©‹

  

 

  un -



















in - side.

    G©  G©(“4)/D©            

      

 

E

 

   

MAID:We

 

as we go a - long.

E/G©



in - side.

 

make it

  

she was trapped

 

144      



      

E    E(“2)/F©            

A

in - side.

  

she was trapped

    

 

 

      

closed be hind her:

 





closed be hind her:

  

  

she was trapped



   

      

      





To -mor - row waits

 

D

 





for all of us

A/C©









B

 

 

A



   





known.

E  E/G©                  



 

  

 

B

      

E

              

10. Entr'acte. from Beauty and the Beast. Words and music by Julian Butler.

      q = 150



         

   

MAID:

      

Fif -teen min-utes a - go,



      

 

      

 

BOOTBOY: On -ly fif -teen min-utes a - go,

     



     

COOK:

      (Tuning).

        7

 

BUTLER:

 

Gui -ded by the stars her

       Gui -ded

       Gui -ded

       

 

by the stars, she

 

 

by the stars, she

 

Gui -ded by the stars her





     



     



Beau - ty left herhomeand rode.

Beau - ty left herhomeand rode.

     

Fa - ther.

 

   

on - ly thought

 

     

Beau - ty left herhomeand rode.

Fif -teen min-utes a - go,





Beau - ty left herhomeand rode.

Fif -teen min-utes a - go,

 

     

went to

 

went to

to save her

 

save her

 

Fa - ther.

Fa - ther.

to save her

Fa - ther.

      

You stood in the foy - er,

     

You stood in the foy - er,

  

save her

     

on - ly thought

   



   

      

You stood in the foy - er

2

    12



     



reada -bout the the - a - tre's

  



        

         







 

   





     









      







 

reada -bout the the - a - tre's



 

  

   

 

     





shows.

shows.

shows.

 



her week - end.

While

While



her week - end.

  

back -stage Beau - ty plannedfor

Wait-ing for the bell

o -ther en - ti - cing





    

o -ther en - ti - cing

o -ther en - ti - cing

  

21



     

back -stage Beau - ty plannedfor



shows.





guz -zl - ing ice cream,



o -ther en - ti - cing





         

17



   

Guz-zl - ing ice cream, reada -bout the the - a - tre's

   

     

  

    



    



Madesome calls and

text -ed

her boy-friend,

Madesome calls and

text -ed

her boy-friend,



  

            

    

 

to bringusback to the stage so shecould showyouwhathappened whenshe

           

      

to bringusback to the stage so shecould showyouwhathappened whenshe



           

    

 

    

 

to bringusback to the stage so shecould showyouwhathappened whenshe

  

        Wait-ing for the bell

        

backto the stage so shecould showyouwhathappened whenshe

     

3

25

   



  

























rodethroughthe cas-tle gates.

    

   

  

    



   

  

    



   

  

rodethroughthe cas-tle gates.

rodethroughthe cas-tle gates.



rodethroughthe cas-tle gates.

     





                             



 

 

 

 



                                       

30

   

 

 

 



 



                                                      

35



                             

40











       

    

    

    



4

                       

45



                

                               

50



                    

55



    

                       

60

   65

    

    

    

    

                                         

           

    

                 

        

        

    

    

    

        

    

           

    

            

     



   



MAID: It tastes like

   



           



   

of

    

    

    

fish, G¨5

        

the kind

    





   



    

    

    

fish

you on - ly

    

     

        

   

                                      

69

    



                              

   





    

    

    



    

    

                  





                  



         

 





  

    

   

           

read

a - bout

in books.

    73



          

5

   



     

    

thislove - ly

    

       



   



    

    

    

dish, F©‹

a sin - gle

    



  

    

    

sniff



and I

am

     



   

    

     

just

    

a bab - bling

    

    

77



brook.

It tastes so

               

     

          

   

   

                     

                 

gor -geous I G(b5)

82



bar -rage G



 

that's

    85





It's



so







much

          

a

than the









 

food we A/E

          

mas -sage F©‹

                       

 

ex

  



is like

bet -ter G/D

  

ter - ri bly F©‹

G(b5)

  

                           F©‹('4)

can sense it. Must be

be -gun

                        

  

    

pen - sive. This sud-den

                 

 



for

the tongue.

                       





get



from

 



 







 



 





Cook. D/F©

11. Everything. from Beauty and the Beast.

   

q = 150

   

A



  





   

       E



A





 A   E              

E

                               

ped.

 





mp

7

 

Words and music by Julian Butler.

 A



 E









E



A A

     

      

A

   



A

                              

14





thing. E



I can E

have a A

-

ny - thing. E

ny -

    



        

-

    

E



 A

                                                      

21



A

                      

comb would be

 

A

use ful,

I

left in

                              A

E

A

a deuce and my hair

          E

A



E

    

is E

ev - 'ry -

                      

2

  



 

A

E

 

  

27



where.

              Morelight would ap-pease.

33



there.

 

    

Just leave it

E



down, please! Just

    E  

                          A

Toomuch! Turn it

   

A

            

there.

     

      A

-

 

ny - thing.

                                                   A

E

     

40



 

I E

can

            

A





have

a A

  



E

   -

A





ny - thing. E

  

     





A

         

dress would be nice, for I could -n't think twice a -bout

                 A

B‹('9)

        

A





 

A

45

      

E

 



     

E



    

       

what I was go -ing to wear.

           

C©‹

   

D('9)

  

 

The

 

3

49



    





pres - sure, the strife. You know

     

    

stress gives you lice, and you

                A('9)

would -n't want that in my

 

B‹('9)

      

  

 



 

 

   

        

              

 

              



   

52



hair. F©‹

so beau -ti -ful clothes, la

B

D

          

     

da,

would light -en my load, la

      

              

A/C©





da.

    E



   

57





What do you take when they D

 



of - fer you

a - ny - thing?

            

              

60

     



A/C©

    





   

Ev - 'ry - thing, ev - 'ry - thing,

 

B‹

C©‹

 

 

  





ev -'ry - thing and more.

       

D('9)/E

  E

 

A9

        f        

 

 I

               

        

    

A9

 

want

               

4

 

65





  

                    



  



dia -monds and leo -pards, a

    

cir - cus, a ring -mas - ter, liv -ing at my beck and call. B‹9 C©‹ D

                                

69



           

cat - te - ry, dog -ge- ry,

a - via - ry, ba -ke - ry mak -ing me cakes big and

                   A9

     

B‹



 





              

73



sum -mer in winterand win -ter insum -mer and

        

            

E‹

  

D©&

76



all.

        A

 F©

    

 

A

      

           

     



au - tumn

won't

    

  

small.

I want

    

  





 a

B

 

hap - pen

    

G/D

car - riage, a mar -riage, B‹



 

 F‹

             

 

A

   



 at



 

gift card for Har - rod's and B¨&

 

   

   

   

  

5

 

79



 





par - rots D/A

   life

   spe - ci

         F&

  

85

So much gold E‹

  

89

-

  

fi - c'ly,

phras ing on

   it

      

hurts

  

staves

       

    



ev - 'ry

      

 

    

cra - zy ac - ti - vi - ty. B/D©

B

  

 

          

to hold it, a booth at the I - vy that

 

                         

C©/E©

       

scor - ing my

                

       





A/E

  

  



        

   

 

 



beau -ti -ful bal - lads. An or - ches - tra E A(“4) A F©‹

 

Je - wels and par -cels that G©‹

      

     

 

  

  

        



    



82



that sing me most

  

  



   

 

F©‹



    

change when I F/A

   

ask 'em!

 



no -one but I can see.

 

 

E¨/G

        



I

 

want

     

B¨‹

                 

6

 

92



        

ev ry' - thing, ev 'ry thing, ev 'ry thing,

       B‹

 

ff

A/C©

D

  

                 

95



ev 'ry

thing, ev

F©‹

 

101



    

106



 

G©‹

    

  

A‹7

  

     

  

thing, ev 'ry thing, ev

  

B/D©

          





     

  



...my mother.

  

           

 

  



  

 

     



   

 

'ry thing,

C©/E©

  E/G© A‹              subito p             

  

  

 

E‹

   

 

 A‹6

 

'ry





 

  



       

E¨/G

   

ev

   



'ry thing! And I want...I want...I want

 

    

 

 

   



  

 

     

 

  

 

A‹





 

 

12. They're in Love. from Beauty and the Beast.

  













  













q = 175



  7



Words and music by Julian Butler.

q = 175 C

 

COOK:

 F

10

He'll



sense







G

G

C

F

G





some -thing is wrong. They

                 



 





G

don't

            



  



how

know



she

leads

   

him on?

F

 

      yet, butthey're in

F

  

  



   



love.

 C

  



       

 C

  

C





See

    

         

 C





C

   



F



           



C



 



G

                                                             





F

 G

C

                    

 

2 14

  



She







is



 F

       

G

glow -ing in -side. He

C



     

F

18

yet, butthey're







in





G

   22

   

C



  



G(“4)

 







 

                     













are

ea -





C





  

sy to -ge -ther,

             





don't have



                

        

G

      

 

F‹

   

F

           



 F



know

C

                      

don't

love.

Look at howthey



G



               



C

  





 F

smiles, can't fig -ure why. They



                       



       



 to be

 B¨7

 

   





 



     26

   





ve - ry cle - ver

   



  

they're

so





It's

  

hard

    

  

 

   

they'll al -ways

    

 show

                  



 

whatwe're







feel -ing.

 E¨

 

    

   

  





   







    A¨                                                    

G



G

to hide.



   



                           

 

re -veal-ing,

   

34

Look in - to their



         

   



     



    







eyes,

F‹

right.

G(“4)

 

 

30

         

see it's



      

  







    



to



   

 



3



4

     38



   























BUTLER: She D¨









                                   

     42

  



      





he

 is

COOK:





      

scared for

                 

They



   

   45

his life.

They A¨

          





    



 



don't

know

 



don't

is

  

eye - ing

the knife,



 



   

        

    









yet, but they're in

   

know

       





yet, but they're in D¨

       









   























love.

  



love. E

                   

   

  

Bº Dº/F B/D© B7/A

    

F

 





             

5

   50







  

May -be you should

MAID:







          



D‹

 

     

54

   

  

May -be you should







  

let

G‹

 

  

 

G(“4)

  

 





 

 



G(“4)/C

   

   

me go!

May -be you should

           D‹

   58

 

    May -be you should!

  

   

May -be

  

  

     

        

  

  

let me

 

  

 

  

   



   



 go!

  

G(“4)/C

   

  

     

    

 



Is -n't it

so

BUTLER: They



  

  



G‹

COOK:

  

May -be I should.

A‹

I should!

G(“4)

          

   

go!

  



May -be I should let you go.

          



  



May -be I should.

A‹

   



let me

May -be I should let you go.

BOOTBOY:

   

   

ve -ry love - ly

will

C‹

       

  

   

see -ing

 

     

love

  

kill each

o

A¨ C‹/G D/F©

 

  

  

   

-

  

  

6

        63

 



        

blos -som -ing be - fore you?

       



              

G‹



ther

    

  

can

you, a

  

        73

per -fect it will

 

noth - ing? D D/C G/B G

              

need to buy a



          

 

   

   

Sim-ple

mo

    

but

-

      

   

ther,

     



be! What a wed - ding!

 -

C‹

   





 

     

C‹

 

 

   



    

do

G‹

A7(;3)/G

                  

   





this

is

cru



C‹/G

D/F©

  



go,

mo - ment, to







ly

-







What a love

el,

How

Heart -shaped! With ruf fles! How

  

        

    

-

let this



wear?



   

com pli -ment - ing.

     

     

Cru

D D/C G/B G



dress! What will I

 

some - thing.

A7(;3)/G

A¨ C‹/G D/F©

            





  

  

I

do

  

Some -thing flo - ral.

    

love- ly.

if you don't

68



So

   

     

   

see young love in

  -

el,

  

 

some -one

     

 

7

                        78

mo - tion.

So touch - ing.



    



I

stop

them,

G‹

A7(;3)/G

think I may just cry!



some - one! D

G

                     

     



    



84



COOK:

     



             (x31)

      88





it means she

  



      

           

I

can't







real - ly,





bear

to

look!



D7





  

when a girl

                



cry!

 says

  

       

 





real -



she hates you,

       

 

C‹

          

Ev -'ry -bo -dy knows that

C‹

think I may just

           

      





 

I

  



      

      

                     

      

  















      

      

      

ly loves you.





BUTLER:

      

      

      E¨

     

     

 E¨(“4)/F               

    

 G(“4)          

   

   

G

   

   

   

   

8

    93





        







Ev -'ry -bo -dy knows that

C‹

                  

    97

     



real - ly

     

101

See

   



     

  

 real -

                  

See C



 



how

she leads

she leads

           









i - rate, you

       Dº

      

know that

      

      

      



      

F

   

he

      

     





COOK:

 









BUTLER:

E¨(“4)/F

     







ly loves you!

 

how

 



E¨                                   

   



when a man gets



    



  



      

    

him on. He'll

     him on. He'll C

G(“4)

  



   

   





 





sense

sense

some -thing

some -thing G

                    

   

   

G

   

   

   

     

   



 



  

is wrong. They

don't

know

is wrong. They

don't

know

      C

        

  

       

      104





yet, butthey're in

     





  



love.





yet, butthey're in

F

 





She



 

is

  



 

She

is

love.

G

C

F

G

C

                                       

      

     

      

     

108

He



He

smiles, can't fig - ure why. They

smiles, can't fig - ure why. They

C

G

               

  112



   

C

         





  

 

  

 

don't

don't

know

know

       

   

yet, F

    













   

Look at how they

  

in -side.

   in -side.

F

 

   

  



butthey're in

love.

   



butthey're in

love.

  

     









C

               



are,





glow - ing

G

 

Look at how they

glow - ing

   

yet,



are,

       sis -

ter and bro - ther.

sis -

ter and bro - ther.

       

F‹ B¨                                                             F

G

C

F

G(“4)

9

B¨7

 

    

10117



May

    



   



May

 want



want

        

to kill

one

        

to kill



    

one

Look in - to their

   

Look in - to their

eyes,

G

          125

one de -sis - tance,

         





one de -sis - tance, E¨

                  



full



in



love,

in

love,















            

of

re -sis - tance.

 

of

                 B¨







There can be just

   



There can be just

              

 G(“4)

    

re -sis - tance.







  



        



that they're

G(“4)

full



that they're

love!



       

          

 

but they're in



F‹

                       









   

eyes,







   



love!



a - no - ther,



but they're in



                    

121



a - no - ther,



  





 

           

      







they're



in

they're

in



       

11

    129

 





they're

love,

they're

in

F‹

G(“4)

G



 

love,

  





                

  





  





in

       

love!







 

love! C

            

F





G





C



  

    

 



13. Dinner Dance [Instrumental].



from Beauty and the Beast. Music by Julian Butler.

q = 180

            



       

    

                  A¨

5





         

7



A¨/C

BºDº/F

  



B/D©



     



18

G(“4)

        



F



D‹

      D‹

      





 



         

 

          

E¨/G

         

G‹7

          



       

      

A‹

 



 

E



 

                 



          

    

B7/A

    



D¨                         

14

 

  







A¨/C

     

10

 





      

  



C(“2)

   

A‹

    

     

   G‹7

 

  

      

2



21



C(“2)

     

 

       

 

 







D

D/C



         

32



G‹

       

35





  

 

  

 

 





  

 





D/F©

 







A7(;3)/G



 





   

 

 

A7(;3)/G









 



D/F©

 





 

 

  

 

 

 



 



 







   

 

  







 

 

D

D/C

G/B

G











D/F©

 

 















 





C‹

 

  

    



G



  

 

C‹

        

38

 

G‹

 



  

   

G/B

 

   

 

 



   

30

           

C‹

27



      

  

        

24

G(“4)

 

 

 



 

 



 

 

 



3

   

41

   



D

   

44

  



 

  

  

D/C

G/B

G



 

 



  

 



  

 

 









 

 

 

 

 

C‹

  







 

 

 

 

 

 

  

 

 

   

53

    



      

   



 



51

   

 

      

   



  

A7(;3)/G

 

48

    

G‹

 

 

 

  

 

 

 





 

14. Who Could Love Me? from Beauty and the Beast.

q = 136

    



   

8





B



Cº7







B¨/D

        













E¨‹





   

    



   

   



cruel of heart and free of guilt. B¨‹

             

   

       

20

weak of will. C¨

            

E¨‹

 

  

 

   

 

     

 

  

could love me?

Who



D¨/F

B¨‹

 



   



 

 

B¨‹

 

     

Who

             

  

 

Love has made me

 



 

   

 B¨‹/D¨

      

B¨‹/D¨



I can ne-ver change.



 



   

   

           

E¨‹



   

15





BOOTBOY: I was made this way:

    







                                           

    



Words and music by Julian Butler.



  

 



could change me? A¨/C



 

   

 

2 23

    



    

How will I D¨



be

A¨º

          



B¨/D

B/D©



          hon - est, E

    



               



                

36

    











     

  

can't give her A¨/C





  



All her hopes and dreams B‹/D

G¨/D¨

                 

 

 



can't help her, I D¨/F B¨‹

 

   

D&

  







   

 

  



 





a - ny thing she D¨ A¨º B¨/D

   

 



 needs. B/D©

             



lie some - where else, with E

D&



      

me;

      



      

  

  

 

 

with

 

  

for me. G¨



    

 

  



 

G¨/D¨

     

much too good D¨7/F



32

I G¨





here

B‹/D

  

true and



She stands

         



 



free?

28





    

some-one else, not D¨7/F



 

 

 

3

     

41







47

    



 

53

    



    



            



 



 









 



  







 





 







 

 



 







 







 







           

 

  

       



   



 

      

59

 



      

    



me.

               

   







                         







                                             

4 65

    















                                                     

71

    



   





        

      

76

    



          

     

80



dreams D&

    

       



be

A¨º









B‹/D

 

lie







 

rall.



  





 



G¨/D¨





 



 



some -where else, with some - one else, E D¨7/F

  

   

All her hopes and

B/D©



 

     

free?

B¨/D

A¨/C

 





could change me?

B¨‹





       

 

D¨/F





could love me?Who

       p      

     D¨

  



Who p G¨



  

How will I

 



   

 

 

   



   not



me. G¨

    

15. Time Stands Still. from Beauty and the Beast.



q = 150

   

   

   

    



   

   

   



   

ped.

     mf    

5

Words and music by Julian Butler.

C©‹

    7















  











 









 

   

BOOTBOY: So,she took her

   





 COOK:



 



 





 BUTLER:

   

So,she took her

    So,she took her

C©‹

                       

   

 

 

   

2

       10

fath -er's

     



horse,

androde it in - to that cold

    

    



     

     



fath -er's



fath -er's

        

horse,

        

androde it in - to that cold

horse,

        

androde it in - to that cold

       

night.

She

      

night.

She

       

night.

She

                                  C©(“2)/D©

    3   13

E

 



ne -ver looked back,

 

3

  







 3 





 

3

 









3   



ne -verthought

twice.

                       



ne -verthought twice.

ne -ver looked back, E



ne -verthought twice.

ne -ver looked back,

   3 

C©(“4)/F©

E(“2)/F©

G©(“4)/D©

 

 



 G©

                 

      17

    

   



3

                     She rode in-to thedeep,dark fo - rest,

on her mind,

She rode in-to thedeep,dark fo - rest,

on her mind,

on her mind,

C©‹

        21

rode un - til

     

rode un - til

      



rode un - til

C©(“2)/D©

E

       



        



the cas-tle loomed in

 





 

bro-ken pro - mise. She

                       



the cas-tle loomed in



C©(“4)/F©

      

the cas-tle loomed in

a



bro-ken pro - mise. She

                  

                       





sight.

  The





sight.

 

The

sight.

                       

a

 

bro-ken pro - mise. She

                   

She rode in-to thedeep,dark fo - rest,

E

a





E(“2)/F©

G©(“4)/D©

 

 







 

The



                 

4

     25

gates

 



gates

   



gates

   

 

    

  

  

    

    

swung o - pen,

not a

sound.

Theyounggirl

en - tered,

    

swung o - pen,

  

not a

  

sound.

    

Theyounggirl

    

en - tered,

    

  

  

   

    

not a

sound.

Theyounggirl

en - tered,

swung o - pen,

A

 

 

      

A(“2)/B

A‹/C

                                 

 

  

 



    

  

bound.

They

closed

be hind her:

she was

    

  

 



    

     

  

28

du -ty

du -ty



du -ty

   

bound.

bound.



 

trapped

in -

side.

  

   



 

trapped

in -

side.

   



trapped

in -

 

They

closed

be hind her:

she was

 



    

  

They

A(“4)/D

           

closed

be hind her:

she was

E

E(“2)/F©

 

 

   

            

side.

  

    



31

      In the un

   

  



-





34       





    

  



    

    

 

  

   







subito p

 





 



   

 

 

 

 

 

 



 

 

C©‹

   











 



 

F©(“2)

 

46

  

C©(“2)/D©

C©‹/E

 

C©‹



   

39

known.





    

5



                               G©(“4)





  A(b5)



 

 



 

 







q = 156

              

6



     

                     

52

                         



G     D/F©          

  

D

  

   

 

Freely. p



ped.

MAID:You bleed and



  





p 



I bleed.You hurt, I



heart





   

beat and

D/C©

 









I

feel

   B‹   

it,

D/F© G



 

 

You

feel your



G

 

D

 

          





too.

Hold

  G



 





hurt, too.



  



 

D/C©       B‹    

  

  

   

D

   

70



              

D



          

64

  



q = 110

58







F©‹

  

  

 



  





on;

   



7

              



74



noth-ing is ea - sy, but hold

on

                G

D

   

  



          80



F

   86   



me.

If

G(“4)

 

90



G

die,

 



D

 





me.

   G

    

then



on;



  

Hold F©‹

  



 

 

   

 

so

  



on



for

C



A/C©



A‹



   

                        

I

     

  

F





G/B

I'll do my best if you hold

    

 

you

     

   

 

A‹

G/B

still

       



  

                

stands

p

     

still.

Time C



stands

C

      

 



   

A(“4) A



I can stay next to you.Time

  

for me.







die,

so

stay





B‹

    



strong

 





for



     

       

noth-ing is ea - sy, but hold



on



for

                           G

D

8

    94



me.



Time

    

A(“4)

 

   mf 

A

D



   

     

 stands

still

  

A/C©

so

G

    

101

       

still.



I'll do my best if you hold

        



  

106

 



    

B‹

G

  





on

for

me.

                    D

A(“4)

     

   

pp











 

D





A

 





 





  

             

111

   



  

A/C©





G     D/F©           

p

stands

D

D

 

I can stay next to you.Time

                

B‹

 

   

        







    

         D/F© G

D



    

    

16. Something Amazing [Reprise].



from Beauty and the Beast. Words and music by Julian Butler.

q = 172

                      

    

  6





BOOTBOY:

11   



al -

G/B



 



  





   

Looks can be

de - ceiv - ing.

    See -ing is - n't

                             G/D

G

    

C

   

       

                                           

ways

be - liev - ing. A‹



17       

er - ance,

A‹

   

                                         

  



                               



               

No -one can be blind A‹ G



F E‹ D‹

      

find pat - ience with - in, C/G

          

to

D‹/G

   



look un -der

ap -pear - ance, but with time, G

C/E

E7/D

 

  



E7

      the skin

per - sev





and some thing D‹/G

   

a-



2

23          







maz -ing may be - gin. G

               



28

           



     

 



32

      



           

36

41



     

     

         

    

    

     

     

     

                     

46





             

    

     

       

          

    

    

  

   

              

      



   

  

  

     

    

  

    

       

                        

      

 F©

      

G

    

 COOK:

  

   

  

             

like a thrash - ing, in a flash it can make some - one B‹ B¨‹

  



                                                  



                   

Ma - gic. G

          

     

G

   

  

     

    



         

good. A‹

                            



    

  

      







I

  

gave

   

my

  

   

3

50



wand D



   

   



 

  

 

           

a wave, and ma - gic. G

 

   



Could - n't help it, Dove,

 



   

would do both of







 

you

 

  I

   

 





and







ma - gic B‹ B¨‹

     

 

      

 

know what you mean, dear.



BOOTBOY: Quite ex treme! A‹

D

 

Some - times





thought I'd



C

3

    

58



fa - vour.



      



a



             



  



you felt the love

 

 

54

   



 



G

    

        

               

   

     

 







gone too far.



   

BUTLER:



E¨9

But

  

turned out great for

G7

C

            

   

  

   

ev -'ry - one's sake.

E¨(“2)

           

Now

        

4

    62

         And she loves you.



    



D

    

66



   



rais

-

-





played.









played.

     C9

  

ing

some -thing a - maz

-



B‹7    

  





  



G

69

   

-

ing

some -thing a - maz







         

  

  







 



       

-

Some -how we're rais

-



     

 

ing.



ing.



do,

but say that we're

  

 



    

  

    

New love is

made,

this play has been

New love is

made,

this play has been

    





 

ing



ing



 





some -thing a

 

-

maz



-

ing.

some -thing a

-

maz

-

ing.



   

  

    

E‹                            

Some -how we're rais

D7





but say that we're

C/G D/A

 

  

do,

    3 

   3 

D/F©

    





q = 129.25

  

There's noth - ing left here to

C/E

q = 129.25

rais

3

There's noth - ing left here to



    

     

    

   



you love him.



3

G B7                          



A/C©



 

     May -be it's

     May -be it's

                      

E‹

  

    

   

72

true,

may -be it's not.

    

Some -thing be -tween

it. Now that you'veseen

    

true,

may -be it's not.

Some -thing be -tween

it. Now that you'veseen

it, know that we



  

    





  



                             C

A/C©

    

   

mean

mean













       

















q = 145.













        





         



q = 164

   

MAID: No -one can be





















     

 





   

 

blind

   



 

to

ap-



 

No -one can be

   



blind

to

ap-

BOOTBOY: No -one can be

blind

to

ap-





  BUTLER:



E‹



COOK:



   

it.

Bº/F B7/F©                82    



 

   

B7/D©

it, know that we

it.

 



 

   

             

G/D

 q = 145.   

76



    

   

  

5









       



                  

No -one can be E‹



  

D

C

B‹

blind A‹

to

 

 

ap-

   

6

    88

pear - ance, but with



 

time,

  



pear - ance, but with





  

 













un -der



the





un -der



 

the

un -der

the



   





un -der



skin

the



       

per - sev - er - ance,



 

skin

skin

and some thing

 



  

and some thing

     

skin

find

find

 E‹             

and some thing

 

find

 

with - in,

pat -ience

pat -ience

and some thing A‹/D

 

 

 









 



look



 

with - in,

pat -ience

look

   



with - in,

  

G/D

look

A‹/D

                

               a - maz -ing may

     

be - gin.





a - maz -ing may

    







     













a - maz -ing may

a - maz -ing may D

      rit.                     B7/A



look

with - in,

       

     

 

    G/B

  B7

     

93

per - sev - er - ance,

time,

  

    



pat -ience

   



       

   

pear - ance, but with

  

 

 

find

     

per - sev - er - ance,

time,

  

D 

 

per - sev - er - ance,

time,

pear - ance, but with



     

  

  



G B‹ C G B‹ C                         rit.         

q = 126 99

  

 

 



 

 